Rascasse Audience Intelligence

Everlast (musician) Audience in United States

A data profile of the people who buy, follow and care about Everlast (musician) in United States — modelled from more than twelve digital signal sources. Everlast (musician) has an estimated audience of 524,240 people in United States.

#261among Hip hop in United States#8620among Person in United States#4973in Music & Radio

The average Everlast (musician) fan in United States is 38.4 years old, more male, and lives primarily in California.

The audience is concentrated in California, Texas, Florida.

Category: Music & Radio · Type: Person · Subtype: Hip hop

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Everlast (musician) profile in United States.

Audience size
524K
in United States
Gender
39.9%♀
60.1% male
Age
38.4
average years
Country rank
#35642
Person in United States
Fig. 01

Search interest · 12-month trend

+10%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Everlast (musician) fans

39.9% are female, 60.1% are male, average age 38.4.

Fig. 02

Gender split

39.9%
Female
60.1%
Male
Demographic split for Everlast (musician) audience in United States
MetricValue
Female39.9%
Male60.1%
Average age38.4
Estimated audience size524,240
Fig. 03

Age distribution

Ø 38.4
average years
Age distribution of the Everlast (musician) audience in United States
Age bracketShare%
16-1923%
20-2918%
30-3919%
40-4921%
50+18%
Fig. 04

Worldwide distribution

14.7%

of the worldwide Everlast (musician) audience comes from United States.

Worldwide audience distribution share by country for Everlast (musician)
CountryShare
Brazil16.2%
United States14.7%
Chile10.0%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Everlast (musician) audience in United States is strongest.

Fig. 05

Top regions by affinity

Everlast (musician) fans by region: top regions in United States
#RegionReachAffinity×
01Arizona~10K1.31×
02California~70K1.30×
03Nevada~6K1.25×
04New Mexico~3K1.20×
05Alaska~1K1.19×
06Oregon~7K1.14×
07Texas~50K1.10×
08Maine~2K1.10×
09New York~30K1.09×
10Connecticut~6K1.09×
11Nebraska~3K1.09×
12Oklahoma~6K1.08×
13Illinois~20K1.04×
14Washington~10K1.04×
15West Virginia~2K1.04×
16New Hampshire~2K1.04×
17Montana~1K1.04×
18Alabama~7K1.02×
19Indiana~9K1.01×
20Colorado~8K1.01×
21Iowa~4K1.01×
22Hawaii~2K1.01×
23Vermont<1K1.01×
24Florida~30K1.00×
25Kentucky~6K1.00×
26Pennsylvania~20K0.99×
27Rhode Island~2K0.99×
28Massachusetts~10K0.98×
29Missouri~8K0.98×
30Utah~5K0.98×
31Arkansas~4K0.98×
32Kansas~4K0.98×
33Tennessee~10K0.97×
34Idaho~2K0.96×
35Michigan~10K0.95×
36Louisiana~6K0.95×
37New Jersey~10K0.92×
38Wisconsin~7K0.92×
39North Dakota<1K0.92×
40Minnesota~7K0.90×
41Ohio~10K0.89×
42South Dakota~1K0.89×
43Maryland~8K0.88×
44Virginia~10K0.87×
45Delaware~1K0.86×
46North Carolina~10K0.85×
47South Carolina~7K0.85×
48Georgia~10K0.84×
49Mississippi~3K0.82×
50Washington, District of Columbia~1K0.82×
Fig. 06

Affinity by region

Affinity by region — Everlast (musician), United States
0.82×1.00×1.31×
Appendix

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How to read this data

Audience size is the estimated number of people in United States who actively search for Everlast (musician). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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