How to read this list
Rank
Position in the Top 100, sorted by audience size from largest to smallest. Updated weekly.
Audience size
Estimated number of unique people in Sweden who actively engage with this audience, derived from anonymized search-behavior signals.
Country share
Share of the global audience that is active in Sweden. A higher value means the audience is more locally concentrated here.
Avg age
Average age in years across the people who engage with this audience in Sweden, derived from anonymized search-behavior signals. A dash means demographic data is not yet available.
Female share
Share of women among the people who engage with this audience in Sweden. 50% is gender-balanced; values above mean female-skewed, below mean male-skewed.
Ranking
| Rank | Audience | Audience size | Country share | Avg age | Female share | Subtype |
|---|---|---|---|---|---|---|
| 76 | RRick Estrin & the Nightcats | 334 | 1.4% | 45.5 | 50.3% | Blues |
| 77 | PPatrick Sweany | 320 | 1.3% | 45.5 | 50.3% | Blues |
| 78 | SSouthern Avenue | 318 | 0.1% | 49.9 | 32.6% | Blues |
| 79 | JJimmy Witherspoon | 279 | 1.0% | 54.8 | 34.2% | Blues |
| 80 | BBig Maybelle | 275 | 1.1% | 52.9 | 71.7% | Blues |
| 81 | TTab Benoit | 269 | 0.1% | 50.5 | 46.9% | Blues |
| 82 | JJimmy Burns | 252 | 1.0% | 51.5 | 24.1% | Blues |
| 83 | BBuddy Guy & Junior Wells | 248 | 2.5% | 52.1 | 19.5% | Blues |
| 84 | KKenny Neal | 242 | 0.9% | 54.7 | 37.3% | Blues |
| 85 | TThe Robert Cray Band | 239 | 1.8% | 51.2 | 33.0% | Blues |
| 86 | LLaurence Jones | 230 | 0.9% | 45.5 | 50.3% | Blues |
| 87 | SSelwyn Birchwood | 228 | 0.7% | 51.5 | 24.1% | Blues |
| 88 | BBenjamin Booker | 220 | 1.1% | 46.4 | 45.1% | Blues |
| 89 | DDanny Bryant | 218 | 0.6% | 45.5 | 50.3% | Blues |
| 90 | WWhen Rivers Meet | 218 | 0.5% | 45.5 | 50.3% | Blues |
| 91 | JJohn Primer | 214 | 0.8% | — | — | Blues |
| 92 | PPeter Green Splinter Group | 214 | 1.3% | 49.9 | 42.1% | Blues |
| 93 | IIda Mae | 207 | 0.3% | 49.3 | 26.6% | Blues |
| 94 | GGene Deer | 206 | 2.6% | 51.5 | 24.1% | Blues |
| 95 | RRobin Rogers | 206 | 0.7% | 51.5 | 24.1% | Blues |
| 96 | AAlvin Youngblood Hart | 204 | 1.1% | 52.0 | 45.9% | Blues |
| 97 | TThe Record Company | 189 | 0.1% | 45.6 | 41.3% | Blues |
| 98 | SScott Sharrard | 187 | 0.7% | 49.1 | 37.2% | Blues |
| 99 | EEddie 9V | 184 | 0.2% | 50.5 | 46.9% | Blues |
| 100 | FFerris & Sylvester | 183 | 1.9% | 51.5 | 24.1% | Blues |
Want the full picture for any of these audiences?
Open any profile to see psychographics, top regions, peer affinities and demographic splits — all derived from the same anonymized signals.
Frequently asked questions
How is this list of the most popular blues compiled?
Rascasse aggregates anonymized search-behavior signals across Sweden and ranks each blues by its estimated audience size. Only entries with at least 5 measured entities are listed.
How often is the list updated?
The ranking is refreshed weekly from the latest search-behavior data and re-published as a static page.
What is the largest blues in Sweden?
King King currently leads with an estimated audience of 232k people in Sweden.