A data profile of the people who buy, follow and care about Ticketmaster in Australia — modelled from more than twelve digital signal sources. Ticketmaster has an estimated audience of 2,481,957 people in Australia.
The average Ticketmaster fan in Australia is 45.9 years old, more female, and lives primarily in Victoria.
The audience is concentrated in Victoria, New South Wales, Queensland.
The key figures that characterise the Ticketmaster profile in Australia.
61.1% are female, 38.9% are male, average age 45.9.
| Metric | Value |
|---|---|
| Female | 61.1% |
| Male | 38.9% |
| Average age | 45.9 |
| Estimated audience size | 2,481,957 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 8% | |
| 20-29 | 13% | |
| 30-39 | 18% | |
| 40-49 | 27% | |
| 50+ | 35% |
of the worldwide Ticketmaster audience comes from Australia.
| Country | Share |
|---|---|
| United States | 32.2% |
| United Kingdom | 9.9% |
| France | 8.5% |
Where the Ticketmaster audience in Australia is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Western Australia | ~500K | 1.63× | |
| 02 | Victoria | ~1M | 1.53× | |
| 03 | Tasmania | ~60K | 1.15× | |
| 04 | Queensland | ~600K | 1.02× | |
| 05 | New South Wales | ~700K | 0.83× | |
| 06 | South Australia | ~200K | 0.81× | |
| 07 | Australian Capital Territory | ~30K | 0.55× | |
| 08 | Northern Territory | ~10K | 0.55× |
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Australia who actively search for Ticketmaster. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Australia. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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