How to read this list
Rank
Position in the Top 50, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in South Korea who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in South Korea. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in South Korea, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in South Korea. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 26 |  Carnival Row |
2.6k | 0.1% | 25.8 | 41.6% | Fantasy |
| 27 |  The Stand |
2.6k | 0.1% | 46.8 | 56.2% | Fantasy |
| 28 |  Dragon Age |
2.2k | 0.1% | 36.6 | 18.8% | Fantasy |
| 29 |  Lemony Snicket |
2.2k | 0.3% | 39.9 | 62.8% | Fantasy |
| 30 |  Good Witch (TV series) |
2k | 0.2% | 47.7 | 96.4% | Fantasy |
| 31 |  The Elder Scrolls IV: Oblivion |
1.8k | 0.0% | 28.6 | 34.1% | Fantasy |
| 32 |  Time Bandits |
1.8k | 0.2% | 44.6 | 37.4% | Fantasy |
| 33 |  Wings of Desire |
1.7k | 0.4% | 32.8 | 62.7% | Fantasy |
| 34 |  Dragon's Lair |
1.6k | 0.7% | 35.5 | 46.5% | Fantasy |
| 35 |  Tales from Earthsea (film) |
1.5k | 0.3% | 35.1 | 57.1% | Fantasy |
| 36 |  The Last Unicorn (film) |
1.5k | 0.1% | 39.6 | 73.9% | Fantasy |
| 37 |  Miracle on 34th Street |
1.4k | 0.1% | 38.2 | 69.5% | Fantasy |
| 38 |  Pom Poko |
1.2k | 0.1% | 33.3 | 48.4% | Fantasy |
| 39 |  Age of Mythology |
1.1k | 0.1% | 30.5 | 51.3% | Fantasy |
| 40 |  Vampire Academy |
1.1k | 0.1% | 42.6 | 76.1% | Fantasy |
| 41 |  Der Ring des Nibelungen |
1.1k | 0.4% | 43.0 | 40.6% | Fantasy |
| 42 |  The Shadow |
1k | 0.1% | 27.6 | 25.2% | Fantasy |
| 43 |  Outlander (novel) |
877 | 0.0% | 47.7 | 89.4% | Fantasy |
| 44 |  A Game of Thrones |
802 | 0.1% | 29.4 | 59.3% | Fantasy |
| 45 |  The Secret of Kells |
699 | 0.2% | 23.3 | 30.7% | Fantasy |
| 46 |  The Shannara Chronicles |
633 | 0.1% | 42.2 | 63.2% | Fantasy |
| 47 |  Percy Jackson & the Olympians: The Lightning Thief |
572 | 0.1% | 43.8 | 40.3% | Fantasy |
| 48 |  Harry Potter and the Deathly Hallows – Part 1 |
361 | 0.5% | 24.8 | 63.9% | Fantasy |
| 49 |  Solomon Kane |
312 | 0.1% | 28.2 | 0.0% | Fantasy |
| 50 |  The Dark Eye |
84 | 0.1% | 29.7 | 76.9% | Fantasy |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this Top 50 list compiled?
Rascasse aggregates anonymized search-behavior signals across South Korea and ranks each fantasy by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest fantasy in South Korea?
Frankenstein currently leads with an estimated audience of 43k people in South Korea.