A data profile of the people who buy, follow and care about Screenplay in Germany — modelled from more than twelve digital signal sources. Screenplay has an estimated audience of 3,005,094 people in Germany.
The average Screenplay fan in Germany is 44.3 years old, more female, and lives primarily in Nordrhein-Westfalen.
The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.
Top brand affinities include Gute Zeiten, schlechte Zeiten, Google Flights, Michael Patrick Kelly, with strongest over-indexing on Gute Zeiten, schlechte Zeiten (8.32× the country average).
Demographically, the Screenplay audience skews more female with an average age of 44.3, and over-indexes on personality traits such as Need for Security, Mindfulness.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.
The typical Screenplay fan in Germany is more female, around 44.3 years old, with strong Need for Security tendencies and a notable affinity for Gute Zeiten, schlechte Zeiten.
The key figures that characterise the Screenplay profile in Germany.
65.8% are female, 34.2% are male, average age 44.3.
| Metric | Value |
|---|---|
| Female | 65.8% |
| Male | 34.2% |
| Average age | 44.3 |
| Estimated audience size | 3,005,094 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 8% | |
| 20-29 | 15% | |
| 30-39 | 22% | |
| 40-49 | 29% | |
| 50+ | 27% |
of the worldwide Screenplay audience comes from Germany.
| Country | Share |
|---|---|
| United States | 29.4% |
| Germany | 13.9% |
| Brazil | 6.6% |
Where the Screenplay audience in Germany is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Berlin | ~200K | 1.23× | |
| 02 | Rheinland-Pfalz | ~200K | 1.11× | |
| 03 | Sachsen | ~200K | 1.10× | |
| 04 | Bremen | ~30K | 1.09× | |
| 05 | Thüringen | ~80K | 1.03× | |
| 06 | Brandenburg | ~90K | 1.00× | |
| 07 | Saarland | ~40K | 1.00× | |
| 08 | Bayern | ~500K | 0.98× | |
| 09 | Hamburg | ~70K | 0.98× | |
| 10 | Nordrhein-Westfalen | ~600K | 0.97× | |
| 11 | Niedersachsen | ~300K | 0.97× | |
| 12 | Baden-Württemberg | ~400K | 0.95× | |
| 13 | Sachsen-Anhalt | ~70K | 0.95× | |
| 14 | Hessen | ~200K | 0.94× | |
| 15 | Schleswig-Holstein | ~100K | 0.93× | |
| 16 | Mecklenburg-Vorpommern | ~50K | 0.89× |
The strongest cross-interests of the Screenplay audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Google Flights | Travel & Leisure | 9.86× | ||
| 02 | Person of Interest (TV series) | Movies & TV | 9.86× | ||
| 03 | Eyes Wide Shut | Movies & TV | 9.86× | ||
| 04 | Michael Patrick Kelly | Music & Radio | 9.79× | ||
| 05 | Gute Zeiten, schlechte Zeiten | Movies & TV | 8.32× | ||
| 06 | ZDF-Fernsehgarten | Movies & TV | 8.22× | ||
| 07 | Sarah Connor | Music & Radio | 5.85× | ||
| 08 | Scorpions (band) | Music & Radio | 5.54× | ||
| 09 | Hape Kerkeling | Movies & TV | 5.30× | ||
| 10 | Storm of Love | Movies & TV | 5.06× | ||
| 11 | Beatrice Egli | Music & Radio | 5.05× | ||
| 12 | Let's Dance (German TV series) | Movies & TV | 4.87× | ||
| 13 | Alles was zählt | Movies & TV | 4.62× | ||
| 14 | Thomann | Shopping | 4.62× | ||
| 15 | Florian Silbereisen | Music & Radio | 4.15× | ||
| 16 | Ernsting's family | Shopping | 4.06× | ||
| 17 | Deichmann | Shopping | 3.52× | ||
| 18 | Helene Fischer | Music & Radio | 2.91× | ||
| 19 | C&A | Shopping | 2.70× | ||
| 20 | Tagesschau | Movies & TV | 2.66× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Need for Security | CONSERVATISM | 1.57× | |
| Mindfulness | BALANCE | 1.49× | |
| Quality Awareness | PREMIUM | 1.32× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 0.83× | |
| Sports Activity | POWER | 0.84× | |
| Price Sensitivity | PREMIUM | 0.89× |
Screenplay has an estimated audience of 3,005,094 people in Germany, concentrated in Nordrhein-Westfalen and Bayern.
65.8% of Screenplay fans are female, 34.2% are male, with an average age of 44.3 years.
Screenplay fans show strongest brand affinity for Gute Zeiten, schlechte Zeiten (8.32×), Google Flights (9.86×), and Michael Patrick Kelly (9.79×) over the country average.
Screenplay fans in Germany are most concentrated in Nordrhein-Westfalen (reach ~600K), Bayern (reach ~500K), and Baden-Württemberg (reach ~400K). These three regions account for the largest share of the active audience.
Beyond Screenplay itself, the audience over-indexes on Google Flights (9.86×), Michael Patrick Kelly (9.79×), Sarah Connor (5.85×), and Let's Dance (German TV series) (4.87×) compared to the Germany average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Germany who actively search for Screenplay. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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