Rascasse Audience Intelligence

Romeo and Juliet (1968 film) Audience in United States

Name: Romeo and Juliet (1968 film) — United States
Creator: Rascasse
License: https://rascasse.com/terms/

A data profile of the people who buy, follow and care about Romeo and Juliet (1968 film) in United States — modelled from more than twelve digital signal sources. Romeo and Juliet (1968 film) has an estimated audience of 2,199,829 people in United States.

#770among Movie / TV Show / Series in United States #1998in Movies & TV

The average Romeo and Juliet (1968 film) fan in United States is 43.7 years old, more female, and lives primarily in California.

The audience is concentrated in California, Texas, Florida.

Top brand affinities include Romeo and Juliet, Guy Ritchie, Dan Stevens, with strongest over-indexing on Romeo and Juliet (237.03× the country average).

Demographically, the Romeo and Juliet (1968 film) audience skews more female with an average age of 43.7, and over-indexes on personality traits such as Community Orientation, Tradition.

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.

The typical Romeo and Juliet (1968 film) fan in United States is more female, around 43.7 years old, with strong Community Orientation tendencies and a notable affinity for Romeo and Juliet.

Category: Movies & TV · Type: Movie / TV Show / Series

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Romeo and Juliet (1968 film) profile in United States.

Audience size

2.2M

in United States

Gender

66.9%♀

33.1% male

Age

43.7

average years

Country rank

#13197

Movie / TV Show / Series in United States

Fig. 01

Search interest · 12-month trend

Monthly searches · Source: Rascasse Audience Intelligence

Section 02

Demographics of Romeo and Juliet (1968 film) viewers

66.9% are female, 33.1% are male, average age 43.7.

Fig. 02

Gender split

66.9%

Female

33.1%

Male

Demographic split for Romeo and Juliet (1968 film) audience in United States
Metric	Value
Female	66.9%
Male	33.1%
Average age	43.7
Estimated audience size	2,199,829

Fig. 03

Age distribution

Age distribution of the Romeo and Juliet (1968 film) audience in United States
Age bracket	Share	%
16-19		19%
20-29		10%
30-39		13%
40-49		22%
50+		36%

Fig. 04

Worldwide distribution

42.9%

of the worldwide Romeo and Juliet (1968 film) audience comes from United States.

Worldwide audience distribution share by country for Romeo and Juliet (1968 film)
Country	Share
United States	42.9%
United Kingdom	14.3%
Canada	6.5%

Section 03

Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Romeo and Juliet (1968 film) audience in United States is strongest.

Fig. 05

Top regions by affinity

Romeo and Juliet (1968 film) fans by region: top regions in United States
#	Region	Reach	×
01	Louisiana	~40K	1.43×
02	California	~300K	1.27×
03	Nevada	~30K	1.26×
04	Arizona	~60K	1.25×
05	New York	~200K	1.19×
06	North Carolina	~80K	1.17×
07	West Virginia	~10K	1.17×
08	Pennsylvania	~90K	1.16×
09	Texas	~200K	1.15×
10	Virginia	~60K	1.11×
11	Massachusetts	~50K	1.11×
12	Georgia	~80K	1.08×
13	New Jersey	~60K	1.08×
14	Alabama	~30K	1.08×
15	Washington	~50K	1.05×
16	Oklahoma	~30K	1.04×
17	Connecticut	~20K	1.04×
18	Idaho	~10K	1.03×
19	Alaska	~5K	1.03×
20	Hawaii	~10K	1.02×
21	Michigan	~60K	1.01×
22	Florida	~200K	1.00×
23	Maryland	~40K	1.00×
24	Utah	~20K	1.00×
25	New Mexico	~10K	1.00×
26	North Dakota	~5K	1.00×
27	Nebraska	~10K	0.98×
28	Tennessee	~40K	0.97×
29	Oregon	~30K	0.97×
30	Indiana	~40K	0.96×
31	Washington, District of Columbia	~7K	0.96×
32	Illinois	~70K	0.95×
33	Kentucky	~30K	0.95×
34	Kansas	~20K	0.95×
35	Missouri	~30K	0.94×
36	South Carolina	~30K	0.94×
37	Colorado	~30K	0.93×
38	Iowa	~20K	0.92×
39	New Hampshire	~8K	0.92×
40	Rhode Island	~7K	0.92×
41	Minnesota	~30K	0.91×
42	Ohio	~60K	0.90×
43	South Dakota	~5K	0.90×
44	Mississippi	~20K	0.89×
45	Arkansas	~20K	0.87×
46	Wisconsin	~30K	0.86×
47	Montana	~5K	0.84×
48	Maine	~7K	0.83×
49	Delaware	~5K	0.82×
50	Vermont	~3K	0.76×

