Rascasse Audience Intelligence

Bryan Adams Audience in United States

Bryan Adams has an estimated audience of 1.8M people in United States.

#80among Pop in United States#2731among people in United States#1582in Music & Radio

The average Bryan Adams fan in United States is 46.1 years old, more female, and lives primarily in California.

By number of fans, Bryan Adams ranks #77 among the 1581 objects in Pop in United States — 0.6× the group median.

Its fans are 6.1 years older than the group average of 40.0.

Women make up 67.5% of the fan base, 8.4 percentage points more than the group average.

Compared with the other 1580 objects in Pop, Bryan Adams fans stand out for their interest in Chris Rea, Robert Palmer (singer) and Roxette.

Most fans live in California, Florida, Texas.

Top affinities include Chris Rea, Robert Palmer (singer), Roxette, with strongest over-indexing on Chris Rea (333.62× the country average).

Demographically, the Bryan Adams audience skews more female with an average age of 46.1, and over-indexes on personality traits such as Spirituality, Extroversion.

The typical Bryan Adams fan in United States is more female, around 46.1 years old, with strong Spirituality tendencies and a notable affinity for Chris Rea.

Category: Music & Radio · Type: Person · Subtype: Pop

Data status: Q2/2026 · Source & method

Section 01

At a glance

Audience size
1.8M
in United States
Gender
67.5%♀
32.5% male
Age
46.1
average years
Country rank
#15385
among all objects in United States
Fig. 01

Search interest · 12-month trend

+10%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of Bryan Adams fans

67.5% are female, 32.5% are male, average age 46.1.

Fig. 02

Gender split

67.5%
Female
32.5%
Male
Demographic split for Bryan Adams audience in United States
MetricValue
Female67.5%
Male32.5%
Average age46.1
Estimated audience size1.8M
Fig. 03

Age distribution

Ø 46.1
average years
Age distribution of the Bryan Adams audience in United States
Age bracketShare%
16-2410%
25-3411%
35-4417%
45-5430%
55+32%
Fig. 04

Worldwide distribution

15.3%

of the worldwide Bryan Adams audience comes from United States.

Worldwide audience distribution share by country for Bryan Adams
CountryShare
United States15.3%
Germany10.0%
Brazil9.0%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

Bryan Adams fans by region: top regions in United States
#RegionReachAffinity×
01New Hampshire~9K1.33×
02Maine~9K1.22×
03Massachusetts~50K1.21×
04Oregon~30K1.18×
05Pennsylvania~80K1.17×
06Minnesota~40K1.16×
07Tennessee~40K1.15×
08Connecticut~20K1.13×
09Nevada~20K1.13×
10Ohio~70K1.11×
11Washington~50K1.11×
12West Virginia~10K1.11×
13Vermont~4K1.11×
14Arkansas~20K1.10×
15Kansas~20K1.10×
16North Dakota~5K1.10×
17Wisconsin~30K1.09×
18Montana~6K1.06×
19Missouri~30K1.05×
20New Jersey~50K1.03×
21Arizona~40K1.03×
22Kentucky~20K1.03×
23South Dakota~5K1.03×
24Michigan~60K1.02×
25Rhode Island~6K1.02×
26Idaho~10K1.01×
27Florida~100K1.00×
28Oklahoma~20K1.00×
29New York~100K0.99×
30Indiana~40K0.99×
31Iowa~20K0.99×
32Nebraska~10K0.98×
33North Carolina~60K0.96×
34Colorado~30K0.96×
35Alaska~4K0.96×
36Illinois~60K0.94×
37Wyoming~3K0.94×
38South Carolina~30K0.92×
39Texas~100K0.89×
40Utah~20K0.89×
41Delaware~5K0.89×
42Georgia~50K0.88×
43New Mexico~10K0.87×
44Hawaii~7K0.86×
45Virginia~40K0.84×
46California~200K0.83×
47Alabama~20K0.81×
48Louisiana~20K0.80×
49Mississippi~10K0.77×
50Maryland~30K0.76×
Fig. 06

Affinity by region

Affinity by region — Bryan Adams, United States
0.76×1.00×1.33×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the Bryan Adams audience vs. the country average
#·InterestCategoryAffinity×
01Chris ReaMusic & Radio333.62×
02Robert Palmer (singer)Music & Radio61.00×
03RoxetteMusic & Radio51.08×
04Billy OceanMusic & Radio40.97×
05Michael BoltonMusic & Radio37.83×
06The BoxMusic & Radio33.39×
07Dire StraitsMusic & Radio32.92×
08Joe CockerMusic & Radio31.05×
09Phil CollinsMusic & Radio30.97×
10BonoMusic & Radio28.98×
11Christopher CrossMusic & Radio25.59×
12Pat BenatarMusic & Radio21.16×
13WingsMusic & Radio21.11×
14Rod StewartMusic & Radio17.93×
15Survivor (band)Music & Radio17.60×
16Neil DiamondMusic & Radio15.28×
17Genesis (band)Music & Radio10.53×
18YouTube MusicInternet & Social Media5.75×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the Bryan Adams audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the Bryan Adams audience vs. the country average · What stands out
TraitClusterDeviationScore
SpiritualityBALANCE1.70×
ExtroversionTHRILL1.60×
Community OrientationOPEN1.49×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the Bryan Adams audience vs. the country average · Rather not
TraitClusterDeviationScore
Luxury OrientationPREMIUM0.94×
Early Adopter MentalityPOWER0.96×
Healthy LifestyleBALANCE1.05×
0×1.00× baseline2×
Appendix

Explore more audiences

More Pop audiences in United States

See Bryan Adams audiences in other countries

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in Bryan Adams over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
07/2025 – 06/2026 · updated quarterly · data status Q2/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q2/2026, rascasse.com/explore/us/bryan-adams-12829” · Methodology