A data profile of the people who buy, follow and care about Ernest Hemingway in Germany — modelled from more than twelve digital signal sources. Ernest Hemingway has an estimated audience of 228,526 people in Germany.
The average Ernest Hemingway fan in Germany is 38.0 years old, more female, and lives primarily in Nordrhein-Westfalen.
The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.
Top brand affinities include Jules Verne, Anna Karenina, Little Women, with strongest over-indexing on Jules Verne (104.44× the country average).
Demographically, the Ernest Hemingway audience skews more female with an average age of 38.0, and over-indexes on personality traits such as Travelling, Mindfulness.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.
The typical Ernest Hemingway fan in Germany is more female, around 38.0 years old, with strong Travelling tendencies and a notable affinity for Jules Verne.
The key figures that characterise the Ernest Hemingway profile in Germany.
55.6% are female, 44.4% are male, average age 38.0.
| Metric | Value |
|---|---|
| Female | 55.6% |
| Male | 44.4% |
| Average age | 38.0 |
| Estimated audience size | 228,526 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 24% | |
| 20-29 | 18% | |
| 30-39 | 19% | |
| 40-49 | 22% | |
| 50+ | 17% |
of the worldwide Ernest Hemingway audience comes from Germany.
| Country | Share |
|---|---|
| United States | 36.4% |
| United Kingdom | 5.1% |
| Germany | 4.5% |
Where the Ernest Hemingway audience in Germany is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Berlin | ~10K | 1.29× | |
| 02 | Bayern | ~40K | 1.13× | |
| 03 | Hamburg | ~6K | 1.12× | |
| 04 | Hessen | ~20K | 1.09× | |
| 05 | Rheinland-Pfalz | ~10K | 1.09× | |
| 06 | Baden-Württemberg | ~30K | 1.02× | |
| 07 | Schleswig-Holstein | ~8K | 1.01× | |
| 08 | Sachsen | ~10K | 0.98× | |
| 09 | Thüringen | ~6K | 0.98× | |
| 10 | Nordrhein-Westfalen | ~50K | 0.95× | |
| 11 | Mecklenburg-Vorpommern | ~4K | 0.93× | |
| 12 | Bremen | ~2K | 0.93× | |
| 13 | Brandenburg | ~7K | 0.92× | |
| 14 | Saarland | ~3K | 0.91× | |
| 15 | Niedersachsen | ~20K | 0.90× | |
| 16 | Sachsen-Anhalt | ~5K | 0.85× |
The strongest cross-interests of the Ernest Hemingway audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | The Last Song (novel) | Literature | 212.42× | ||
| 02 | Leo Tolstoy | Literature | 157.76× | ||
| 03 | And Then There Were None | Movies & TV | 127.46× | ||
| 04 | A Midsummer Night's Dream | Literature | 125.63× | ||
| 05 | Anna Karenina | Literature | 106.16× | ||
| 06 | Jules Verne | Literature | 104.44× | ||
| 07 | James Baldwin | Literature | 102.92× | ||
| 08 | Style guide | Fashion & Accessoires | 100.85× | ||
| 09 | Albert Camus | Literature | 100.45× | ||
| 10 | Eragon | Movies & TV | 96.74× | ||
| 11 | War and Peace | Movies & TV | 92.97× | ||
| 12 | Little Women | Movies & TV | 91.16× | ||
| 13 | The Road | Movies & TV | 90.39× | ||
| 14 | George Orwell | Literature | 60.23× | ||
| 15 | Thomas Mann | Literature | 58.69× | ||
| 16 | Pride and Prejudice | Movies & TV | 52.77× | ||
| 17 | Franz Kafka | Literature | 49.10× | ||
| 18 | Graham Greene | Literature | 48.58× | ||
| 19 | Murder on the Orient Express | Literature | 46.99× | ||
| 20 | The Handmaid's Tale | Movies & TV | 31.19× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Travelling | THRILL | 2.50× | |
| Mindfulness | BALANCE | 1.38× | |
| Spirituality | BALANCE | 1.33× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Extroversion | THRILL | 0.93× | |
| Social Media Usage | JOY | 0.95× | |
| Luxury Orientation | PREMIUM | 0.95× |
Ernest Hemingway has an estimated audience of 228,526 people in Germany, concentrated in Nordrhein-Westfalen and Bayern.
55.6% of Ernest Hemingway fans are female, 44.4% are male, with an average age of 38.0 years.
Ernest Hemingway fans show strongest brand affinity for Jules Verne (104.44×), Anna Karenina (106.16×), and Little Women (91.16×) over the country average.
Ernest Hemingway fans in Germany are most concentrated in Nordrhein-Westfalen (reach ~50K), Bayern (reach ~40K), and Baden-Württemberg (reach ~30K). These three regions account for the largest share of the active audience.
Beyond Ernest Hemingway itself, the audience over-indexes on Anna Karenina (106.16×), Little Women (91.16×), Thomas Mann (58.69×), and Eragon (96.74×) compared to the Germany average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Germany who actively search for Ernest Hemingway. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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