Rascasse Audience Intelligence

The Loud House Viewer Demographics in United States

The Loud House has an estimated audience of 879K people in United States.

The average The Loud House fan in United States is 34.1 years old, balanced, and lives primarily in California.

Its fans are 1.4 years younger than the group average of 35.5.

Women make up 51.1% of the fan base, 3.1 percentage points fewer than the group average.

Compared with the other 818 objects in Animation, The Loud House fans stand out for their interest in Koshien Stadium, Pocoyo and VTR (telecom company).

Most fans live in California, Texas, New York.

Top affinities include Koshien Stadium, Pocoyo, VTR (telecom company), with strongest over-indexing on Koshien Stadium (218.51× the country average).

Demographically, the The Loud House audience skews balanced with an average age of 34.1, and over-indexes on personality traits such as Extroversion, Pet Ownership.

The typical The Loud House fan in United States is balanced, around 34.1 years old, with strong Extroversion tendencies and a notable affinity for Koshien Stadium.

Category: Movies & TV · Type: Movie / TV Show / Series · Subtype: Animation

Data status: Q3/2026 · Source & method

Section 01

At a glance

Audience size
879K
in United States
Gender
51.1%♀
48.9% male
Age
34.1
average years
Country rank
#26693
among all objects in United States
Fig. 01

Search interest · 12-month trend

+5%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of The Loud House viewers

51.1% are female, 48.9% are male, average age 34.1.

Fig. 02

Gender split

51.1%
Female
48.9%
Male
Demographic split for The Loud House audience in United States
MetricValue
Female51.1%
Male48.9%
Average age34.1
Estimated audience size879K
Fig. 03

Age distribution

Ø 34.1
average years
Age distribution of the The Loud House audience in United States
Age bracketShare%
16-2436%
25-3423%
35-4416%
45-5411%
55+14%
Fig. 04

Worldwide distribution

29.1%

of the worldwide The Loud House audience comes from United States.

Worldwide audience distribution share by country for The Loud House
CountryShare
United States29.1%
Brazil9.6%
Mexico7.9%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

The Loud House fans by region: top regions in United States
#RegionReachAffinity×
01Delaware~5K1.78×
02Maryland~30K1.60×
03Alabama~20K1.54×
04Louisiana~20K1.54×
05Mississippi~10K1.41×
06Texas~80K1.40×
07Georgia~40K1.31×
08Arkansas~10K1.24×
09New Jersey~30K1.21×
10Kentucky~10K1.19×
11South Carolina~20K1.18×
12West Virginia~6K1.17×
13Massachusetts~20K1.15×
14Pennsylvania~40K1.14×
15North Carolina~30K1.14×
16Michigan~30K1.13×
17Oklahoma~10K1.13×
18New York~60K1.10×
19Indiana~20K1.09×
20New Mexico~6K1.08×
21South Dakota~2K1.05×
22Illinois~30K1.03×
23Connecticut~10K1.01×
24California~100K0.98×
25Virginia~20K0.98×
26Rhode Island~3K0.98×
27Tennessee~20K0.97×
28Missouri~20K0.97×
29New Hampshire~3K0.97×
30Florida~50K0.96×
31Arizona~20K0.95×
32Ohio~30K0.94×
33Nevada~8K0.93×
34Wyoming~1K0.91×
35Kansas~7K0.89×
36Oregon~10K0.88×
37North Dakota~2K0.83×
38Iowa~7K0.82×
39Alaska~1K0.78×
40Wisconsin~10K0.76×
41Nebraska~4K0.76×
42Vermont~1K0.75×
43Hawaii~3K0.74×
44Minnesota~10K0.73×
45Washington~10K0.71×
46Utah~6K0.68×
47Maine~2K0.68×
48Montana~2K0.66×
49Idaho~3K0.65×
50Colorado~8K0.56×
Fig. 06

Affinity by region

Affinity by region — The Loud House, United States
0.56×1.00×1.78×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the The Loud House audience vs. the country average
#·InterestCategoryAffinity×
01Koshien StadiumTopic218.51×
02PocoyoLiterature155.66×
03VTR (telecom company)Technology & Electronics145.56×
04The Fairly OddParentsMovies & TV111.50×
05Westin HotelsTravel & Leisure82.85×
06Disney's Alice in WonderlandMovies & TV82.24×
07Club Universidad de ChileSports64.24×
08Finding NeverlandMovies & TV57.41×
09The SpongeBob Movie: Sponge Out of WaterMovies & TV51.93×
10The SpongeBob SquarePants MovieMovies & TV46.20×
11Chihuahua (state)Travel & Leisure40.73×
12The Amazing World of GumballMovies & TV38.92×
13The ThundermansMovies & TV37.59×
14Alvin and the ChipmunksMusic & Radio32.42×
15HedgehogPets & Animals27.78×
16Kim PossibleMovies & TV22.91×
17SantiagoTravel & Leisure15.66×
18SpongeBob SquarePantsMovies & TV14.21×
19Scooby-DooMovies & TV6.36×
20NickelodeonKids & Family5.88×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the The Loud House audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the The Loud House audience vs. the country average · What stands out
TraitClusterDeviationScore
ExtroversionTHRILL1.54×
Pet OwnershipJOY1.44×
Convenience OrientationPREMIUM1.40×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the The Loud House audience vs. the country average · Rather not
TraitClusterDeviationScore
Healthy LifestyleBALANCE0.82×
Luxury OrientationPREMIUM0.82×
Design AffinityPREMIUM0.84×
0×1.00× baseline2×
Appendix

Explore more audiences

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in The Loud House over the last 12 months. Modelled, not counted; people interested in several movie / tv show / seriess count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
10/2025 – 09/2026 · updated quarterly · data status Q3/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q3/2026, rascasse.com/explore/us/the-loud-house-180388” · Methodology