How to read this list
Rank
Position in the Top 94, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in Austria who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in Austria. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in Austria, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in Austria. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 51 | CCapriccio (opera) | 6.8k | 0.6% | 42.5 | 55.5% | |
| 52 | SSixx Paxx | 6.2k | 4.3% | 39.7 | 53.0% | |
| 53 | TThe Sleeping Beauty (ballet) | 6.1k | 1.2% | 32.8 | 93.5% | |
| 54 | MMatilda the Musical | 6k | 0.1% | 38.6 | 75.9% | Musical |
| 55 | TThe Phantom of the Opera | 5.7k | 0.8% | 25.5 | 75.3% | Musical |
| 56 | TThe Wiz | 5.4k | 0.7% | 38.2 | 67.4% | Musical |
| 57 | TThe Color Purple (musical) | 5.4k | 0.7% | 44.9 | 67.4% | |
| 58 | WWe Will Rock You (musical) | 5.3k | 0.3% | 31.6 | 52.1% | |
| 59 | GGypsy (musical) | 5.3k | 0.2% | 29.5 | 100.0% | |
| 60 | DDear Evan Hansen | 5k | 0.2% | 28.7 | 58.5% | |
| 61 | TThe Marriage of Figaro | 4.9k | 0.9% | 28.7 | 54.2% | |
| 62 | TTwelfth Night | 4.6k | 0.6% | 32.1 | 71.6% | |
| 63 | WWaitress (Musical) | 4.3k | 0.4% | 43.5 | 81.1% | |
| 64 | TThe Tempest (opera) | 4k | 0.8% | 38.7 | 83.8% | |
| 65 | DDas Rheingold | 4k | 1.6% | 46.5 | 26.1% | |
| 66 | DDreamgirls | 3.5k | 0.4% | 36.5 | 42.4% | Musical |
| 67 | GGrease (musical) | 3.2k | 0.2% | 46.0 | 59.1% | Musical |
| 68 | CChat Noir | 3.2k | 0.4% | 36.5 | 66.7% | |
| 69 | SSouth Pacific (musical) | 3k | 1.2% | 50.8 | 72.2% | Musical |
| 70 | HHedwig and the Angry Inch (musical) | 2.9k | 0.5% | 45.8 | 70.0% | |
| 71 | DDer Freischütz | 2.7k | 1.7% | 45.3 | 51.5% | |
| 72 | HHello, Dolly! (musical) | 2.2k | 0.3% | 22.9 | 100.0% | |
| 73 | HHairspray (musical) | 2.2k | 0.1% | 48.9 | 73.7% | |
| 74 | TThe Lion King (musical) | 1.7k | 0.2% | 42.8 | 64.0% | Musical |
| 75 | EElisabeth das Musical | 1.5k | 5.5% | 36.5 | 100.0% |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this list of the most popular musicals compiled?
Rascasse aggregates anonymized search-behavior signals across Austria and ranks each musical by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest musical in Austria?
Chess (musical) currently leads with an estimated audience of 346k people in Austria.