A data profile of the people who buy, follow and care about Hamlet in United States — modelled from more than twelve digital signal sources. Hamlet has an estimated audience of 3,343,802 people in United States.
The average Hamlet fan in United States is 43.5 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Romeo and Juliet, Romeo and Juliet (1968 film), Othello, with strongest over-indexing on Romeo and Juliet (53.38× the country average).
Demographically, the Hamlet audience skews more female with an average age of 43.5, and over-indexes on personality traits such as Tradition, Community Orientation.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Hamlet fan in United States is more female, around 43.5 years old, with strong Tradition tendencies and a notable affinity for Romeo and Juliet.
The key figures that characterise the Hamlet profile in United States.
63.6% are female, 36.4% are male, average age 43.5.
| Metric | Value |
|---|---|
| Female | 63.6% |
| Male | 36.4% |
| Average age | 43.5 |
| Estimated audience size | 3,343,802 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 12% | |
| 20-29 | 14% | |
| 30-39 | 20% | |
| 40-49 | 25% | |
| 50+ | 29% |
of the worldwide Hamlet audience comes from United States.
| Country | Share |
|---|---|
| United States | 22.3% |
| United Kingdom | 9.4% |
| Germany | 7.9% |
Where the Hamlet audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | North Carolina | ~100K | 1.56× | |
| 02 | California | ~400K | 1.26× | |
| 03 | New York | ~200K | 1.26× | |
| 04 | New Jersey | ~100K | 1.22× | |
| 05 | Massachusetts | ~80K | 1.22× | |
| 06 | Indiana | ~70K | 1.22× | |
| 07 | Washington, District of Columbia | ~10K | 1.17× | |
| 08 | Utah | ~30K | 1.14× | |
| 09 | Texas | ~300K | 1.13× | |
| 10 | South Carolina | ~50K | 1.13× | |
| 11 | Virginia | ~90K | 1.12× | |
| 12 | Oregon | ~40K | 1.12× | |
| 13 | Rhode Island | ~10K | 1.12× | |
| 14 | Connecticut | ~40K | 1.11× | |
| 15 | Washington | ~70K | 1.10× | |
| 16 | Pennsylvania | ~100K | 1.09× | |
| 17 | Illinois | ~100K | 1.08× | |
| 18 | Vermont | ~6K | 1.07× | |
| 19 | Maryland | ~60K | 1.04× | |
| 20 | Louisiana | ~40K | 1.04× | |
| 21 | Colorado | ~50K | 1.01× | |
| 22 | Minnesota | ~50K | 1.01× | |
| 23 | Hawaii | ~10K | 1.01× | |
| 24 | New Hampshire | ~10K | 1.01× | |
| 25 | Idaho | ~20K | 1.00× | |
| 26 | Maine | ~10K | 1.00× | |
| 27 | Oklahoma | ~30K | 0.97× | |
| 28 | Nebraska | ~20K | 0.97× | |
| 29 | Michigan | ~80K | 0.96× | |
| 30 | North Dakota | ~6K | 0.96× | |
| 31 | Florida | ~200K | 0.94× | |
| 32 | Arizona | ~60K | 0.94× | |
| 33 | Delaware | ~8K | 0.94× | |
| 34 | Georgia | ~90K | 0.93× | |
| 35 | Kansas | ~20K | 0.93× | |
| 36 | Wisconsin | ~40K | 0.91× | |
| 37 | Ohio | ~90K | 0.90× | |
| 38 | Kentucky | ~40K | 0.90× | |
| 39 | Montana | ~8K | 0.90× | |
| 40 | Alabama | ~40K | 0.89× | |
| 41 | Arkansas | ~20K | 0.86× | |
| 42 | South Dakota | ~6K | 0.86× | |
| 43 | New Mexico | ~10K | 0.85× | |
| 44 | Alaska | ~6K | 0.85× | |
| 45 | Tennessee | ~50K | 0.83× | |
| 46 | Missouri | ~40K | 0.83× | |
| 47 | Iowa | ~20K | 0.82× | |
| 48 | West Virginia | ~10K | 0.81× | |
| 49 | Mississippi | ~20K | 0.77× | |
| 50 | Nevada | ~20K | 0.75× |
The strongest cross-interests of the Hamlet audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Paul Potts | Music & Radio | 187.60× | ||
| 02 | Sid and Nancy | Movies & TV | 85.67× | ||
| 03 | Roger Deakins | Movies & TV | 83.90× | ||
| 04 | Othello | Arts & Culture | 73.13× | ||
| 05 | Richard Armitage (actor) | Movies & TV | 65.61× | ||
| 06 | Romeo and Juliet (1968 film) | Movies & TV | 54.38× | ||
| 07 | Romeo and Juliet | Arts & Culture | 53.38× | ||
| 08 | Waterstones | Literature | 52.48× | ||
| 09 | Peter Capaldi | Movies & TV | 42.17× | ||
| 10 | Much Ado About Nothing | Literature | 41.64× | ||
| 11 | Kristin Scott Thomas | Movies & TV | 27.32× | ||
| 12 | 8 Ball Pool | Sports | 24.15× | ||
| 13 | Dracula (TV series) | Movies & TV | 23.96× | ||
| 14 | Texas HoldEm Poker | Games | 21.77× | ||
| 15 | William Shakespeare | Literature | 17.45× | ||
| 16 | Gary Oldman | Movies & TV | 15.02× | ||
| 17 | Musical film | Movies & TV | 4.40× | ||
| 18 | Dick Van Dyke | Movies & TV | 4.38× | ||
| 19 | Fine art | Business & Career | 4.32× | ||
| 20 | Actor | Arts & Culture | 4.29× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Tradition | CONSERVATISM | 2.12× | |
| Community Orientation | OPEN | 1.98× | |
| Spirituality | BALANCE | 1.91× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 1.17× | |
| Pet Ownership | JOY | 1.24× | |
| Urban Lifestyle | OPEN | 1.31× |
Hamlet has an estimated audience of 3,343,802 people in United States, concentrated in California and Texas.
63.6% of Hamlet fans are female, 36.4% are male, with an average age of 43.5 years.
Hamlet fans show strongest brand affinity for Romeo and Juliet (53.38×), Romeo and Juliet (1968 film) (54.38×), and Othello (73.13×) over the country average.
Hamlet fans in United States are most concentrated in California (reach ~400K), Texas (reach ~300K), and New York (reach ~200K). These three regions account for the largest share of the active audience.
Beyond Hamlet itself, the audience over-indexes on Romeo and Juliet (1968 film) (54.38×), Othello (73.13×), Richard Armitage (actor) (65.61×), and Paul Potts (187.6×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Hamlet. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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