Rascasse Audience Intelligence

Nessa Barrett Audience in United States

Nessa Barrett has an estimated audience of 607K people in United States.

#494among Singer-songwriter in United States
#7474among people in United States#4195in Music & Radio

The average Nessa Barrett fan in United States is 31.4 years old, more female, and lives primarily in California.

Its fans are 6.4 years younger than the group average of 37.8.

Women make up 65.0% of the fan base, 7.1 percentage points more than the group average.

Compared with the other 7686 objects in Singer-songwriter, Nessa Barrett fans stand out for their interest in Sabrina Carpenter, Rita Ora and Ross Lynch.

Most fans live in California, Texas, New York.

Top affinities include Sabrina Carpenter, Rita Ora, Ross Lynch, with strongest over-indexing on Sabrina Carpenter (46.78× the country average).

Demographically, the Nessa Barrett audience skews more female with an average age of 31.4, and over-indexes on personality traits such as Tradition, Patriotism.

The typical Nessa Barrett fan in United States is more female, around 31.4 years old, with strong Tradition tendencies and a notable affinity for Sabrina Carpenter.

Category: Music & Radio · Type: Person · Subtype: Singer-songwriter

Data status: Q2/2026 · Source & method

Section 01

At a glance

Audience size
607K
in United States
Gender
65.0%♀
35.0% male
Age
31.4
average years
Country rank
#32628
among all objects in United States
Fig. 01

Search interest · 12-month trend

-26%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Solution
Section 02

Demographics of Nessa Barrett fans

65.0% are female, 35.0% are male, average age 31.4.

Fig. 02

Gender split

65.0%
Female
35.0%
Male
Demographic split for Nessa Barrett audience in United States
MetricValue
Female65.0%
Male35.0%
Average age31.4
Estimated audience size607K
Fig. 03

Age distribution

Ø 31.4
average years
Age distribution of the Nessa Barrett audience in United States
Age bracketShare%
16-2444%
25-3423%
35-4414%
45-5410%
55+9%
Fig. 04

Worldwide distribution

49.7%

of the worldwide Nessa Barrett audience comes from United States.

Worldwide audience distribution share by country for Nessa Barrett
CountryShare
United States49.7%
United Kingdom6.2%
Australia5.6%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Fig. 05

Top regions by affinity

Nessa Barrett fans by region: top regions in United States
#RegionReachAffinity×
01Utah~9K1.44×
02California~90K1.26×
03Pennsylvania~30K1.20×
04Washington~20K1.18×
05New Jersey~20K1.15×
06Colorado~10K1.13×
07Oklahoma~8K1.13×
08Arizona~20K1.12×
09Idaho~4K1.11×
10Massachusetts~10K1.10×
11New York~40K1.09×
12Illinois~30K1.08×
13Oregon~8K1.08×
14Tennessee~10K1.07×
15Minnesota~10K1.07×
16Connecticut~7K1.06×
17Nevada~6K1.06×
18Texas~40K1.05×
19Kentucky~9K1.05×
20Nebraska~4K1.02×
21Michigan~20K1.01×
22Missouri~10K1.01×
23Alaska~1K1.01×
24New Hampshire~2K0.99×
25North Dakota~1K0.99×
26Wisconsin~10K0.98×
27Kansas~5K0.98×
28Rhode Island~2K0.98×
29Virginia~20K0.96×
30New Mexico~4K0.96×
31Ohio~20K0.95×
32Georgia~20K0.95×
33North Carolina~20K0.95×
34Arkansas~5K0.95×
35Indiana~10K0.94×
36Alabama~9K0.94×
37Montana~2K0.94×
38Vermont~1K0.94×
39Iowa~5K0.92×
40Hawaii~2K0.92×
41West Virginia~3K0.91×
42South Dakota~1K0.91×
43Washington, District of Columbia~1K0.91×
44Louisiana~8K0.89×
45Maine~2K0.89×
46Florida~30K0.88×
47Maryland~10K0.88×
48Delaware~2K0.88×
49South Carolina~9K0.86×
50Mississippi~5K0.84×
Fig. 06

Affinity by region

Affinity by region — Nessa Barrett, United States
0.84×1.00×1.44×
Section 04
Brands and objects ranked by affinity with this audience. Values above 1.0× mean over-representation compared with the country average.

Audience interests & affinities

Fig. 07

Top cross-interests, ranked by affinity

Affinities of the Nessa Barrett audience vs. the country average
#·InterestCategoryAffinity×
01Sabrina CarpenterMusic & Radio46.78×
02Rita OraMusic & Radio38.07×
03Ross LynchMovies & TV34.25×
04Cameron BoyceMovies & TV32.46×
05Dove CameronMovies & TV29.92×
06Theo JamesMovies & TV24.39×
07Debby RyanMovies & TV24.16×
08Olivia HoltMovies & TV23.88×
09Zoey 101Movies & TV22.60×
10Madison BeerMusic & Radio21.59×
11Bella ThorneMovies & TV20.88×
12Jersey Shore (TV series)Movies & TV13.30×
13Charli XCXMusic & Radio10.64×
14Anthony JoshuaSports10.05×
15Rick and MortyMovies & TV8.74×
16Lindsay LohanMovies & TV8.06×
17Hailee SteinfeldMovies & TV7.54×
18Ariana GrandeMusic & Radio6.66×
19Consumer electronicsTechnology & Electronics2.07×
20SupermanMovies & TV1.99×
Section 05
Strongest and weakest personality traits of this audience (1.0 = country average).

Personality of the Nessa Barrett audience

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Personality traits of the Nessa Barrett audience vs. the country average · What stands out
TraitClusterDeviationScore
TraditionCONSERVATISM2.02×
PatriotismCONSERVATISM1.56×
MindfulnessBALANCE1.49×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Personality traits of the Nessa Barrett audience vs. the country average · Rather not
TraitClusterDeviationScore
Quality AwarenessPREMIUM0.71×
Need for SecurityCONSERVATISM0.79×
TravellingTHRILL0.90×
0×1.00× baseline2×
Appendix

Explore more audiences

More Singer-songwriter audiences in United States

Source & method

Source
Rascasse Solution, own modelling
What “fans” means here
Estimated number of people in United States with measurable interest in Nessa Barrett over the last 12 months. Modelled, not counted; people interested in several persons count for each of them.
Data basis
Anonymised behavioural signals: search demand, social media signals, sponsorship and event data. Not a survey.
Period
07/2025 – 06/2026 · updated quarterly · data status Q2/2026
Confidence
high gender and age data available and an audience of at least 100,000 people

Cite as: “Rascasse Solution, Q2/2026, rascasse.com/explore/us/nessa-barrett-10026798” · Methodology