Rascasse Audience Intelligence

The Jackson 5 Audience in United States

The Jackson 5 has an estimated audience of 1.3M people in United States.

The average The Jackson 5 fan in United States is 48.0 years old, balanced, and lives primarily in California.

Its fans are 10.0 years older than the group average of 38.0.

Women make up 54.4% of the fan base, 2.1 percentage points more than the group average.

Compared with the other 4436 objects in Band, The Jackson 5 fans stand out for their interest in The Supremes, Frankie Lymon and Kool & the Gang.

Interest is seasonal: April, May and June account for 36% of the year's searches, October is the quietest month.

Most fans live in California, Texas, Florida.

Top affinities include The Supremes, Frankie Lymon, Kool & the Gang, with strongest over-indexing on The Supremes (50.74× the country average).

Demographically, the The Jackson 5 audience skews balanced with an average age of 48.0, and over-indexes on personality traits such as Convenience Orientation, Community Orientation.

The typical The Jackson 5 fan in United States is balanced, around 48.0 years old, with strong Convenience Orientation tendencies and a notable affinity for The Supremes.

Category: Music & Radio · Type: Person · Subtype: Band

Data status: Q3/2026 · Source & method

Section 01

At a glance

Audience size
1.3M
in United States
Gender
54.4%♀
45.6% male
Age
48.0
average years
Country rank
#20160
among all objects in United States
Fig. 01

Search interest · 12-month trend

+127%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of The Jackson 5 fans

54.4% are female, 45.6% are male, average age 48.0.

Fig. 02

Gender split

54.4%
Female
45.6%
Male
Demographic split for The Jackson 5 audience in United States
MetricValue
Female54.4%
Male45.6%
Average age48.0
Estimated audience size1.3M
Fig. 03

Age distribution

Ø 48.0
average years
Age distribution of the The Jackson 5 audience in United States
Age bracketShare%
16-247%
25-349%
35-4416%
45-5429%
55+39%
Fig. 04

Worldwide distribution

42.6%

of the worldwide The Jackson 5 audience comes from United States.

Worldwide audience distribution share by country for The Jackson 5
CountryShare
United States42.6%
United Kingdom11.6%
Brazil6.3%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

The Jackson 5 fans by region: top regions in United States
#RegionReachAffinity×
01Mississippi~20K1.87×
02Louisiana~30K1.66×
03Alabama~30K1.53×
04Georgia~70K1.51×
05South Carolina~30K1.40×
06Maryland~30K1.34×
07Arkansas~20K1.28×
08Texas~100K1.23×
09Tennessee~30K1.23×
10North Carolina~50K1.22×
11Indiana~30K1.21×
12Delaware~5K1.21×
13Michigan~50K1.20×
14Illinois~60K1.17×
15Missouri~30K1.16×
16Oklahoma~20K1.13×
17Kentucky~20K1.11×
18Ohio~50K1.10×
19Virginia~40K1.06×
20Pennsylvania~50K1.04×
21Washington, District of Columbia~3K1.04×
22New Jersey~40K1.03×
23Kansas~10K1.02×
24Nevada~10K1.01×
25Florida~80K1.00×
26California~200K0.99×
27New York~80K0.98×
28Connecticut~10K0.97×
29Arizona~30K0.93×
30New Mexico~8K0.92×
31West Virginia~6K0.92×
32Rhode Island~4K0.91×
33Wisconsin~20K0.87×
34Utah~10K0.86×
35Iowa~10K0.86×
36Wyoming~2K0.86×
37South Dakota~3K0.85×
38Nebraska~6K0.84×
39North Dakota~3K0.84×
40Alaska~2K0.82×
41Massachusetts~20K0.79×
42Idaho~6K0.79×
43Minnesota~20K0.78×
44Montana~3K0.76×
45Oregon~10K0.75×
46New Hampshire~4K0.75×
47Maine~4K0.74×
48Hawaii~4K0.73×
49Washington~20K0.72×
50Colorado~20K0.70×
Fig. 06

Affinity by region

Affinity by region — The Jackson 5, United States
0.70×1.00×1.87×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the The Jackson 5 audience vs. the country average
#·InterestCategoryAffinity×
01The SupremesMusic & Radio50.74×
02Frankie LymonMusic & Radio45.23×
03Kool & the GangMusic & Radio42.59×
04War (band)Music & Radio38.37×
05The TemptationsMusic & Radio36.57×
06Etta JamesMusic & Radio34.39×
07Chaka KhanMusic & Radio28.75×
08Smokey RobinsonMusic & Radio26.50×
09Earth, Wind & FireMusic & Radio25.89×
10Al GreenMusic & Radio23.71×
11Stevie WonderMusic & Radio22.31×
12Marvin GayeMusic & Radio19.84×
13Diana RossMusic & Radio18.56×
14Lionel RichieMusic & Radio17.95×
15Janet JacksonMusic & Radio17.18×
16D'AngeloMusic & Radio13.88×
17MotownMusic & Radio13.78×
18Michael JacksonMusic & Radio12.19×
19Prince (musician)Music & Radio11.28×
20DiddyMusic & Radio9.82×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the The Jackson 5 audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the The Jackson 5 audience vs. the country average · What stands out
TraitClusterDeviationScore
Convenience OrientationPREMIUM1.58×
Community OrientationOPEN1.55×
Family OrientationCONSERVATISM1.37×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the The Jackson 5 audience vs. the country average · Rather not
TraitClusterDeviationScore
Quality AwarenessPREMIUM0.75×
Luxury OrientationPREMIUM0.78×
Pet OwnershipJOY0.79×
0×1.00× baseline2×
Appendix

Explore more audiences

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in The Jackson 5 over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
10/2025 – 09/2026 · updated quarterly · data status Q3/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q3/2026, rascasse.com/explore/us/the-jackson-5-11810” · Methodology