A data profile of the people who buy, follow and care about Rwenzori Mountains in Germany — modelled from more than twelve digital signal sources. Rwenzori Mountains has an estimated audience of 1,245,011 people in Germany.
The average Rwenzori Mountains fan in Germany is 40.3 years old, more female, and lives primarily in Bayern.
The audience is concentrated in Bayern, Nordrhein-Westfalen, Baden-Württemberg.
Top brand affinities include Hape Kerkeling, 3sat, Ungeskripted, with strongest over-indexing on Hape Kerkeling (1.82× the country average).
Compared to the country baseline, this audience shows distinctive patterns across 9 brand affinities and 16 regions tracked by Rascasse.
The typical Rwenzori Mountains fan in Germany is more female, around 40.3 years old, with a notable affinity for Hape Kerkeling.
The key figures that characterise the Rwenzori Mountains profile in Germany.
59.8% are female, 40.2% are male, average age 40.3.
| Metric | Value |
|---|---|
| Female | 59.8% |
| Male | 40.2% |
| Average age | 40.3 |
| Estimated audience size | 1,245,011 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 14% | |
| 20-29 | 20% | |
| 30-39 | 23% | |
| 40-49 | 26% | |
| 50+ | 17% |
of the worldwide Rwenzori Mountains audience comes from Germany.
| Country | Share |
|---|---|
| United States | 66.3% |
| Brazil | 15.4% |
| Mexico | 7.6% |
Where the Rwenzori Mountains audience in Germany is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Bayern | ~300K | 1.31× | |
| 02 | Bremen | ~10K | 1.18× | |
| 03 | Berlin | ~60K | 1.16× | |
| 04 | Hessen | ~100K | 1.14× | |
| 05 | Saarland | ~20K | 1.09× | |
| 06 | Baden-Württemberg | ~200K | 1.00× | |
| 07 | Sachsen | ~60K | 1.00× | |
| 08 | Thüringen | ~30K | 1.00× | |
| 09 | Mecklenburg-Vorpommern | ~20K | 0.97× | |
| 10 | Sachsen-Anhalt | ~30K | 0.96× | |
| 11 | Hamburg | ~30K | 0.96× | |
| 12 | Rheinland-Pfalz | ~60K | 0.95× | |
| 13 | Brandenburg | ~40K | 0.94× | |
| 14 | Schleswig-Holstein | ~40K | 0.88× | |
| 15 | Nordrhein-Westfalen | ~200K | 0.84× | |
| 16 | Niedersachsen | ~100K | 0.83× |
The strongest cross-interests of the Rwenzori Mountains audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Adel Tawil | Music & Radio | 2.16× | ||
| 02 | Eisblume | Music & Radio | 2.16× | ||
| 03 | Hape Kerkeling | Movies & TV | 1.82× | ||
| 04 | 3sat | Movies & TV | 1.67× | ||
| 05 | Kabel eins | Movies & TV | 1.65× | ||
| 06 | Ungeskripted | Music & Radio | 1.58× | ||
| 07 | Eingollan | Internet & Social Media | 1.58× | ||
| 08 | Jasmin Kosubek | News | 1.58× | ||
| 09 | Alternative für Deutschland AfD | Politics & Society | 1.58× |
Rwenzori Mountains has an estimated audience of 1,245,011 people in Germany, concentrated in Bayern and Nordrhein-Westfalen.
59.8% of Rwenzori Mountains fans are female, 40.2% are male, with an average age of 40.3 years.
Rwenzori Mountains fans show strongest brand affinity for Hape Kerkeling (1.82×), 3sat (1.67×), and Ungeskripted (1.58×) over the country average.
Rwenzori Mountains fans in Germany are most concentrated in Bayern (reach ~300K), Nordrhein-Westfalen (reach ~200K), and Baden-Württemberg (reach ~200K). These three regions account for the largest share of the active audience.
Beyond Rwenzori Mountains itself, the audience over-indexes on 3sat (1.67×), Ungeskripted (1.58×), Adel Tawil (2.16×), and Eisblume (2.16×) compared to the Germany average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Germany who actively search for Rwenzori Mountains. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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