How to read this list
Rank
Position in the Top 100, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in Brazil who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in Brazil. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in Brazil, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in Brazil. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 26 |  Hamilton (musical) |
72k | 2.2% | 33.2 | 61.2% | Musical |
| 27 |  In the Heights |
67k | 3.4% | 40.5 | 58.6% | |
| 28 |  Mary Poppins (musical) |
63k | 2.4% | 38.9 | 72.4% | Musical |
| 29 |  West Side Story |
63k | 2.4% | 33.1 | 61.4% | |
| 30 |  Blue Man Group |
50k | 2.8% | 35.8 | 43.5% | Musical |
| 31 |  Guys and Dolls |
49k | 3.8% | 34.7 | 60.2% | |
| 32 |  School of Rock (musical) |
49k | 1.7% | 44.5 | 51.6% | |
| 33 |  The Aristocats |
48k | 3.1% | 37.3 | 69.2% | Musical |
| 34 |  Dear Evan Hansen |
47k | 2.4% | 43.2 | 67.3% | |
| 35 |  Riverdance |
47k | 2.8% | 34.3 | 50.4% | Musical |
| 36 |  The Tempest (opera) |
44k | 9.6% | 26.9 | 91.1% | |
| 37 |  Dreamgirls |
41k | 4.2% | 44.2 | 45.7% | Musical |
| 38 |  The Music Man |
39k | 1.1% | 52.0 | 41.1% | |
| 39 |  Jekyll & Hyde (musical) |
37k | 9.8% | 37.0 | 65.5% | |
| 40 |  La traviata |
36k | 3.1% | 43.4 | 59.6% | |
| 41 |  Candide (operetta) |
34k | 7.6% | 34.1 | 67.3% | |
| 42 |  Matilda the Musical |
32k | 0.7% | 39.2 | 55.2% | Musical |
| 43 |  Chat Noir |
32k | 4.4% | 28.7 | 80.1% | |
| 44 |  Giselle |
32k | 2.2% | 32.0 | 80.8% | |
| 45 |  Cabaret (musical) |
31k | 1.7% | 34.3 | 51.2% | |
| 46 |  The Wizard of Oz (1902 musical) |
31k | 1.6% | 25.2 | 92.5% | |
| 47 |  The Producers (musical) |
31k | 3.8% | 36.3 | 45.1% | Musical |
| 48 |  Twelfth Night |
29k | 3.7% | 39.6 | 73.3% | |
| 49 |  Hairspray (musical) |
26k | 1.3% | 38.4 | 63.4% | |
| 50 |  Swan Lake |
25k | 1.1% | 36.3 | 61.6% | Musical |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this Top 100 list compiled?
Rascasse aggregates anonymized search-behavior signals across Brazil and ranks each musical by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest musical in Brazil?
Anything Goes currently leads with an estimated audience of 4.3M people in Brazil.