A data profile of the people who buy, follow and care about Macbeth in United States — modelled from more than twelve digital signal sources. Macbeth has an estimated audience of 305,312 people in United States.
The average Macbeth fan in United States is 46.2 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Romeo and Juliet, Dan Stevens, Julie Walters, with strongest over-indexing on Romeo and Juliet (267.95× the country average).
Demographically, the Macbeth audience skews more female with an average age of 46.2, and over-indexes on personality traits such as Community Orientation, Patriotism.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Macbeth fan in United States is more female, around 46.2 years old, with strong Community Orientation tendencies and a notable affinity for Romeo and Juliet.
The key figures that characterise the Macbeth profile in United States.
59.8% are female, 40.2% are male, average age 46.2.
| Metric | Value |
|---|---|
| Female | 59.8% |
| Male | 40.2% |
| Average age | 46.2 |
| Estimated audience size | 305,312 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 9% | |
| 20-29 | 13% | |
| 30-39 | 15% | |
| 40-49 | 23% | |
| 50+ | 40% |
of the worldwide Macbeth audience comes from United States.
| Country | Share |
|---|---|
| United States | 22.1% |
| United Kingdom | 17.4% |
| Canada | 4.7% |
Where the Macbeth audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Washington, District of Columbia | ~2K | 1.75× | |
| 02 | Virginia | ~10K | 1.35× | |
| 03 | Massachusetts | ~7K | 1.26× | |
| 04 | New York | ~20K | 1.25× | |
| 05 | New Jersey | ~9K | 1.22× | |
| 06 | Maryland | ~6K | 1.22× | |
| 07 | North Carolina | ~10K | 1.19× | |
| 08 | Idaho | ~2K | 1.18× | |
| 09 | Oregon | ~4K | 1.16× | |
| 10 | Pennsylvania | ~10K | 1.15× | |
| 11 | Minnesota | ~5K | 1.15× | |
| 12 | Connecticut | ~3K | 1.15× | |
| 13 | Utah | ~3K | 1.14× | |
| 14 | California | ~40K | 1.12× | |
| 15 | Rhode Island | ~1K | 1.09× | |
| 16 | Georgia | ~10K | 1.06× | |
| 17 | Washington | ~6K | 1.06× | |
| 18 | Texas | ~30K | 1.05× | |
| 19 | Mississippi | ~2K | 1.02× | |
| 20 | West Virginia | ~1K | 1.02× | |
| 21 | South Carolina | ~4K | 1.01× | |
| 22 | Alabama | ~4K | 1.01× | |
| 23 | North Dakota | <1K | 1.01× | |
| 24 | Arizona | ~6K | 1.00× | |
| 25 | Tennessee | ~6K | 0.99× | |
| 26 | New Hampshire | ~1K | 0.99× | |
| 27 | Hawaii | ~1K | 0.98× | |
| 28 | Vermont | <1K | 0.98× | |
| 29 | Illinois | ~10K | 0.97× | |
| 30 | Maine | ~1K | 0.97× | |
| 31 | South Dakota | <1K | 0.97× | |
| 32 | Florida | ~20K | 0.96× | |
| 33 | Nebraska | ~1K | 0.96× | |
| 34 | Louisiana | ~4K | 0.95× | |
| 35 | New Mexico | ~1K | 0.92× | |
| 36 | Arkansas | ~2K | 0.91× | |
| 37 | Montana | <1K | 0.91× | |
| 38 | Alaska | <1K | 0.90× | |
| 39 | Kansas | ~2K | 0.89× | |
| 40 | Ohio | ~8K | 0.88× | |
| 41 | Kentucky | ~3K | 0.88× | |
| 42 | Nevada | ~3K | 0.88× | |
| 43 | Delaware | <1K | 0.88× | |
| 44 | Oklahoma | ~3K | 0.87× | |
| 45 | Indiana | ~4K | 0.83× | |
| 46 | Missouri | ~4K | 0.83× | |
| 47 | Colorado | ~4K | 0.82× | |
| 48 | Michigan | ~6K | 0.81× | |
| 49 | Wisconsin | ~3K | 0.77× | |
| 50 | Iowa | ~2K | 0.74× |
The strongest cross-interests of the Macbeth audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Romeo and Juliet | Arts & Culture | 267.95× | ||
| 02 | Julie Walters | Movies & TV | 250.92× | ||
| 03 | University of St Andrews | Business & Career | 200.95× | ||
| 04 | Dan Stevens | Movies & TV | 164.49× | ||
| 05 | A Clockwork Orange | Movies & TV | 151.16× | ||
| 06 | Loch Ness | Travel & Leisure | 118.18× | ||
| 07 | Mars Attacks! | Movies & TV | 103.96× | ||
| 08 | T. S. Eliot | Literature | 51.24× | ||
| 09 | Hamlet | Literature | 37.42× | ||
| 10 | American Beauty (1999 film) | Movies & TV | 35.85× | ||
| 11 | Colin Firth | Movies & TV | 28.65× | ||
| 12 | Shirley MacLaine | Movies & TV | 26.31× | ||
| 13 | William Shakespeare | Literature | 26.29× | ||
| 14 | Julianne Moore | Movies & TV | 23.19× | ||
| 15 | Ernest Hemingway | Literature | 22.09× | ||
| 16 | Judi Dench | Movies & TV | 22.07× | ||
| 17 | Greta Gerwig | Movies & TV | 21.46× | ||
| 18 | Olivia Colman | Movies & TV | 20.06× | ||
| 19 | Will Poulter | Movies & TV | 20.00× | ||
| 20 | 24 (TV series) | Movies & TV | 20.00× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Community Orientation | OPEN | 1.71× | |
| Patriotism | CONSERVATISM | 1.60× | |
| Sustainability | BALANCE | 1.56× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Pet Ownership | JOY | 0.80× | |
| Healthy Lifestyle | BALANCE | 0.82× | |
| DIY Mentality | THRILL | 0.82× |
Macbeth has an estimated audience of 305,312 people in United States, concentrated in California and Texas.
59.8% of Macbeth fans are female, 40.2% are male, with an average age of 46.2 years.
Macbeth fans show strongest brand affinity for Romeo and Juliet (267.95×), Dan Stevens (164.49×), and Julie Walters (250.92×) over the country average.
Macbeth fans in United States are most concentrated in California (reach ~40K), Texas (reach ~30K), and New York (reach ~20K). These three regions account for the largest share of the active audience.
Beyond Macbeth itself, the audience over-indexes on Dan Stevens (164.49×), Julie Walters (250.92×), University of St Andrews (200.95×), and A Clockwork Orange (151.16×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Macbeth. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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