Rascasse Audience Intelligence

Laughter Audience in Colombia

A data profile of the people who buy, follow and care about Laughter in Colombia — modelled from more than twelve digital signal sources. Laughter has an estimated audience of 5,533,387 people in Colombia.

#114among Topic in Colombia
#9in Movies & TV

Laughter has an estimated audience of 5,533,387 people in Colombia. 50.3% are female, 49.7% are male, average age 35.5. Top brand affinities: Crystal Palace F.C., Milwaukee Bucks, Bangkok Airways.

Top brand affinities include Crystal Palace F.C., Milwaukee Bucks, Bangkok Airways, with strongest over-indexing on Crystal Palace F.C. (1.53× the country average).

Demographically, the Laughter audience skews balanced with an average age of 35.5, and over-indexes on personality traits such as Extroversion, Convenience Orientation.

The typical Laughter fan in Colombia is balanced, around 35.5 years old, with strong Extroversion tendencies and a notable affinity for Crystal Palace F.C..

Category: Movies & TV · Type: Topic

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-18.

Section 01

At a glance

The key figures that characterise the Laughter profile in Colombia.

Audience size
5.5M
in Colombia
Gender
50.3%
49.7% male
Age
35.5
average years
Country rank
#161
Topic in Colombia
Fig. 01

Search interest · 12-month trend

+20%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Laughter fans

50.3% are female, 49.7% are male, average age 35.5.

Fig. 02

Gender split

50.3%
Female
49.7%
Male
Demographic split for Laughter audience in Colombia
MetricValue
Female50.3%
Male49.7%
Average age35.5
Estimated audience size5,533,387
Fig. 03

Age distribution

Ø 35.5
average years
Age distribution of the Laughter audience in Colombia
Age bracketShare%
16-1931%
20-2921%
30-3917%
40-4916%
50+16%
Fig. 04

Worldwide distribution

2.0%

of the worldwide Laughter audience comes from Colombia.

Worldwide audience distribution share by country for Laughter
CountryShare
United States24.0%
Brazil5.3%
Italy5.0%
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Laughter audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Laughter audience
#·InterestCategoryAffinity×
01Crystal Palace F.C.Sports1.53×
02Bangkok AirwaysTravel & Leisure1.53×
03Milwaukee BucksSports1.52×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Laughter audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

What stands out
The strongest tendencies
Top personality traits over-indexed by Laughter audience · What stands out
TraitClusterDeviationScore
ExtroversionTHRILL1.15×
Convenience OrientationPREMIUM1.12×
TraditionCONSERVATISM1.11×
1.00× baseline
Rather not
The weakest tendencies
Top personality traits over-indexed by Laughter audience · Rather not
TraitClusterDeviationScore
Design AffinityPREMIUM0.78×
Family OrientationCONSERVATISM0.79×
Quality AwarenessPREMIUM0.80×
1.00× baseline
Appendix

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How to read this data

Audience size is the estimated number of people in Colombia who actively search for Laughter. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across Colombia. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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