Rascasse Audience Intelligence

The Phantom of the Opera (2004 film) Audience in United States

A data profile of the people who buy, follow and care about The Phantom of the Opera (2004 film) in United States — modelled from more than twelve digital signal sources. The Phantom of the Opera (2004 film) has an estimated audience of 1,065,407 people in United States.

#1744among Movie / TV Show / Series in United States#4086in Movies & TV

The average The Phantom of the Opera (2004 film) fan in United States is 35.6 years old, more female, and lives primarily in California.

The audience is concentrated in California, Texas, Florida.

Top brand affinities include Moulin Rouge!, Sophie Marceau, Anna Faris, with strongest over-indexing on Moulin Rouge! (43.53× the country average).

Demographically, the The Phantom of the Opera (2004 film) audience skews more female with an average age of 35.6, and over-indexes on personality traits such as Convenience Orientation, Community Orientation.

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.

The typical The Phantom of the Opera (2004 film) fan in United States is more female, around 35.6 years old, with strong Convenience Orientation tendencies and a notable affinity for Moulin Rouge!.

Category: Movies & TV · Type: Movie / TV Show / Series

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the The Phantom of the Opera (2004 film) profile in United States.

Audience size
1.1M
in United States
Gender
74.4%♀
25.6% male
Age
35.6
average years
Country rank
#22714
Movie / TV Show / Series in United States
Fig. 01

Search interest · 12-month trend

+4%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of The Phantom of the Opera (2004 film) viewers

74.4% are female, 25.6% are male, average age 35.6.

Fig. 02

Gender split

74.4%
Female
25.6%
Male
Demographic split for The Phantom of the Opera (2004 film) audience in United States
MetricValue
Female74.4%
Male25.6%
Average age35.6
Estimated audience size1,065,407
Fig. 03

Age distribution

Ø 35.6
average years
Age distribution of the The Phantom of the Opera (2004 film) audience in United States
Age bracketShare%
16-1937%
20-2915%
30-3913%
40-4916%
50+19%
Fig. 04

Worldwide distribution

9.8%

of the worldwide The Phantom of the Opera (2004 film) audience comes from United States.

Worldwide audience distribution share by country for The Phantom of the Opera (2004 film)
CountryShare
United States9.8%
China8.9%
Philippines7.8%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the The Phantom of the Opera (2004 film) audience in United States is strongest.

Fig. 05

Top regions by affinity

The Phantom of the Opera (2004 film) fans by region: top regions in United States
#RegionReachAffinity×
01Utah~10K2.14×
02Idaho~5K1.68×
03California~80K1.30×
04Illinois~20K1.22×
05Missouri~10K1.19×
06Oregon~8K1.18×
07Texas~60K1.15×
08Washington~10K1.15×
09New Mexico~3K1.14×
10Oklahoma~7K1.13×
11Louisiana~8K1.12×
12Minnesota~9K1.07×
13Michigan~20K1.05×
14Arizona~10K1.05×
15Kentucky~8K1.05×
16Mississippi~5K1.05×
17North Dakota~1K1.05×
18Nevada~6K1.04×
19Indiana~10K1.03×
20Colorado~10K1.03×
21Kansas~5K1.03×
22Wyoming<1K1.03×
23West Virginia~3K1.01×
24Arkansas~5K1.00×
25Montana~2K0.97×
26Alaska~1K0.97×
27Nebraska~3K0.96×
28Ohio~20K0.95×
29Tennessee~10K0.95×
30Florida~40K0.94×
31Pennsylvania~20K0.94×
32South Dakota~1K0.94×
33Alabama~7K0.91×
34North Carolina~20K0.90×
35Virginia~10K0.90×
36Wisconsin~8K0.90×
37Iowa~4K0.90×
38Hawaii~2K0.89×
39Rhode Island~2K0.87×
40New York~30K0.86×
41Georgia~20K0.85×
42South Carolina~7K0.85×
43New Hampshire~2K0.84×
44Connecticut~5K0.83×
45New Jersey~10K0.82×
46Maine~2K0.82×
47Delaware~1K0.81×
48Maryland~8K0.79×
49Washington, District of Columbia~1K0.77×
50Massachusetts~9K0.76×
Fig. 06

Affinity by region

Affinity by region — The Phantom of the Opera (2004 film), United States
0.76×1.00×2.14×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the The Phantom of the Opera (2004 film) audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for The Phantom of the Opera (2004 film) audience
#·InterestCategoryAffinity×
01Sophie MarceauMovies & TV62.43×
02Sweeney ToddLiterature44.77×
03Moulin Rouge!Movies & TV43.53×
04Edvard MunchArts & Culture43.49×
05Microsoft Flight SimulatorGames31.91×
06Anna FarisMovies & TV20.00×
07Olivia MunnMovies & TV20.00×
08Patricia ArquetteMovies & TV20.00×
09Debbie HarryMusic & Radio20.00×
10Alexa BlissSports20.00×
11Alicia VikanderMovies & TV20.00×
12Diego RiveraArts & Culture20.00×
13Candice SwanepoelFashion & Accessoires20.00×
14Sofia CoppolaMovies & TV16.97×
15Victoria JusticeMovies & TV14.10×
16Cats (musical)Music & Radio13.09×
17Anne HathawayMovies & TV5.53×
18Broadway theatreTravel & Leisure4.44×
19SubwayFood & Beverages2.96×
20PinterestInternet & Social Media2.17×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the The Phantom of the Opera (2004 film) audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Top personality traits over-indexed by The Phantom of the Opera (2004 film) audience · What stands out
TraitClusterDeviationScore
Convenience OrientationPREMIUM1.66×
Community OrientationOPEN1.35×
Price SensitivityPREMIUM1.34×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Top personality traits over-indexed by The Phantom of the Opera (2004 film) audience · Rather not
TraitClusterDeviationScore
DIY MentalityTHRILL0.74×
Risk AppetiteTHRILL0.79×
Luxury OrientationPREMIUM0.80×
0×1.00× baseline2×
Section 06

Frequently asked questions

01

How many fans does The Phantom of the Opera (2004 film) have in United States?

The Phantom of the Opera (2004 film) has an estimated audience of 1,065,407 people in United States, concentrated in California and Texas.

02

What is the gender split and age of The Phantom of the Opera (2004 film) viewers?

74.4% of The Phantom of the Opera (2004 film) fans are female, 25.6% are male, with an average age of 35.6 years.

03

Which brands do The Phantom of the Opera (2004 film) fans like most?

The Phantom of the Opera (2004 film) fans show strongest brand affinity for Moulin Rouge! (43.53×), Sophie Marceau (62.43×), and Anna Faris (20×) over the country average.

04

Where do The Phantom of the Opera (2004 film) fans live in United States?

The Phantom of the Opera (2004 film) fans in United States are most concentrated in California (reach ~80K), Texas (reach ~60K), and Florida (reach ~40K). These three regions account for the largest share of the active audience.

05

What other brands do The Phantom of the Opera (2004 film) fans also like?

Beyond The Phantom of the Opera (2004 film) itself, the audience over-indexes on Sophie Marceau (62.43×), Anna Faris (20×), Olivia Munn (20×), and Patricia Arquette (20×) compared to the United States average.

Appendix

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How to read this data

Audience size is the estimated number of people in United States who actively search for The Phantom of the Opera (2004 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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