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How to read this list
Rank
Position in the Top 100, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in Australia who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in Australia. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in Australia, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in Australia. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 51 | IIn the Heights | 38k | 1.9% | 40.6 | 67.1% | |
| 52 | TThe Marriage of Figaro | 36k | 6.7% | 44.7 | 73.8% | |
| 53 | TTwelfth Night | 36k | 4.7% | 46.0 | 87.2% | |
| 54 | DDear Evan Hansen | 36k | 1.9% | 39.8 | 64.6% | |
| 55 | SSouth Pacific (musical) | 35k | 13.9% | 47.5 | 41.3% | Musical |
| 56 | TThe Sleeping Beauty (ballet) | 34k | 6.7% | 39.1 | 83.5% | |
| 57 | OOvo (Cirque du Soleil) | 33k | 1.2% | 39.7 | 28.3% | |
| 58 | 99 to 5 (musical) | 32k | 6.8% | 40.0 | 57.6% | Musical |
| 59 | LLittle Shop of Horrors (musical) | 32k | 3.9% | 40.2 | 100.0% | Musical |
| 60 | EEvita (musical) | 32k | 1.1% | 42.3 | 76.7% | Musical |
| 61 | FFootloose (musical) | 31k | 1.1% | 41.5 | 100.0% | Musical |
| 62 | AAllegiance (musical) | 29k | 1.4% | 38.9 | 0.0% | |
| 63 | BBilly Elliot the Musical | 29k | 2.6% | 39.1 | 71.6% | Musical |
| 64 | HHedwig and the Angry Inch (musical) | 28k | 4.4% | 44.0 | 63.7% | |
| 65 | GGuys and Dolls | 27k | 2.1% | 38.7 | 51.6% | |
| 66 | JJesus Christ Superstar | 26k | 2.5% | 52.4 | 100.0% | Musical |
| 67 | BBlue Man Group | 26k | 1.5% | 39.8 | 45.3% | Musical |
| 68 | KKinky boots | 25k | 2.0% | 42.5 | 98.8% | |
| 69 | JJekyll & Hyde (musical) | 22k | 5.6% | 52.7 | 100.0% | |
| 70 | TThe Aristocats | 21k | 1.3% | 31.2 | 95.7% | Musical |
| 71 | RRock of Ages (musical) | 20k | 1.9% | 41.9 | 92.2% | |
| 72 | TTarzan (musical) | 20k | 1.1% | 38.1 | 72.2% | Musical |
| 73 | SStarlight Express | 19k | 1.9% | 38.5 | 70.6% | Musical |
| 74 | TThe Bodyguard (musical) | 19k | 1.5% | 42.3 | 95.3% | |
| 75 | GGiselle | 17k | 1.2% | 33.1 | 100.0% |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this list of the most popular musicals compiled?
Rascasse aggregates anonymized search-behavior signals across Australia and ranks each musical by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest musical in Australia?
Wicked (musical) currently leads with an estimated audience of 842k people in Australia.