How to read this list
Rank
Position in the Top 100, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in Poland who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in Poland. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in Poland, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in Poland. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 26 | OOvo (Cirque du Soleil) | 31k | 1.2% | 34.7 | 88.3% | |
| 27 | SSchool of Rock (musical) | 31k | 1.1% | 44.7 | 57.1% | |
| 28 | BBilly Elliot the Musical | 31k | 2.8% | 44.4 | 59.2% | Musical |
| 29 | WWar Horse (play) | 28k | 2.0% | 46.2 | 72.8% | |
| 30 | BBlue Man Group | 25k | 1.4% | 37.9 | 41.4% | Musical |
| 31 | AAllegiance (musical) | 21k | 1.0% | 50.6 | 51.6% | |
| 32 | PPagliacci | 20k | 2.0% | 28.4 | 57.9% | |
| 33 | SSwan Lake | 20k | 0.9% | 39.3 | 78.0% | Musical |
| 34 | TTwelfth Night | 20k | 2.5% | 41.0 | 85.0% | |
| 35 | TThe Tempest (opera) | 18k | 3.6% | 38.9 | 81.4% | |
| 36 | TThe Wizard of Oz (1902 musical) | 18k | 0.9% | 43.1 | 62.3% | |
| 37 | FFiddler on the Roof | 17k | 1.3% | 48.5 | 60.2% | Musical |
| 38 | KKiss Me, Kate | 17k | 9.6% | 50.9 | 76.9% | |
| 39 | KKinky boots | 17k | 1.4% | 39.7 | 78.5% | |
| 40 | TThe Aristocats | 17k | 1.1% | 34.4 | 66.6% | Musical |
| 41 | TThe Bodyguard (musical) | 17k | 1.4% | 48.0 | 74.8% | |
| 42 | HHamilton (musical) | 17k | 0.5% | 27.0 | 67.1% | Musical |
| 43 | TThe Book of Mormon (musical) | 16k | 0.4% | 36.3 | 63.8% | |
| 44 | PPippin (musical) | 16k | 2.9% | 46.9 | 70.6% | |
| 45 | LLa traviata | 15k | 1.4% | 44.5 | 67.9% | |
| 46 | MMary Poppins (musical) | 15k | 0.6% | 33.2 | 72.9% | Musical |
| 47 | TThe Sleeping Beauty (ballet) | 14k | 2.8% | 32.3 | 82.5% | |
| 48 | RRock of Ages (musical) | 14k | 1.3% | 46.3 | 55.2% | |
| 49 | WWest Side Story | 13k | 0.5% | 38.8 | 100.0% | |
| 50 | TThe Addams Family (musical) | 13k | 0.8% | 32.1 | 100.0% | Musical |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this list of the most popular musicals compiled?
Rascasse aggregates anonymized search-behavior signals across Poland and ranks each musical by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest musical in Poland?
Hair (musical) currently leads with an estimated audience of 367k people in Poland.