Rascasse Audience Intelligence

Good Day L.A. Viewer Demographics in United States

Good Day L.A. has an estimated audience of 150K people in United States.

The average Good Day L.A. fan in United States is 43.3 years old, more female, and lives primarily in California.

By number of fans, Good Day L.A. ranks #5 among the 20 objects in Chat show in United States — 4.6× the group median.

Its fans are 3.9 years older than the group average of 39.4.

Women make up 66.3% of the fan base, 11.1 percentage points more than the group average.

Compared with the other 19 objects in Chat show, Good Day L.A. fans stand out for their interest in Weather forecasting, Miranda Cosgrove and Dallas Stars.

Most fans live in California, New York, Texas.

Top affinities include Weather forecasting, Miranda Cosgrove, Dallas Stars, with strongest over-indexing on Weather forecasting (7.67× the country average).

Demographically, the Good Day L.A. audience skews more female with an average age of 43.3, and over-indexes on personality traits such as Patriotism, Quality Awareness.

The typical Good Day L.A. fan in United States is more female, around 43.3 years old, with strong Patriotism tendencies and a notable affinity for Weather forecasting.

Category: Movies & TV · Type: Movie / TV Show / Series · Subtype: Chat show

Data status: Q2/2026 · Source & method

Section 01

At a glance

Audience size
150K
in United States
Gender
66.3%♀
33.7% male
Age
43.3
average years
Country rank
#66834
among all objects in United States
Fig. 01

Search interest · 12-month trend

-10%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of Good Day L.A. viewers

66.3% are female, 33.7% are male, average age 43.3.

Fig. 02

Gender split

66.3%
Female
33.7%
Male
Demographic split for Good Day L.A. audience in United States
MetricValue
Female66.3%
Male33.7%
Average age43.3
Estimated audience size150K
Fig. 03

Age distribution

Ø 43.3
average years
Age distribution of the Good Day L.A. audience in United States
Age bracketShare%
16-249%
25-3415%
35-4426%
45-5430%
55+20%
Fig. 04

Worldwide distribution

93.7%

of the worldwide Good Day L.A. audience comes from United States.

Worldwide audience distribution share by country for Good Day L.A.
CountryShare
United States93.7%
United Kingdom1.0%
Germany0.6%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

Good Day L.A. fans by region: top regions in United States
#RegionReachAffinity×
01California~100K13.90×
02New York~20K1.99×
03Vermont<1K1.61×
04Nevada~2K1.38×
05Ohio~6K1.16×
06New Mexico~1K1.12×
07Alaska<1K1.10×
08Arizona~4K1.07×
09North Dakota<1K1.07×
10South Dakota<1K1.06×
11Arkansas~1K1.04×
12Hawaii<1K1.03×
13Montana<1K1.01×
14Washington, District of Columbia<1K1.00×
15Rhode Island<1K0.99×
16Delaware<1K0.99×
17Tennessee~3K0.98×
18Maine<1K0.97×
19New Hampshire<1K0.97×
20Washington~3K0.96×
21Idaho<1K0.96×
22West Virginia<1K0.96×
23Mississippi~1K0.93×
24Nebraska<1K0.93×
25Oregon~2K0.90×
26Kansas~1K0.90×
27Iowa~1K0.89×
28Oklahoma~2K0.88×
29Connecticut~1K0.88×
30Louisiana~2K0.87×
31Kentucky~2K0.87×
32Utah~1K0.87×
33Alabama~2K0.86×
34South Carolina~2K0.85×
35Missouri~2K0.83×
36Wisconsin~2K0.83×
37Indiana~2K0.82×
38Minnesota~2K0.82×
39Colorado~2K0.81×
40Maryland~2K0.80×
41Massachusetts~2K0.77×
42Michigan~3K0.76×
43Virginia~3K0.76×
44North Carolina~4K0.74×
45New Jersey~3K0.73×
46Georgia~4K0.72×
47Pennsylvania~4K0.70×
48Illinois~4K0.69×
49Texas~7K0.65×
50Florida~6K0.60×
Fig. 06

Affinity by region

Affinity by region — Good Day L.A., United States
0.60×1.00×13.90×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the Good Day L.A. audience vs. the country average
#·InterestCategoryAffinity×
01Weather forecastingHome & Garden7.67×
02Miranda CosgroveMovies & TV7.67×
03Dallas StarsSports6.87×
04Sharon OsbourneMovies & TV5.76×
05Catherine Zeta-JonesMovies & TV5.64×
06QVCMovies & TV4.42×
07FedExBusiness & Career3.58×
08Discount storesShopping3.03×
09Renewable energyBusiness & Career3.01×
10Mortgage loansBusiness & Career2.88×
11TMZInternet & Social Media2.82×
12Shopping mallsShopping2.43×
13Super BowlSports2.34×
14SubwayFood & Beverages2.29×
15Pizza HutFood & Beverages2.20×
16Skin careBeauty & Wellness2.16×
17PinterestInternet & Social Media2.08×
18McDonald'sFood & Beverages1.97×
19AirbnbTravel & Leisure1.70×
20FurnitureHome & Garden1.63×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the Good Day L.A. audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the Good Day L.A. audience vs. the country average · What stands out
TraitClusterDeviationScore
PatriotismCONSERVATISM2.20×
Quality AwarenessPREMIUM1.80×
Convenience OrientationPREMIUM1.79×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the Good Day L.A. audience vs. the country average · Rather not
TraitClusterDeviationScore
Design AffinityPREMIUM0.81×
Healthy LifestyleBALANCE0.84×
MindfulnessBALANCE0.94×
0×1.00× baseline2×
Appendix

Explore more audiences

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in Good Day L.A. over the last 12 months. Modelled, not counted; people interested in several movie / tv show / seriess count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
07/2025 – 06/2026 · updated quarterly · data status Q2/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q2/2026, rascasse.com/explore/us/good-day-la-95594” · Methodology