How to read this list
Rank
Position in the Top 100, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in France who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in France. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in France, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in France. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 26 |  Alegría (Cirque du Soleil) |
70k | 1.4% | 40.0 | 63.8% | |
| 27 |  Riverdance |
69k | 4.1% | 42.5 | 57.3% | Musical |
| 28 |  Roméo et Juliette (musical) |
69k | 38.4% | 25.1 | 76.7% | |
| 29 |  La traviata |
69k | 6.1% | 49.3 | 57.4% | |
| 30 |  West Side Story |
58k | 2.2% | 41.5 | 57.2% | |
| 31 |  Chat Noir |
56k | 7.7% | 31.1 | 73.1% | |
| 32 |  Shrek The Musical |
53k | 5.1% | 40.1 | 47.9% | Musical |
| 33 |  School of Rock (musical) |
52k | 1.8% | 44.7 | 57.1% | |
| 34 |  Follies |
49k | 7.1% | 42.6 | 62.5% | |
| 35 |  Hamilton (musical) |
45k | 1.3% | 32.1 | 57.6% | Musical |
| 36 |  Dreamgirls |
39k | 4.0% | 41.8 | 77.7% | Musical |
| 37 |  Requiem (Mozart) |
38k | 3.1% | 47.5 | 36.8% | |
| 38 |  Hello, Dolly! (musical) |
37k | 5.2% | 39.2 | 85.4% | |
| 39 |  La caverne (Méhul) |
36k | 91.4% | 38.5 | 80.3% | |
| 40 |  The Wizard of Oz (1902 musical) |
35k | 1.8% | 43.1 | 62.3% | |
| 41 |  War Horse (play) |
33k | 2.2% | 46.2 | 72.8% | |
| 42 |  Candide (operetta) |
30k | 6.9% | 33.8 | 92.3% | |
| 43 |  Evita (musical) |
30k | 1.1% | 46.4 | 63.3% | Musical |
| 44 |  The Magic Flute |
29k | 5.7% | 39.3 | 58.0% | |
| 45 |  Tarzan (musical) |
29k | 1.5% | 32.6 | 65.1% | Musical |
| 46 |  The Marriage of Figaro |
28k | 5.2% | 44.5 | 59.8% | |
| 47 |  Dear Evan Hansen |
28k | 1.4% | 38.6 | 69.6% | |
| 48 |  A Chorus Line |
27k | 3.1% | 41.6 | 53.5% | Musical |
| 49 |  Hairspray (musical) |
27k | 1.4% | 41.6 | 51.5% | |
| 50 |  The Imaginary Invalid |
27k | 18.0% | 53.6 | 73.4% |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this Top 100 list compiled?
Rascasse aggregates anonymized search-behavior signals across France and ranks each musical by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest musical in France?
Cats (musical) currently leads with an estimated audience of 657k people in France.