A data profile of the people who buy, follow and care about Twenty One Pilots in United States — modelled from more than twelve digital signal sources. Twenty One Pilots has an estimated audience of 1,821,902 people in United States.
The average Twenty One Pilots fan in United States is 28.0 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Casey, YUNGBLUD, Josh Dun, with strongest over-indexing on Casey (13.27× the country average).
Demographically, the Twenty One Pilots audience skews more female with an average age of 28.0, and over-indexes on personality traits such as Extroversion, Sustainability.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Twenty One Pilots fan in United States is more female, around 28.0 years old, with strong Extroversion tendencies and a notable affinity for Casey.
The key figures that characterise the Twenty One Pilots profile in United States.
61.9% are female, 38.1% are male, average age 28.0.
| Metric | Value |
|---|---|
| Female | 61.9% |
| Male | 38.1% |
| Average age | 28.0 |
| Estimated audience size | 1,821,902 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 52% | |
| 20-29 | 23% | |
| 30-39 | 12% | |
| 40-49 | 8% | |
| 50+ | 5% |
Where the Twenty One Pilots audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Ohio | ~100K | 1.93× | |
| 02 | Utah | ~30K | 1.91× | |
| 03 | Indiana | ~50K | 1.37× | |
| 04 | Maine | ~9K | 1.34× | |
| 05 | Colorado | ~40K | 1.30× | |
| 06 | Arizona | ~50K | 1.26× | |
| 07 | Arkansas | ~20K | 1.20× | |
| 08 | Pennsylvania | ~80K | 1.19× | |
| 09 | Idaho | ~10K | 1.19× | |
| 10 | Missouri | ~40K | 1.16× | |
| 11 | Kentucky | ~30K | 1.12× | |
| 12 | Delaware | ~6K | 1.12× | |
| 13 | Oklahoma | ~20K | 1.08× | |
| 14 | West Virginia | ~10K | 1.08× | |
| 15 | Tennessee | ~40K | 1.07× | |
| 16 | Oregon | ~20K | 1.07× | |
| 17 | Nevada | ~20K | 1.07× | |
| 18 | Wisconsin | ~30K | 1.06× | |
| 19 | Michigan | ~50K | 1.03× | |
| 20 | New Mexico | ~10K | 1.03× | |
| 21 | Illinois | ~60K | 1.01× | |
| 22 | Alabama | ~30K | 1.01× | |
| 23 | South Dakota | ~4K | 1.01× | |
| 24 | Virginia | ~50K | 0.99× | |
| 25 | Washington | ~40K | 0.99× | |
| 26 | Montana | ~5K | 0.99× | |
| 27 | Texas | ~200K | 0.98× | |
| 28 | Minnesota | ~30K | 0.97× | |
| 29 | Kansas | ~10K | 0.96× | |
| 30 | California | ~200K | 0.95× | |
| 31 | New Hampshire | ~7K | 0.95× | |
| 32 | Iowa | ~10K | 0.94× | |
| 33 | Nebraska | ~9K | 0.93× | |
| 34 | North Dakota | ~4K | 0.93× | |
| 35 | North Carolina | ~50K | 0.92× | |
| 36 | Florida | ~100K | 0.88× | |
| 37 | Georgia | ~50K | 0.87× | |
| 38 | Connecticut | ~20K | 0.86× | |
| 39 | Vermont | ~3K | 0.85× | |
| 40 | Alaska | ~3K | 0.83× | |
| 41 | South Carolina | ~20K | 0.80× | |
| 42 | Massachusetts | ~30K | 0.79× | |
| 43 | Maryland | ~30K | 0.78× | |
| 44 | Rhode Island | ~5K | 0.78× | |
| 45 | New Jersey | ~40K | 0.77× | |
| 46 | New York | ~80K | 0.75× | |
| 47 | Mississippi | ~10K | 0.73× | |
| 48 | Louisiana | ~20K | 0.71× | |
| 49 | Washington, District of Columbia | ~3K | 0.61× | |
| 50 | Hawaii | ~4K | 0.55× |
The strongest cross-interests of the Twenty One Pilots audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Josh Dun | Music & Radio | 79.81× | ||
| 02 | Tyler Joseph | Music & Radio | 66.73× | ||
| 03 | Waterparks (band) | Music & Radio | 43.85× | ||
| 04 | Mikey Way | Music & Radio | 40.00× | ||
| 05 | Rarity | Music & Radio | 30.83× | ||
| 06 | YUNGBLUD | Music & Radio | 28.99× | ||
| 07 | Blossoms | Music & Radio | 21.06× | ||
| 08 | Sleep Token | Music & Radio | 17.93× | ||
| 09 | Djo | Music & Radio | 17.38× | ||
| 10 | Electropop | Music & Radio | 16.68× | ||
| 11 | Oliver Tree | Music & Radio | 16.49× | ||
| 12 | Bloom | Music & Radio | 13.40× | ||
| 13 | Casey | Music & Radio | 13.27× | ||
| 14 | PUP | Music & Radio | 9.39× | ||
| 15 | Benson Boone | Music & Radio | 7.79× | ||
| 16 | Millie Bobby Brown | Movies & TV | 7.35× | ||
| 17 | Anime convention | Literature | 4.51× | ||
| 18 | Stranger Things | Movies & TV | 3.85× | ||
| 19 | Peacemaker | Movies & TV | 3.17× | ||
| 20 | Superman | Movies & TV | 2.00× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Extroversion | THRILL | 2.05× | |
| Sustainability | BALANCE | 1.27× | |
| Mindfulness | BALANCE | 1.23× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Quality Awareness | PREMIUM | 0.57× | |
| Need for Security | CONSERVATISM | 0.58× | |
| DIY Mentality | THRILL | 0.60× |
Twenty One Pilots has an estimated audience of 1,821,902 people in United States, concentrated in California and Texas.
61.9% of Twenty One Pilots fans are female, 38.1% are male, with an average age of 28.0 years.
Twenty One Pilots fans show strongest brand affinity for Casey (13.27×), YUNGBLUD (28.99×), and Josh Dun (79.81×) over the country average.
Twenty One Pilots fans in United States are most concentrated in California (reach ~200K), Texas (reach ~200K), and Florida (reach ~100K). These three regions account for the largest share of the active audience.
Beyond Twenty One Pilots itself, the audience over-indexes on YUNGBLUD (28.99×), Josh Dun (79.81×), Tyler Joseph (66.73×), and Blossoms (21.06×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Twenty One Pilots. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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