Rascasse Audience Intelligence

The Phantom of the Opera (2004 film) Viewer Demographics in United States

The Phantom of the Opera (2004 film) has an estimated audience of 633K people in United States.

The average The Phantom of the Opera (2004 film) fan in United States is 36.3 years old, more female, and lives primarily in California.

Most fans live in California, Texas, Florida.

Top affinities include Sophie Marceau, Sweeney Todd, Moulin Rouge!, with strongest over-indexing on Sophie Marceau (62.43× the country average).

Demographically, the The Phantom of the Opera (2004 film) audience skews more female with an average age of 36.3, and over-indexes on personality traits such as Convenience Orientation, Community Orientation.

The typical The Phantom of the Opera (2004 film) fan in United States is more female, around 36.3 years old, with strong Convenience Orientation tendencies and a notable affinity for Sophie Marceau.

Category: Movies & TV · Type: Movie / TV Show / Series

Data status: Q3/2026 · Source & method

Section 01

At a glance

Audience size
633K
in United States
Gender
74.4%♀
25.6% male
Age
36.3
average years
Country rank
#33028
among all objects in United States
Fig. 01

Search interest · 12-month trend

+38%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of The Phantom of the Opera (2004 film) viewers

74.4% are female, 25.6% are male, average age 36.3.

Fig. 02

Gender split

74.4%
Female
25.6%
Male
Demographic split for The Phantom of the Opera (2004 film) audience in United States
MetricValue
Female74.4%
Male25.6%
Average age36.3
Estimated audience size633K
Fig. 03

Age distribution

Ø 36.3
average years
Age distribution of the The Phantom of the Opera (2004 film) audience in United States
Age bracketShare%
16-2437%
25-3415%
35-4413%
45-5416%
55+19%
Fig. 04

Worldwide distribution

6.6%

of the worldwide The Phantom of the Opera (2004 film) audience comes from United States.

Worldwide audience distribution share by country for The Phantom of the Opera (2004 film)
CountryShare
China11.3%
Philippines9.2%
United States6.6%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

The Phantom of the Opera (2004 film) fans by region: top regions in United States
#RegionReachAffinity×
01Utah~10K2.14×
02Idaho~6K1.68×
03California~100K1.30×
04Illinois~30K1.22×
05Missouri~10K1.19×
06Oregon~9K1.18×
07Texas~50K1.15×
08Washington~20K1.15×
09New Mexico~5K1.14×
10Oklahoma~8K1.13×
11Louisiana~10K1.12×
12Minnesota~10K1.07×
13Michigan~20K1.05×
14Arizona~20K1.05×
15Kentucky~9K1.05×
16Mississippi~6K1.05×
17North Dakota~2K1.05×
18Nevada~6K1.04×
19Indiana~10K1.03×
20Colorado~10K1.03×
21Kansas~6K1.03×
22Wyoming~1K1.03×
23West Virginia~3K1.01×
24Arkansas~6K1.00×
25Montana~2K0.97×
26Alaska~1K0.97×
27Nebraska~4K0.96×
28Ohio~20K0.95×
29Tennessee~10K0.95×
30Florida~40K0.94×
31Pennsylvania~20K0.94×
32South Dakota~2K0.94×
33Alabama~9K0.91×
34North Carolina~20K0.90×
35Virginia~10K0.90×
36Wisconsin~10K0.90×
37Iowa~5K0.90×
38Hawaii~2K0.89×
39Rhode Island~2K0.87×
40New York~30K0.86×
41Georgia~20K0.85×
42South Carolina~9K0.85×
43New Hampshire~2K0.84×
44Connecticut~6K0.83×
45New Jersey~10K0.82×
46Maine~2K0.82×
47Vermont~1K0.82×
48Delaware~2K0.81×
49Maryland~9K0.79×
50Massachusetts~10K0.76×
Fig. 06

Affinity by region

Affinity by region — The Phantom of the Opera (2004 film), United States
0.76×1.00×2.14×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the The Phantom of the Opera (2004 film) audience vs. the country average
#·InterestCategoryAffinity×
01Sophie MarceauMovies & TV62.43×
02Sweeney ToddLiterature44.77×
03Moulin Rouge!Movies & TV43.53×
04Edvard MunchArts & Culture43.49×
05Microsoft Flight SimulatorGames31.91×
06Olivia MunnMovies & TV20.00×
07Anna FarisMovies & TV20.00×
08Patricia ArquetteMovies & TV20.00×
09Alexa BlissSports20.00×
10Alicia VikanderMovies & TV20.00×
11Candice SwanepoelFashion & Accessoires20.00×
12Phoebe TonkinMovies & TV20.00×
13Debbie HarryMusic & Radio20.00×
14Sofia CoppolaMovies & TV16.97×
15Victoria JusticeMovies & TV14.10×
16Cats (musical)Music & Radio13.09×
17Anne HathawayMovies & TV5.53×
18Broadway theatreTravel & Leisure4.44×
19SubwayFood & Beverages2.96×
20Britney SpearsMusic & Radio2.55×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the The Phantom of the Opera (2004 film) audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the The Phantom of the Opera (2004 film) audience vs. the country average · What stands out
TraitClusterDeviationScore
Convenience OrientationPREMIUM1.66×
Community OrientationOPEN1.35×
Price SensitivityPREMIUM1.34×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the The Phantom of the Opera (2004 film) audience vs. the country average · Rather not
TraitClusterDeviationScore
DIY MentalityTHRILL0.74×
Risk AppetiteTHRILL0.79×
Luxury OrientationPREMIUM0.80×
0×1.00× baseline2×
Appendix

Explore more audiences

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in The Phantom of the Opera (2004 film) over the last 12 months. Modelled, not counted; people interested in several movie / tv show / seriess count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
10/2025 – 09/2026 · updated quarterly · data status Q3/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q3/2026, rascasse.com/explore/us/the-phantom-of-the-opera-2004-film-58453” · Methodology