A data profile of the people who buy, follow and care about The NeverEnding Story (film) in United States — modelled from more than twelve digital signal sources. The NeverEnding Story (film) has an estimated audience of 1,168,386 people in United States.
The average The NeverEnding Story (film) fan in United States is 39.0 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Isaac Asimov, The Lord of the Rings, Jules Verne, with strongest over-indexing on Isaac Asimov (60.3× the country average).
Demographically, the The NeverEnding Story (film) audience skews balanced with an average age of 39.0, and over-indexes on personality traits such as Patriotism, Tradition.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical The NeverEnding Story (film) fan in United States is balanced, around 39.0 years old, with strong Patriotism tendencies and a notable affinity for Isaac Asimov.
The key figures that characterise the The NeverEnding Story (film) profile in United States.
54.6% are female, 45.4% are male, average age 39.0.
| Metric | Value |
|---|---|
| Female | 54.6% |
| Male | 45.4% |
| Average age | 39.0 |
| Estimated audience size | 1,168,386 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 10% | |
| 20-29 | 23% | |
| 30-39 | 33% | |
| 40-49 | 23% | |
| 50+ | 10% |
Where the The NeverEnding Story (film) audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Idaho | ~8K | 1.32× | |
| 02 | Oklahoma | ~20K | 1.29× | |
| 03 | Alaska | ~3K | 1.25× | |
| 04 | Arkansas | ~10K | 1.24× | |
| 05 | Oregon | ~20K | 1.23× | |
| 06 | New Mexico | ~7K | 1.23× | |
| 07 | Montana | ~4K | 1.23× | |
| 08 | Utah | ~10K | 1.20× | |
| 09 | Maine | ~5K | 1.20× | |
| 10 | Missouri | ~20K | 1.13× | |
| 11 | Kentucky | ~20K | 1.13× | |
| 12 | West Virginia | ~6K | 1.11× | |
| 13 | Washington | ~30K | 1.10× | |
| 14 | Colorado | ~20K | 1.09× | |
| 15 | New Hampshire | ~5K | 1.09× | |
| 16 | Vermont | ~2K | 1.08× | |
| 17 | Tennessee | ~20K | 1.07× | |
| 18 | Kansas | ~10K | 1.07× | |
| 19 | Arizona | ~20K | 1.04× | |
| 20 | Rhode Island | ~4K | 1.04× | |
| 21 | Indiana | ~20K | 1.02× | |
| 22 | Louisiana | ~20K | 1.02× | |
| 23 | Mississippi | ~10K | 1.00× | |
| 24 | Nebraska | ~6K | 1.00× | |
| 25 | Ohio | ~40K | 0.99× | |
| 26 | Iowa | ~9K | 0.98× | |
| 27 | North Dakota | ~2K | 0.98× | |
| 28 | Alabama | ~20K | 0.97× | |
| 29 | Texas | ~100K | 0.96× | |
| 30 | North Carolina | ~30K | 0.96× | |
| 31 | Michigan | ~30K | 0.96× | |
| 32 | Minnesota | ~20K | 0.95× | |
| 33 | Wisconsin | ~20K | 0.94× | |
| 34 | Pennsylvania | ~40K | 0.93× | |
| 35 | South Dakota | ~2K | 0.93× | |
| 36 | Virginia | ~30K | 0.89× | |
| 37 | Georgia | ~30K | 0.86× | |
| 38 | South Carolina | ~20K | 0.86× | |
| 39 | Nevada | ~10K | 0.86× | |
| 40 | California | ~100K | 0.85× | |
| 41 | Connecticut | ~10K | 0.84× | |
| 42 | Hawaii | ~4K | 0.84× | |
| 43 | Florida | ~60K | 0.82× | |
| 44 | Massachusetts | ~20K | 0.82× | |
| 45 | Illinois | ~30K | 0.81× | |
| 46 | Delaware | ~3K | 0.81× | |
| 47 | Maryland | ~20K | 0.76× | |
| 48 | New York | ~50K | 0.75× | |
| 49 | New Jersey | ~20K | 0.70× | |
| 50 | Washington, District of Columbia | ~2K | 0.64× |
The strongest cross-interests of the The NeverEnding Story (film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Jules Verne | Literature | 72.46× | ||
| 02 | Isaac Asimov | Literature | 60.30× | ||
| 03 | Ally McBeal | Movies & TV | 51.75× | ||
| 04 | Doraemon | Literature | 46.09× | ||
| 05 | Terry Pratchett | Literature | 44.24× | ||
| 06 | Stargate | Movies & TV | 34.51× | ||
| 07 | Neil Gaiman | Literature | 31.92× | ||
| 08 | Hayao Miyazaki | Movies & TV | 29.63× | ||
| 09 | Charles Dickens | Literature | 25.26× | ||
| 10 | Christopher Guest | Movies & TV | 22.64× | ||
| 11 | Model building | Kids & Family | 19.30× | ||
| 12 | The Lord of the Rings | Movies & TV | 19.00× | ||
| 13 | Eyes Wide Shut | Movies & TV | 18.84× | ||
| 14 | The Goonies | Movies & TV | 15.83× | ||
| 15 | Steve Martin | Movies & TV | 12.26× | ||
| 16 | Jensen Ackles | Movies & TV | 11.69× | ||
| 17 | Wattpad | Internet & Social Media | 10.90× | ||
| 18 | Arrow | Movies & TV | 8.48× | ||
| 19 | Barnes & Noble | Literature | 7.23× | ||
| 20 | Beetlejuice | Movies & TV | 4.74× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 2.31× | |
| Tradition | CONSERVATISM | 1.86× | |
| Individualism | JOY | 1.68× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Healthy Lifestyle | BALANCE | 0.82× | |
| Pet Ownership | JOY | 0.83× | |
| DIY Mentality | THRILL | 0.85× |
The NeverEnding Story (film) has an estimated audience of 1,168,386 people in United States, concentrated in California and Texas.
54.6% of The NeverEnding Story (film) fans are female, 45.4% are male, with an average age of 39.0 years.
The NeverEnding Story (film) fans show strongest brand affinity for Isaac Asimov (60.3×), The Lord of the Rings (19×), and Jules Verne (72.46×) over the country average.
The NeverEnding Story (film) fans in United States are most concentrated in California (reach ~100K), Texas (reach ~100K), and Florida (reach ~60K). These three regions account for the largest share of the active audience.
Beyond The NeverEnding Story (film) itself, the audience over-indexes on The Lord of the Rings (19×), Jules Verne (72.46×), Doraemon (46.09×), and Ally McBeal (51.75×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for The NeverEnding Story (film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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