Rascasse Audience Intelligence

Royel Otis Audience in United States

Royel Otis has an estimated audience of 427K people in United States.

#692among Singer-songwriter in United States
#9822among people in United States#5370in Music & Radio

The average Royel Otis fan in United States is 33.6 years old, more male, and lives primarily in California.

Its fans are 3.3 years younger than the group average of 36.9.

Women make up 39.2% of the fan base, 18.7 percentage points fewer than the group average.

Compared with the other 7767 objects in Singer-songwriter, Royel Otis fans stand out for their interest in Captain D's, american psycho and Exxon.

Interest is seasonal: April, May and August account for 37% of the year's searches, December is the quietest month.

Most fans live in California, New York, Texas.

Top affinities include Captain D's, american psycho, Exxon, with strongest over-indexing on Captain D's (106.26× the country average).

Demographically, the Royel Otis audience skews more male with an average age of 33.6, and over-indexes on personality traits such as Tradition, Patriotism.

The typical Royel Otis fan in United States is more male, around 33.6 years old, with strong Tradition tendencies and a notable affinity for Captain D's.

Category: Music & Radio · Type: Person · Subtype: Singer-songwriter

Data status: Q3/2026 · Source & method

Section 01

At a glance

Audience size
427K
in United States
Gender
39.2%♀
60.8% male
Age
33.6
average years
Country rank
#41890
among all objects in United States
Fig. 01

Search interest · 12-month trend

-57%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of Royel Otis fans

39.2% are female, 60.8% are male, average age 33.6.

Fig. 02

Gender split

39.2%
Female
60.8%
Male
Demographic split for Royel Otis audience in United States
MetricValue
Female39.2%
Male60.8%
Average age33.6
Estimated audience size427K
Fig. 03

Age distribution

Ø 33.6
average years
Age distribution of the Royel Otis audience in United States
Age bracketShare%
16-2437%
25-3423%
35-4416%
45-5415%
55+10%
Fig. 04

Worldwide distribution

32.8%

of the worldwide Royel Otis audience comes from United States.

Worldwide audience distribution share by country for Royel Otis
CountryShare
United States32.8%
United Kingdom13.0%
Australia8.5%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

Royel Otis fans by region: top regions in United States
#RegionReachAffinity×
01Washington, District of Columbia~2K1.99×
02California~90K1.88×
03Massachusetts~20K1.84×
04Colorado~10K1.63×
05New York~40K1.60×
06Oregon~8K1.48×
07Illinois~20K1.47×
08Virginia~10K1.36×
09New Jersey~10K1.25×
10Washington~10K1.24×
11Minnesota~9K1.23×
12Vermont<1K1.18×
13Missouri~9K1.17×
14Connecticut~5K1.16×
15Maine~2K1.14×
16Kansas~4K1.12×
17New Hampshire~2K1.12×
18Rhode Island~1K1.08×
19Pennsylvania~20K1.01×
20Arizona~10K1.00×
21Utah~4K0.98×
22Iowa~4K0.97×
23North Carolina~10K0.96×
24Idaho~2K0.92×
25Montana~1K0.92×
26Maryland~7K0.91×
27Wisconsin~7K0.91×
28Nebraska~2K0.91×
29Texas~30K0.90×
30Delaware~1K0.89×
31North Dakota<1K0.89×
32Alaska<1K0.88×
33South Dakota<1K0.87×
34Hawaii~2K0.86×
35Georgia~10K0.84×
36Nevada~3K0.83×
37Tennessee~8K0.82×
38South Carolina~6K0.82×
39Ohio~10K0.81×
40Oklahoma~4K0.79×
41New Mexico~2K0.79×
42West Virginia~2K0.78×
43Michigan~10K0.77×
44Kentucky~4K0.77×
45Indiana~7K0.75×
46Arkansas~3K0.75×
47Mississippi~3K0.71×
48Louisiana~4K0.68×
49Alabama~4K0.66×
50Florida~20K0.59×
Fig. 06

Affinity by region

Affinity by region — Royel Otis, United States
0.59×1.00×1.99×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the Royel Otis audience vs. the country average
#·InterestCategoryAffinity×
01Captain D'sFood & Beverages106.26×
02american psychoMovies & TV68.43×
03ExxonCars & Mobility41.67×
04Patti SmithMusic & Radio37.40×
05Elijah WoodMovies & TV33.84×
06Jordin SparksMusic & Radio32.73×
07Two Door Cinema ClubMusic & Radio30.08×
08Alex GreyArts & Culture24.53×
09Chest of drawersHome & Garden21.33×
10Erin AndrewsSports20.00×
11FAO SchwarzShopping20.00×
12Franz Ferdinand (band)Music & Radio18.83×
13Tyler PoseyMovies & TV18.54×
14Carole KingMusic & Radio18.35×
15The HivesMusic & Radio14.96×
16Josh DuhamelFashion & Accessoires10.87×
17Melanie LynskeyMovies & TV10.70×
18The Devil Wears Prada (film)Movies & TV7.42×
19BTSMusic & Radio5.70×
20Planet FitnessSports3.00×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the Royel Otis audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the Royel Otis audience vs. the country average · What stands out
TraitClusterDeviationScore
TraditionCONSERVATISM1.76×
PatriotismCONSERVATISM1.68×
Convenience OrientationPREMIUM1.59×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the Royel Otis audience vs. the country average · Rather not
TraitClusterDeviationScore
ExtroversionTHRILL0.79×
Healthy LifestyleBALANCE0.91×
Need for SecurityCONSERVATISM0.94×
0×1.00× baseline2×
Appendix

Explore more audiences

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in Royel Otis over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
10/2025 – 09/2026 · updated quarterly · data status Q3/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q3/2026, rascasse.com/explore/us/royel-otis-10024325” · Methodology