Rascasse Audience Intelligence

The Doors Audience in United States

The Doors has an estimated audience of 2.7M people in United States.

The average The Doors fan in United States is 42.8 years old, balanced, and lives primarily in New York.

By number of fans, The Doors ranks #79 among the 4434 objects in Band in United States — 0.8× the group median.

Its fans are 4.3 years older than the group average of 38.5.

Women make up 46.6% of the fan base, 6.0 percentage points fewer than the group average.

Compared with the other 4433 objects in Band, The Doors fans stand out for their interest in Recondite, Bamboozled and The Doors (film).

Most fans live in New York, California, Texas.

Top affinities include Recondite, Bamboozled, The Doors (film), with strongest over-indexing on Recondite (95.1× the country average).

Demographically, the The Doors audience skews balanced with an average age of 42.8, and over-indexes on personality traits such as Spirituality, Design Affinity.

The typical The Doors fan in United States is balanced, around 42.8 years old, with strong Spirituality tendencies and a notable affinity for Recondite.

Category: Music & Radio · Type: Person · Subtype: Band

Data status: Q2/2026 · Source & method

Section 01

At a glance

Audience size
2.7M
in United States
Gender
46.6%♀
53.4% male
Age
42.8
average years
Country rank
#11177
among all objects in United States
Fig. 01

Search interest · 12-month trend

-61%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of The Doors fans

46.6% are female, 53.4% are male, average age 42.8.

Fig. 02

Gender split

46.6%
Female
53.4%
Male
Demographic split for The Doors audience in United States
MetricValue
Female46.6%
Male53.4%
Average age42.8
Estimated audience size2.7M
Fig. 03

Age distribution

Ø 42.8
average years
Age distribution of the The Doors audience in United States
Age bracketShare%
16-2418%
25-3414%
35-4417%
45-5422%
55+29%
Fig. 04

Worldwide distribution

21.3%

of the worldwide The Doors audience comes from United States.

Worldwide audience distribution share by country for The Doors
CountryShare
United States21.3%
Saudi Arabia14.5%
Italy7.1%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

The Doors fans by region: top regions in United States
#RegionReachAffinity×
01New York~600K3.51×
02New Hampshire~10K1.40×
03Alaska~8K1.35×
04New Mexico~20K1.17×
05Wisconsin~50K1.15×
06Arizona~70K1.12×
07Oregon~40K1.10×
08Maine~10K1.10×
09Pennsylvania~100K1.09×
10Connecticut~30K1.09×
11California~300K1.07×
12West Virginia~20K1.05×
13Massachusetts~60K1.04×
14Vermont~5K1.04×
15New Jersey~80K1.03×
16Montana~9K1.01×
17Oklahoma~30K0.99×
18Illinois~100K0.98×
19Michigan~80K0.98×
20Ohio~90K0.97×
21Indiana~50K0.97×
22Kentucky~40K0.97×
23Rhode Island~8K0.97×
24Washington~60K0.95×
25Missouri~50K0.95×
26Iowa~20K0.95×
27North Dakota~6K0.95×
28Virginia~70K0.94×
29Kansas~20K0.94×
30Nebraska~10K0.94×
31Minnesota~40K0.93×
32Nevada~20K0.93×
33Idaho~10K0.92×
34Colorado~40K0.91×
35Tennessee~50K0.90×
36Arkansas~20K0.89×
37Mississippi~20K0.88×
38South Dakota~6K0.88×
39Texas~200K0.87×
40Utah~20K0.87×
41Florida~100K0.86×
42Georgia~70K0.84×
43Alabama~30K0.84×
44North Carolina~70K0.81×
45Delaware~6K0.81×
46Washington, District of Columbia~4K0.79×
47South Carolina~30K0.78×
48Louisiana~30K0.75×
49Maryland~40K0.74×
50Hawaii~8K0.66×
Fig. 06

Affinity by region

Affinity by region — The Doors, United States
0.66×1.00×3.51×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the The Doors audience vs. the country average
#·InterestCategoryAffinity×
01ReconditeMusic & Radio95.10×
02BamboozledMovies & TV66.00×
03The Doors (film)Movies & TV58.40×
04Rory GallagherMusic & Radio47.45×
05HDFC BankBusiness & Career43.00×
06Jim MorrisonMusic & Radio38.23×
07Traveling WilburysMusic & Radio28.09×
08Creedence Clearwater RevivalMusic & Radio27.68×
09The WhoMusic & Radio22.56×
10Robert PlantMusic & Radio22.37×
11Rush (band)Music & Radio20.33×
12Jimmy PageMusic & Radio17.82×
13YeMusic & Radio16.07×
14Jimi HendrixMusic & Radio15.88×
15Joe WalshMusic & Radio15.11×
16Genesis (band)Music & Radio14.05×
17Eagles (band)Music & Radio11.56×
18The Beach BoysMusic & Radio11.30×
19YouTube MusicInternet & Social Media4.61×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the The Doors audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the The Doors audience vs. the country average · What stands out
TraitClusterDeviationScore
SpiritualityBALANCE1.39×
Design AffinityPREMIUM1.29×
Quality AwarenessPREMIUM1.24×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the The Doors audience vs. the country average · Rather not
TraitClusterDeviationScore
Healthy LifestyleBALANCE0.97×
CreativityOPEN0.98×
Social Media UsageJOY1.03×
0×1.00× baseline2×
Appendix

Explore more audiences

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in The Doors over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
07/2025 – 06/2026 · updated quarterly · data status Q2/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q2/2026, rascasse.com/explore/us/the-doors-2518” · Methodology