Rascasse Audience Intelligence

Cabaret (1972 film) Audience in United States

A data profile of the people who buy, follow and care about Cabaret (1972 film) in United States — modelled from more than twelve digital signal sources. Cabaret (1972 film) has an estimated audience of 1,669,390 people in United States.

#175among Band in United States#3179among Person in United States#1931in Music & Radio

Cabaret (1972 film) fans in United States are concentrated in New York, with strong brand affinity for RocketMan.

The audience is concentrated in New York, California, Texas.

Top brand affinities include RocketMan, Moulin Rouge!, Brandon Flowers, with strongest over-indexing on RocketMan (119.72× the country average).

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.

The typical Cabaret (1972 film) fan in United States shows strong Spirituality tendencies and a notable affinity for RocketMan.

Category: Music & Radio · Type: Person · Subtype: Band

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Cabaret (1972 film) profile in United States.

Audience size
1.7M
in United States
Country rank
#16377
Person in United States
Fig. 01

Search interest · 12-month trend

-20%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Cabaret (1972 film) fans

Fig. 02

Gender split

Demographic split for Cabaret (1972 film) audience in United States
MetricValue
Estimated audience size1,669,390
Fig. 04

Worldwide distribution

38.5%

of the worldwide Cabaret (1972 film) audience comes from United States.

Worldwide audience distribution share by country for Cabaret (1972 film)
CountryShare
United States38.5%
United Kingdom12.4%
France6.3%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Cabaret (1972 film) audience in United States is strongest.

Fig. 05

Top regions by affinity

Cabaret (1972 film) fans by region: top regions in United States
#RegionReachAffinity×
01New York~200K2.23×
02New Jersey~70K1.57×
03Washington, District of Columbia~8K1.43×
04Massachusetts~50K1.37×
05Connecticut~20K1.33×
06Minnesota~30K1.30×
07Arizona~50K1.29×
08Oregon~30K1.26×
09New Hampshire~9K1.25×
10Vermont~4K1.23×
11Alaska~4K1.16×
12Pennsylvania~70K1.12×
13Washington~40K1.09×
14Maine~7K1.09×
15Rhode Island~6K1.06×
16Iowa~10K1.03×
17Texas~200K1.02×
18Tennessee~40K1.01×
19Colorado~30K0.99×
20Virginia~40K0.98×
21Alabama~20K0.98×
22Utah~20K0.98×
23Illinois~60K0.96×
24Florida~100K0.94×
25Maryland~30K0.94×
26Wisconsin~20K0.94×
27Delaware~5K0.94×
28Kansas~10K0.93×
29California~200K0.92×
30Michigan~40K0.91×
31Louisiana~20K0.91×
32Montana~4K0.91×
33Ohio~50K0.89×
34Indiana~30K0.89×
35North Carolina~50K0.88×
36Missouri~20K0.87×
37West Virginia~7K0.86×
38South Dakota~3K0.86×
39Nebraska~7K0.85×
40North Dakota~3K0.85×
41Kentucky~20K0.83×
42Georgia~40K0.81×
43Oklahoma~20K0.80×
44South Carolina~20K0.79×
45Arkansas~10K0.79×
46New Mexico~7K0.79×
47Nevada~10K0.77×
48Idaho~7K0.77×
49Hawaii~6K0.77×
50Mississippi~9K0.64×
Fig. 06

Affinity by region

Affinity by region — Cabaret (1972 film), United States
0.64×1.00×2.23×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Cabaret (1972 film) audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Cabaret (1972 film) audience
#·InterestCategoryAffinity×
01RocketManMovies & TV119.72×
02Brandon FlowersMusic & Radio75.27×
03Moulin Rouge!Movies & TV64.08×
04Joan CollinsFashion & Accessoires26.36×
05His Dark MaterialsMovies & TV22.56×
06Jeremy Allen WhiteMovies & TV20.00×
07Suki WaterhouseFashion & Accessoires20.00×
08Cameron MonaghanMovies & TV20.00×
09Emmy RossumMovies & TV18.88×
10Good BurgerMovies & TV18.84×
11Debbie HarryMusic & Radio17.88×
12Jessica ChastainMovies & TV17.32×
13Dirk NowitzkiSports17.19×
14Shirley MacLaineMovies & TV16.85×
15InceptionMovies & TV15.62×
16Boogie NightsMovies & TV14.87×
17Lily AllenMusic & Radio12.43×
18Kate BeckinsaleMovies & TV12.13×
19La La Land (film)Movies & TV9.78×
20QVCMovies & TV5.88×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Cabaret (1972 film) audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Top personality traits over-indexed by Cabaret (1972 film) audience · What stands out
TraitClusterDeviationScore
SpiritualityBALANCE1.49×
Urban LifestyleOPEN1.43×
IndulgenceJOY1.43×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Top personality traits over-indexed by Cabaret (1972 film) audience · Rather not
TraitClusterDeviationScore
Pet OwnershipJOY0.76×
DIY MentalityTHRILL0.78×
Healthy LifestyleBALANCE0.83×
0×1.00× baseline2×
Appendix

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How to read this data

Audience size is the estimated number of people in United States who actively search for Cabaret (1972 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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