Affinity by region — Romeo and Juliet (1968 film), United States

Section 04

Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Romeo and Juliet (1968 film) audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Romeo and Juliet (1968 film) audience
#	Interest	Category	×
01	Romeo and Juliet	Arts & Culture	237.03×
02	Dan Stevens	Movies & TV	192.56×
03	Guy Ritchie	Movies & TV	185.38×
04	T. S. Eliot	Literature	102.88×
05	Hamlet	Literature	54.38×
06	Judi Dench	Movies & TV	39.44×
07	Harvey Keitel	Movies & TV	37.31×
08	Moulin Rouge!	Movies & TV	35.95×
09	Olivia Colman	Movies & TV	33.51×
10	Lea Salonga	Movies & TV	31.91×
11	Vanessa Kirby	Movies & TV	20.00×
12	Jessica Chastain	Movies & TV	20.00×
13	Will Poulter	Movies & TV	20.00×
14	Matthew Goode	Movies & TV	20.00×
15	Maggie Smith	Movies & TV	16.42×
16	Saoirse Ronan	Movies & TV	14.32×
17	Big Little Lies (TV series)	Movies & TV	14.03×
18	Amanda Seyfried	Movies & TV	11.04×
19	Tony Award	Arts & Culture	9.73×
20	Diane Keaton	Movies & TV	6.00×

Section 05

Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Romeo and Juliet (1968 film) audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

↑ What stands out

The strongest tendencies

Top personality traits over-indexed by Romeo and Juliet (1968 film) audience · What stands out
Trait	Cluster	Score
Community Orientation	OPEN	1.69×
Tradition	CONSERVATISM	1.69×
Patriotism	CONSERVATISM	1.60×

0×1.00× baseline2×

↓ Rather not

The weakest tendencies

Top personality traits over-indexed by Romeo and Juliet (1968 film) audience · Rather not
Trait	Cluster	Score
Luxury Orientation	PREMIUM	0.78×
Extroversion	THRILL	0.82×
Pet Ownership	JOY	0.84×

0×1.00× baseline2×

Section 06

Frequently asked questions

How many fans does Romeo and Juliet (1968 film) have in United States?

Romeo and Juliet (1968 film) has an estimated audience of 2,199,829 people in United States, concentrated in California and Texas.

What is the gender split and age of Romeo and Juliet (1968 film) viewers?

66.9% of Romeo and Juliet (1968 film) fans are female, 33.1% are male, with an average age of 43.7 years.

Which brands do Romeo and Juliet (1968 film) fans like most?

Romeo and Juliet (1968 film) fans show strongest brand affinity for Romeo and Juliet (237.03×), Guy Ritchie (185.38×), and Dan Stevens (192.56×) over the country average.

Where do Romeo and Juliet (1968 film) fans live in United States?

Romeo and Juliet (1968 film) fans in United States are most concentrated in California (reach ~300K), Texas (reach ~200K), and Florida (reach ~200K). These three regions account for the largest share of the active audience.

What other brands do Romeo and Juliet (1968 film) fans also like?

Beyond Romeo and Juliet (1968 film) itself, the audience over-indexes on Guy Ritchie (185.38×), Dan Stevens (192.56×), Hamlet (54.38×), and T. S. Eliot (102.88×) compared to the United States average.

Appendix

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How to read this data

Audience size is the estimated number of people in United States who actively search for Romeo and Juliet (1968 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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