Rascasse Audience Intelligence

Tame Impala Audience in United States

Tame Impala has an estimated audience of 3.1M people in United States.

#47among Band in United States#1364among people in United States#888in Music & Radio

The average Tame Impala fan in United States is 28.6 years old, more female, and lives primarily in California.

By number of fans, Tame Impala ranks #29 among the 4434 objects in Band in United States.

Its fans are 10.1 years younger than the group average of 38.7.

Women make up 57.2% of the fan base, 4.7 percentage points more than the group average.

Compared with the other 4433 objects in Band, Tame Impala fans stand out for their interest in Dave Mirra, Mac DeMarco and Djo.

Most fans live in California, New York, Texas.

Top affinities include Dave Mirra, Mac DeMarco, Djo, with strongest over-indexing on Dave Mirra (46.17× the country average).

Demographically, the Tame Impala audience skews more female with an average age of 28.6, and over-indexes on personality traits such as Early Adopter Mentality, Sustainability.

The typical Tame Impala fan in United States is more female, around 28.6 years old, with strong Early Adopter Mentality tendencies and a notable affinity for Dave Mirra.

Category: Music & Radio · Type: Person · Subtype: Band

Data status: Q2/2026 · Source & method

Section 01

At a glance

Audience size
3.1M
in United States
Gender
57.2%♀
42.8% male
Age
28.6
average years
Country rank
#9923
among all objects in United States
Fig. 01

Search interest · 12-month trend

+202%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of Tame Impala fans

57.2% are female, 42.8% are male, average age 28.6.

Fig. 02

Gender split

57.2%
Female
42.8%
Male
Demographic split for Tame Impala audience in United States
MetricValue
Female57.2%
Male42.8%
Average age28.6
Estimated audience size3.1M
Fig. 03

Age distribution

Ø 28.6
average years
Age distribution of the Tame Impala audience in United States
Age bracketShare%
16-2454%
25-3421%
35-4411%
45-548%
55+5%
Fig. 04

Worldwide distribution

37.6%

of the worldwide Tame Impala audience comes from United States.

Worldwide audience distribution share by country for Tame Impala
CountryShare
United States37.6%
United Kingdom7.2%
France5.1%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

Tame Impala fans by region: top regions in United States
#RegionReachAffinity×
01California~700K1.84×
02New York~300K1.52×
03Washington, District of Columbia~9K1.40×
04Massachusetts~90K1.39×
05New Jersey~100K1.38×
06Oregon~50K1.34×
07Washington~90K1.32×
08Connecticut~40K1.31×
09Illinois~200K1.28×
10Colorado~70K1.26×
11Texas~300K1.22×
12Arizona~90K1.22×
13Florida~200K1.14×
14Maryland~70K1.14×
15Pennsylvania~100K1.13×
16Virginia~90K1.10×
17Georgia~100K1.08×
18Rhode Island~10K1.08×
19North Carolina~100K1.06×
20Utah~30K1.06×
21Minnesota~60K1.05×
22Nevada~30K1.05×
23Vermont~6K1.02×
24Ohio~100K1.01×
25New Hampshire~10K0.99×
26Delaware~9K0.96×
27Tennessee~60K0.94×
28Indiana~60K0.92×
29Maine~10K0.92×
30Wisconsin~50K0.90×
31Michigan~80K0.88×
32Oklahoma~30K0.88×
33New Mexico~20K0.88×
34Kansas~20K0.85×
35Missouri~50K0.84×
36Nebraska~20K0.83×
37Idaho~10K0.83×
38South Carolina~40K0.82×
39Kentucky~30K0.82×
40Hawaii~10K0.80×
41Montana~8K0.80×
42Iowa~20K0.76×
43Arkansas~20K0.76×
44Alaska~5K0.76×
45North Dakota~5K0.75×
46Louisiana~30K0.74×
47Alabama~30K0.72×
48West Virginia~10K0.72×
49South Dakota~6K0.72×
50Mississippi~20K0.58×
Fig. 06

Affinity by region

Affinity by region — Tame Impala, United States
0.58×1.00×1.84×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the Tame Impala audience vs. the country average
#·InterestCategoryAffinity×
01Dave MirraSports46.17×
02Mac DeMarcoMusic & Radio36.99×
03DjoMusic & Radio23.05×
04The StrokesMusic & Radio21.93×
05St. Vincent (musician)Music & Radio21.04×
06Red Bull RecordsMusic & Radio20.39×
07InhalerMusic & Radio20.27×
08Arctic MonkeysMusic & Radio18.78×
09Temples (band)Music & Radio18.67×
10Rainbow Kitten SurpriseMusic & Radio17.95×
11LawrenceMusic & Radio17.87×
12David ByrneMusic & Radio15.90×
13Grizzly Bear (band)Music & Radio15.52×
14PogoMusic & Radio14.50×
15Hayley WilliamsMusic & Radio13.96×
16PassengerMusic & Radio13.22×
17St. LuciaMusic & Radio12.52×
18AlabamaMusic & Radio9.33×
19Billie EilishMusic & Radio7.34×
20KATSEYEMusic & Radio5.80×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the Tame Impala audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the Tame Impala audience vs. the country average · What stands out
TraitClusterDeviationScore
Early Adopter MentalityPOWER1.36×
SustainabilityBALANCE1.33×
Design AffinityPREMIUM1.28×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the Tame Impala audience vs. the country average · Rather not
TraitClusterDeviationScore
Price SensitivityPREMIUM0.71×
DIY MentalityTHRILL0.72×
IndividualismJOY0.76×
0×1.00× baseline2×
Appendix

Explore more audiences

More Band audiences in United States

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in Tame Impala over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
07/2025 – 06/2026 · updated quarterly · data status Q2/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q2/2026, rascasse.com/explore/us/tame-impala-17794” · Methodology