A data profile of the people who buy, follow and care about The Doors (film) in United States — modelled from more than twelve digital signal sources. The Doors (film) has an estimated audience of 1,814,312 people in United States.
The average The Doors (film) fan in United States is 42.8 years old, more male, and lives primarily in New York.
The audience is concentrated in New York, California, Texas.
Top brand affinities include The Doors, Jim Morrison, Obsessed (2009 film), with strongest over-indexing on The Doors (58.4× the country average).
Demographically, the The Doors (film) audience skews more male with an average age of 42.8, and over-indexes on personality traits such as Tradition, Spirituality.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical The Doors (film) fan in United States is more male, around 42.8 years old, with strong Tradition tendencies and a notable affinity for The Doors.
The key figures that characterise the The Doors (film) profile in United States.
40.1% are female, 59.9% are male, average age 42.8.
| Metric | Value |
|---|---|
| Female | 40.1% |
| Male | 59.9% |
| Average age | 42.8 |
| Estimated audience size | 1,814,312 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 17% | |
| 20-29 | 12% | |
| 30-39 | 16% | |
| 40-49 | 26% | |
| 50+ | 30% |
of the worldwide The Doors (film) audience comes from United States.
| Country | Share |
|---|---|
| United States | 29.8% |
| Portugal | 8.6% |
| Germany | 6.5% |
Where the The Doors (film) audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | New York | ~200K | 3.51× | |
| 02 | New Hampshire | ~6K | 1.40× | |
| 03 | Alaska | ~3K | 1.35× | |
| 04 | New Mexico | ~7K | 1.17× | |
| 05 | Wisconsin | ~20K | 1.15× | |
| 06 | Arizona | ~30K | 1.12× | |
| 07 | Oregon | ~10K | 1.10× | |
| 08 | Maine | ~4K | 1.10× | |
| 09 | Pennsylvania | ~40K | 1.09× | |
| 10 | Connecticut | ~10K | 1.09× | |
| 11 | California | ~100K | 1.07× | |
| 12 | West Virginia | ~6K | 1.05× | |
| 13 | Massachusetts | ~20K | 1.04× | |
| 14 | Vermont | ~2K | 1.04× | |
| 15 | New Jersey | ~30K | 1.03× | |
| 16 | Montana | ~3K | 1.01× | |
| 17 | Oklahoma | ~10K | 0.99× | |
| 18 | Illinois | ~40K | 0.98× | |
| 19 | Michigan | ~30K | 0.98× | |
| 20 | Ohio | ~30K | 0.97× | |
| 21 | Indiana | ~20K | 0.97× | |
| 22 | Kentucky | ~10K | 0.97× | |
| 23 | Rhode Island | ~4K | 0.97× | |
| 24 | Washington | ~20K | 0.95× | |
| 25 | Missouri | ~20K | 0.95× | |
| 26 | Iowa | ~9K | 0.95× | |
| 27 | North Dakota | ~2K | 0.95× | |
| 28 | Virginia | ~30K | 0.94× | |
| 29 | Kansas | ~8K | 0.94× | |
| 30 | Nebraska | ~5K | 0.94× | |
| 31 | Minnesota | ~20K | 0.93× | |
| 32 | Nevada | ~10K | 0.93× | |
| 33 | Idaho | ~5K | 0.92× | |
| 34 | Colorado | ~20K | 0.91× | |
| 35 | Tennessee | ~20K | 0.90× | |
| 36 | Arkansas | ~8K | 0.89× | |
| 37 | Mississippi | ~8K | 0.88× | |
| 38 | South Dakota | ~2K | 0.88× | |
| 39 | Texas | ~80K | 0.87× | |
| 40 | Utah | ~9K | 0.87× | |
| 41 | Florida | ~70K | 0.86× | |
| 42 | Georgia | ~30K | 0.84× | |
| 43 | Alabama | ~10K | 0.84× | |
| 44 | North Carolina | ~30K | 0.81× | |
| 45 | Delaware | ~3K | 0.81× | |
| 46 | Washington, District of Columbia | ~3K | 0.79× | |
| 47 | South Carolina | ~10K | 0.78× | |
| 48 | Louisiana | ~10K | 0.75× | |
| 49 | Maryland | ~10K | 0.74× | |
| 50 | Hawaii | ~3K | 0.66× |
The strongest cross-interests of the The Doors (film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Jim Morrison | Music & Radio | 61.68× | ||
| 02 | The Doors | Music & Radio | 58.40× | ||
| 03 | Eraserhead | Movies & TV | 51.03× | ||
| 04 | Gangs of New York | Movies & TV | 49.24× | ||
| 05 | RocketMan | Movies & TV | 49.18× | ||
| 06 | Soundgarden | Music & Radio | 30.68× | ||
| 07 | A Beautiful Mind (film) | Movies & TV | 29.12× | ||
| 08 | Roger Waters | Music & Radio | 29.04× | ||
| 09 | The Lobster | Movies & TV | 26.46× | ||
| 10 | Janis Joplin | Music & Radio | 25.87× | ||
| 11 | Boogie Nights | Movies & TV | 21.54× | ||
| 12 | Stone Temple Pilots | Music & Radio | 21.29× | ||
| 13 | Requiem for a Dream | Movies & TV | 20.81× | ||
| 14 | Michelle Monaghan | Movies & TV | 18.57× | ||
| 15 | There Will Be Blood | Movies & TV | 18.44× | ||
| 16 | Tom Petty | Music & Radio | 14.71× | ||
| 17 | Dead Poets Society | Movies & TV | 14.55× | ||
| 18 | Obsessed (2009 film) | Movies & TV | 14.47× | ||
| 19 | Kaiser Permanente | Business & Career | 13.69× | ||
| 20 | Kate Beckinsale | Movies & TV | 10.53× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Tradition | CONSERVATISM | 1.93× | |
| Spirituality | BALANCE | 1.68× | |
| Patriotism | CONSERVATISM | 1.63× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Pet Ownership | JOY | 0.69× | |
| Healthy Lifestyle | BALANCE | 0.87× | |
| Sports Activity | POWER | 0.87× |
The Doors (film) has an estimated audience of 1,814,312 people in United States, concentrated in New York and California.
40.1% of The Doors (film) fans are female, 59.9% are male, with an average age of 42.8 years.
The Doors (film) fans show strongest brand affinity for The Doors (58.4×), Jim Morrison (61.68×), and Obsessed (2009 film) (14.47×) over the country average.
The Doors (film) fans in United States are most concentrated in New York (reach ~200K), California (reach ~100K), and Texas (reach ~80K). These three regions account for the largest share of the active audience.
Beyond The Doors (film) itself, the audience over-indexes on Jim Morrison (61.68×), Obsessed (2009 film) (14.47×), Gangs of New York (49.24×), and Eraserhead (51.03×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for The Doors (film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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