A data profile of the people who buy, follow and care about Les Misérables (musical) in Germany — modelled from more than twelve digital signal sources. Les Misérables (musical) has an estimated audience of 339,270 people in Germany.
The average Les Misérables (musical) fan in Germany is 43.0 years old, more female, and lives primarily in Nordrhein-Westfalen.
The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.
Top brand affinities include Wicked (musical), Javier Bardem, Carousel (musical), with strongest over-indexing on Wicked (musical) (59.98× the country average).
Demographically, the Les Misérables (musical) audience skews more female with an average age of 43.0, and over-indexes on personality traits such as Extroversion, Tradition.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.
The typical Les Misérables (musical) fan in Germany is more female, around 43.0 years old, with strong Extroversion tendencies and a notable affinity for Wicked (musical).
The key figures that characterise the Les Misérables (musical) profile in Germany.
67.1% are female, 32.9% are male, average age 43.0.
| Metric | Value |
|---|---|
| Female | 67.1% |
| Male | 32.9% |
| Average age | 43.0 |
| Estimated audience size | 339,270 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 14% | |
| 20-29 | 14% | |
| 30-39 | 18% | |
| 40-49 | 23% | |
| 50+ | 30% |
of the worldwide Les Misérables (musical) audience comes from Germany.
| Country | Share |
|---|---|
| United States | 33.1% |
| United Kingdom | 24.3% |
| Germany | 5.8% |
Where the Les Misérables (musical) audience in Germany is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Bayern | ~70K | 1.20× | |
| 02 | Berlin | ~20K | 1.15× | |
| 03 | Saarland | ~5K | 1.11× | |
| 04 | Hessen | ~30K | 1.07× | |
| 05 | Hamburg | ~8K | 1.07× | |
| 06 | Rheinland-Pfalz | ~20K | 1.05× | |
| 07 | Nordrhein-Westfalen | ~80K | 1.03× | |
| 08 | Baden-Württemberg | ~50K | 1.01× | |
| 09 | Schleswig-Holstein | ~10K | 1.00× | |
| 10 | Sachsen | ~20K | 0.97× | |
| 11 | Niedersachsen | ~30K | 0.94× | |
| 12 | Sachsen-Anhalt | ~8K | 0.94× | |
| 13 | Thüringen | ~8K | 0.91× | |
| 14 | Bremen | ~3K | 0.91× | |
| 15 | Brandenburg | ~9K | 0.89× | |
| 16 | Mecklenburg-Vorpommern | ~6K | 0.85× |
The strongest cross-interests of the Les Misérables (musical) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | In the Heights | Music & Radio | 73.21× | ||
| 02 | Valve Corporation | Games | 62.04× | ||
| 03 | Wicked (musical) | Music & Radio | 59.98× | ||
| 04 | Carousel (musical) | Music & Radio | 56.73× | ||
| 05 | Grease (musical) | Music & Radio | 55.34× | ||
| 06 | Javier Bardem | Movies & TV | 52.71× | ||
| 07 | Scribd | Technology & Electronics | 51.42× | ||
| 08 | Andrew Lloyd Webber | Music & Radio | 48.45× | ||
| 09 | Broadway (Manhattan) | Travel & Leisure | 47.60× | ||
| 10 | Tango music | Music & Radio | 43.11× | ||
| 11 | Chicago (musical) | Music & Radio | 39.91× | ||
| 12 | Beauty and the Beast (musical) | Music & Radio | 39.34× | ||
| 13 | Mamma Mia! (film) | Movies & TV | 35.48× | ||
| 14 | La La Land (film) | Movies & TV | 30.03× | ||
| 15 | Cats (musical) | Music & Radio | 30.01× | ||
| 16 | Thomas Mann | Literature | 29.61× | ||
| 17 | Mamma Mia! | Movies & TV | 24.41× | ||
| 18 | Dirty Dancing | Movies & TV | 22.66× | ||
| 19 | Bachata (dance) | Music & Radio | 20.62× | ||
| 20 | Diane Keaton | Movies & TV | 9.83× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Extroversion | THRILL | 1.10× | |
| Tradition | CONSERVATISM | 1.09× | |
| Mindfulness | BALANCE | 1.07× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 0.74× | |
| DIY Mentality | THRILL | 0.79× | |
| Need for Security | CONSERVATISM | 0.82× |
Les Misérables (musical) has an estimated audience of 339,270 people in Germany, concentrated in Nordrhein-Westfalen and Bayern.
67.1% of Les Misérables (musical) fans are female, 32.9% are male, with an average age of 43.0 years.
Les Misérables (musical) fans show strongest brand affinity for Wicked (musical) (59.98×), Javier Bardem (52.71×), and Carousel (musical) (56.73×) over the country average.
Les Misérables (musical) fans in Germany are most concentrated in Nordrhein-Westfalen (reach ~80K), Bayern (reach ~70K), and Baden-Württemberg (reach ~50K). These three regions account for the largest share of the active audience.
Beyond Les Misérables (musical) itself, the audience over-indexes on Javier Bardem (52.71×), Carousel (musical) (56.73×), Grease (musical) (55.34×), and Cats (musical) (30.01×) compared to the Germany average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Germany who actively search for Les Misérables (musical). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
From global mass-market brands to niche local segments — explore the full library and see which intelligence layers are included.