A data profile of the people who buy, follow and care about Heat (1995 film) in Germany — modelled from more than twelve digital signal sources. Heat (1995 film) has an estimated audience of 989,826 people in Germany.
Heat (1995 film) fans in Germany are concentrated in Nordrhein-Westfalen, with strong brand affinity for The Equalizer.
The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.
Top brand affinities include The Equalizer, Hawaii Five-O, Point Break, with strongest over-indexing on The Equalizer (120.32× the country average).
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.
The typical Heat (1995 film) fan in Germany shows strong Spirituality tendencies and a notable affinity for The Equalizer.
The key figures that characterise the Heat (1995 film) profile in Germany.
| Metric | Value |
|---|---|
| Estimated audience size | 989,826 |
of the worldwide Heat (1995 film) audience comes from Germany.
| Country | Share |
|---|---|
| United States | 39.1% |
| India | 8.1% |
| France | 7.3% |
Where the Heat (1995 film) audience in Germany is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Berlin | ~50K | 1.20× | |
| 02 | Hessen | ~90K | 1.13× | |
| 03 | Nordrhein-Westfalen | ~200K | 1.08× | |
| 04 | Hamburg | ~20K | 1.08× | |
| 05 | Bremen | ~9K | 1.03× | |
| 06 | Niedersachsen | ~100K | 1.00× | |
| 07 | Brandenburg | ~30K | 0.99× | |
| 08 | Sachsen | ~50K | 0.98× | |
| 09 | Schleswig-Holstein | ~30K | 0.98× | |
| 10 | Saarland | ~10K | 0.98× | |
| 11 | Sachsen-Anhalt | ~30K | 0.97× | |
| 12 | Baden-Württemberg | ~100K | 0.96× | |
| 13 | Rheinland-Pfalz | ~50K | 0.96× | |
| 14 | Bayern | ~200K | 0.95× | |
| 15 | Mecklenburg-Vorpommern | ~20K | 0.89× | |
| 16 | Thüringen | ~20K | 0.87× |
The strongest cross-interests of the Heat (1995 film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | The Equalizer | Movies & TV | 120.32× | ||
| 02 | Point Break | Movies & TV | 114.08× | ||
| 03 | Hawaii Five-O | Movies & TV | 105.43× | ||
| 04 | Riddick (film) | Movies & TV | 71.48× | ||
| 05 | The Closer | Movies & TV | 62.42× | ||
| 06 | Rizzoli & Isles | Movies & TV | 58.78× | ||
| 07 | Atlético Nacional | Sports | 57.94× | ||
| 08 | Spring Breakers | Movies & TV | 56.02× | ||
| 09 | Deception (U.S. TV series) | Movies & TV | 55.72× | ||
| 10 | Columbo | Movies & TV | 55.40× | ||
| 11 | White House Down | Movies & TV | 54.12× | ||
| 12 | Furby | Kids & Family | 53.30× | ||
| 13 | Boston Legal | Movies & TV | 52.21× | ||
| 14 | Blue Heelers | Fashion & Accessoires | 50.40× | ||
| 15 | Person of Interest (TV series) | Movies & TV | 46.60× | ||
| 16 | Inside Man | Movies & TV | 42.49× | ||
| 17 | Oblivion (2013 film) | Movies & TV | 34.59× | ||
| 18 | Smallville | Movies & TV | 20.00× | ||
| 19 | Twin Peaks | Movies & TV | 18.11× | ||
| 20 | The Mentalist | Movies & TV | 18.07× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Spirituality | BALANCE | 1.56× | |
| Convenience Orientation | PREMIUM | 1.20× | |
| Quality Awareness | PREMIUM | 1.19× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Community Orientation | OPEN | 0.56× | |
| Sports Activity | POWER | 0.77× | |
| Individualism | JOY | 0.78× |
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Germany who actively search for Heat (1995 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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