How to read this list
Rank
Position in the Top 100, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in South Korea who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in South Korea. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in South Korea, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in South Korea. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 51 |  Waiting to Exhale |
4.3k | 0.3% | 33.3 | 65.5% | Romance |
| 52 |  The Longest Ride (film) |
4.2k | 0.1% | 43.3 | 64.6% | Romance |
| 53 |  PS, I Love You (novel) |
4.1k | 0.2% | 51.1 | 100.0% | Romance |
| 54 |  Only You (1994 film) |
3.8k | 0.3% | 19.9 | 28.0% | Romance |
| 55 |  Life as We Know It (film) |
3.8k | 0.2% | 30.8 | 69.2% | Romance |
| 56 |  Warm Bodies (film) |
3.8k | 0.2% | 41.8 | 50.3% | Romance |
| 57 |  Going the Distance (2010 film) |
3.6k | 0.4% | 29.5 | 74.5% | Romance |
| 58 |  A Man and a Woman |
3.6k | 0.8% | 27.0 | 90.0% | Romance |
| 59 |  Stealing Beauty |
3.5k | 0.3% | 33.3 | 60.7% | Romance |
| 60 |  Last Tango in Paris |
3.4k | 0.5% | 36.5 | 65.5% | Romance |
| 61 |  The Other Woman (2014 film) |
3.3k | 0.1% | 36.6 | 80.0% | Romance |
| 62 |  dr zhivago |
3.2k | 0.2% | 35.7 | 26.9% | Romance |
| 63 |  Letters to Juliet |
3.1k | 0.2% | 40.2 | 51.6% | Romance |
| 64 |  Keeping the Faith |
3.1k | 0.5% | 31.7 | 59.6% | Romance |
| 65 |  Mr. & Mrs. Smith (2005 film) |
3.1k | 0.3% | 46.8 | 54.8% | Romance |
| 66 |  What Men Want |
3k | 0.2% | 49.5 | 84.5% | Romance |
| 67 |  Bright Star (film) |
2.8k | 0.4% | 48.9 | 95.7% | Romance |
| 68 |  Sense and Sensibility |
2.8k | 0.1% | 22.4 | 66.0% | Romance |
| 69 |  The Break-Up |
2.7k | 0.1% | 25.6 | 68.3% | Romance |
| 70 |  The Rebound |
2.6k | 0.5% | 27.4 | 74.8% | Romance |
| 71 |  The Curious Case of Benjamin Button (film) |
2.6k | 0.1% | 27.8 | 70.3% | Romance |
| 72 |  Pitch Perfect 2 |
2.4k | 0.1% | 31.0 | 68.5% | Romance |
| 73 |  Becoming Jane |
2.4k | 0.3% | 51.4 | 74.3% | Romance |
| 74 |  Runaway Bride (film) |
2.2k | 0.1% | 35.0 | 59.6% | Romance |
| 75 |  The Vow (2012 film) |
2.2k | 0.1% | 22.3 | 70.9% | Romance |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this Top 100 list compiled?
Rascasse aggregates anonymized search-behavior signals across South Korea and ranks each romance by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest romance in South Korea?
Aladin (film) currently leads with an estimated audience of 90k people in South Korea.