A data profile of the people who buy, follow and care about Theatre in Norway — modelled from more than twelve digital signal sources. Theatre has an estimated audience of 746,046 people in Norway.
Theatre has an estimated audience of 746,046 people in Norway. 61.5% are female, 38.5% are male, average age 46.3. Top brand affinities: Chess (musical), Tone Damli, Choir, Bob Dylan, Henrik Ibsen.
Top brand affinities include Chess (musical), Tone Damli, Choir, with strongest over-indexing on Chess (musical) (2.6× the country average).
Demographically, the Theatre audience skews more female with an average age of 46.3, and over-indexes on personality traits such as Travelling, Social Media Usage.
The typical Theatre fan in Norway is more female, around 46.3 years old, with strong Travelling tendencies and a notable affinity for Chess (musical).
The key figures that characterise the Theatre profile in Norway.
61.5% are female, 38.5% are male, average age 46.3.
| Metric | Value |
|---|---|
| Female | 61.5% |
| Male | 38.5% |
| Average age | 46.3 |
| Estimated audience size | 746,046 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 9% | |
| 20-29 | 12% | |
| 30-39 | 15% | |
| 40-49 | 22% | |
| 50+ | 41% |
of the worldwide Theatre audience comes from Norway.
| Country | Share |
|---|---|
| United States | 19.5% |
| United Kingdom | 4.7% |
| Japan | 4.7% |
The strongest cross-interests of the Theatre audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Chess (musical) | Music & Radio | 2.60× | ||
| 02 | Tone Damli | Music & Radio | 2.00× | ||
| 03 | Weekend (2011 film) | Movies & TV | 1.79× | ||
| 04 | Trøndelag Teater | Arts & Culture | 1.78× | ||
| 05 | Folketeatret | Music & Radio | 1.73× | ||
| 06 | Norwegian Academy of Music | Topic | 1.73× | ||
| 07 | Paul Simon | Music & Radio | 1.69× | ||
| 08 | Oslo Philharmonic | Arts & Culture | 1.66× | ||
| 09 | The Sound of Music (film) | Movies & TV | 1.64× | ||
| 10 | Aretha Franklin | Music & Radio | 1.60× | ||
| 11 | Wolfgang Amadeus Mozart | Music & Radio | 1.60× | ||
| 12 | Choir | Home & Garden | 1.59× | ||
| 13 | Norwegian National Opera and Ballet | Arts & Culture | 1.59× | ||
| 14 | Chamber music | Music & Radio | 1.56× | ||
| 15 | String quartet | Music & Radio | 1.56× | ||
| 16 | Bob Dylan | Music & Radio | 1.54× | ||
| 17 | Elisabeth Andreassen | Music & Radio | 1.51× | ||
| 18 | Trio (music) | Music & Radio | 1.51× | ||
| 19 | Henrik Ibsen | Literature | 1.50× | ||
| 20 | Conducting | Music & Radio | 1.50× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Travelling | THRILL | 0.85× | |
| Social Media Usage | JOY | 0.75× | |
| Patriotism | CONSERVATISM | 0.71× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 0.71× | |
| Social Media Usage | JOY | 0.75× | |
| Travelling | THRILL | 0.85× |
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Norway who actively search for Theatre. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Norway. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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