Rascasse Audience Intelligence

Placebo (band) Audience in United States

Placebo (band) has an estimated audience of 443K people in United States.

#530among Band in United States#9584among people in United States#5226in Music & Radio

The average Placebo (band) fan in United States is 36.6 years old, balanced, and lives primarily in California.

Its fans are 1.4 years younger than the group average of 38.0.

Women make up 47.7% of the fan base, 4.6 percentage points fewer than the group average.

Compared with the other 4436 objects in Band, Placebo (band) fans stand out for their interest in Elbow (band), James Blunt and Damon Albarn.

Most fans live in California, Texas, New York.

Top affinities include Elbow (band), James Blunt, Damon Albarn, with strongest over-indexing on Elbow (band) (562.14× the country average).

Demographically, the Placebo (band) audience skews balanced with an average age of 36.6, and over-indexes on personality traits such as Mindfulness, Spirituality.

The typical Placebo (band) fan in United States is balanced, around 36.6 years old, with strong Mindfulness tendencies and a notable affinity for Elbow (band).

Category: Music & Radio · Type: Person · Subtype: Band

Data status: Q3/2026 · Source & method

Section 01

At a glance

Audience size
443K
in United States
Gender
47.7%♀
52.3% male
Age
36.6
average years
Country rank
#40996
among all objects in United States
Fig. 01

Search interest · 12-month trend

+12%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of Placebo (band) fans

47.7% are female, 52.3% are male, average age 36.6.

Fig. 02

Gender split

47.7%
Female
52.3%
Male
Demographic split for Placebo (band) audience in United States
MetricValue
Female47.7%
Male52.3%
Average age36.6
Estimated audience size443K
Fig. 03

Age distribution

Ø 36.6
average years
Age distribution of the Placebo (band) audience in United States
Age bracketShare%
16-2426%
25-3421%
35-4422%
45-5420%
55+12%
Fig. 04

Worldwide distribution

11.4%

of the worldwide Placebo (band) audience comes from United States.

Worldwide audience distribution share by country for Placebo (band)
CountryShare
United States11.4%
Brazil9.8%
Germany7.7%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

Placebo (band) fans by region: top regions in United States
#RegionReachAffinity×
01California~60K1.24×
02Hawaii~2K1.15×
03Maryland~9K1.13×
04Texas~30K1.11×
05Ohio~20K1.11×
06Georgia~20K1.11×
07Louisiana~7K1.10×
08New York~30K1.08×
09Washington~10K1.07×
10Minnesota~8K1.06×
11Alabama~7K1.06×
12New Jersey~10K1.05×
13Oregon~6K1.05×
14Virginia~10K1.04×
15Oklahoma~5K1.04×
16Mississippi~4K1.04×
17Massachusetts~10K1.03×
18Kansas~4K1.03×
19Missouri~8K1.02×
20Connecticut~5K1.02×
21Arkansas~4K1.02×
22Florida~30K1.01×
23Arizona~10K1.01×
24Kentucky~6K1.01×
25South Dakota~1K1.01×
26North Dakota~1K1.01×
27Alaska<1K1.01×
28North Carolina~10K0.99×
29Tennessee~9K0.99×
30Indiana~9K0.99×
31Nevada~4K0.99×
32Idaho~2K0.99×
33Illinois~20K0.98×
34Nebraska~3K0.98×
35Pennsylvania~20K0.97×
36Utah~4K0.97×
37Michigan~10K0.96×
38New Mexico~3K0.95×
39West Virginia~2K0.95×
40New Hampshire~2K0.95×
41Rhode Island~1K0.95×
42Wisconsin~7K0.94×
43South Carolina~7K0.94×
44Iowa~4K0.94×
45Washington, District of Columbia<1K0.94×
46Delaware~1K0.93×
47Vermont<1K0.93×
48Maine~2K0.91×
49Montana~1K0.89×
50Colorado~6K0.85×
Fig. 06

Affinity by region

Affinity by region — Placebo (band), United States
0.85×1.00×1.24×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the Placebo (band) audience vs. the country average
#·InterestCategoryAffinity×
01Elbow (band)Music & Radio562.14×
02James BluntMusic & Radio413.13×
03Damon AlbarnMusic & Radio322.22×
04StereophonicsMusic & Radio265.14×
05SantigoldMusic & Radio236.12×
06Interpol (band)Music & Radio228.48×
07Chris MartinMusic & Radio211.11×
08The FrayMusic & Radio208.30×
09The VerveMusic & Radio185.15×
10Metric (band)Music & Radio178.34×
11Gregory Alan IsakovMusic & Radio140.94×
12Lord HuronMusic & Radio139.96×
13BonoMusic & Radio114.60×
14The NationalMusic & Radio106.80×
15The CranberriesMusic & Radio98.92×
16Incubus (band)Music & Radio91.85×
17Muse (band)Music & Radio81.15×
18Alanis MorissetteMusic & Radio77.39×
19Goo Goo DollsMusic & Radio67.42×
20GorillazMusic & Radio56.39×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the Placebo (band) audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the Placebo (band) audience vs. the country average · What stands out
TraitClusterDeviationScore
MindfulnessBALANCE7.17×
SpiritualityBALANCE4.49×
TraditionCONSERVATISM1.76×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the Placebo (band) audience vs. the country average · Rather not
TraitClusterDeviationScore
SustainabilityBALANCE1.00×
Healthy LifestyleBALANCE1.02×
Quality AwarenessPREMIUM1.07×
0×1.00× baseline2×
Appendix

Explore more audiences

More Band audiences in United States

See Placebo (band) audiences in other countries

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in Placebo (band) over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
10/2025 – 09/2026 · updated quarterly · data status Q3/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q3/2026, rascasse.com/explore/us/placebo-band-2374” · Methodology