A data profile of the people who buy, follow and care about Margaret Atwood in United States — modelled from more than twelve digital signal sources. Margaret Atwood has an estimated audience of 1,000,139 people in United States.
The average Margaret Atwood fan in United States is 45.0 years old, more female, and lives primarily in California.
The audience is concentrated in California, New York, Texas.
Top brand affinities include Cynthia Erivo, Olivia Dean, Daisy Ridley, with strongest over-indexing on Cynthia Erivo (45.94× the country average).
Demographically, the Margaret Atwood audience skews more female with an average age of 45.0, and over-indexes on personality traits such as Tradition, Community Orientation.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Margaret Atwood fan in United States is more female, around 45.0 years old, with strong Tradition tendencies and a notable affinity for Cynthia Erivo.
The key figures that characterise the Margaret Atwood profile in United States.
74.7% are female, 25.3% are male, average age 45.0.
| Metric | Value |
|---|---|
| Female | 74.7% |
| Male | 25.3% |
| Average age | 45.0 |
| Estimated audience size | 1,000,139 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 8% | |
| 20-29 | 15% | |
| 30-39 | 19% | |
| 40-49 | 24% | |
| 50+ | 34% |
of the worldwide Margaret Atwood audience comes from United States.
| Country | Share |
|---|---|
| United States | 29.2% |
| Canada | 11.6% |
| United Kingdom | 11.0% |
Where the Margaret Atwood audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Oregon | ~20K | 1.81× | |
| 02 | Vermont | ~3K | 1.69× | |
| 03 | Massachusetts | ~30K | 1.51× | |
| 04 | Maine | ~5K | 1.49× | |
| 05 | Washington, District of Columbia | ~4K | 1.45× | |
| 06 | Washington | ~30K | 1.31× | |
| 07 | Connecticut | ~10K | 1.22× | |
| 08 | New Hampshire | ~5K | 1.22× | |
| 09 | New York | ~70K | 1.18× | |
| 10 | Minnesota | ~20K | 1.15× | |
| 11 | Rhode Island | ~4K | 1.14× | |
| 12 | Montana | ~3K | 1.14× | |
| 13 | Colorado | ~20K | 1.13× | |
| 14 | Maryland | ~20K | 1.09× | |
| 15 | Idaho | ~5K | 1.07× | |
| 16 | Arkansas | ~9K | 1.05× | |
| 17 | Pennsylvania | ~40K | 1.04× | |
| 18 | Virginia | ~30K | 1.03× | |
| 19 | Kansas | ~8K | 1.02× | |
| 20 | California | ~100K | 1.01× | |
| 21 | Michigan | ~30K | 1.01× | |
| 22 | Missouri | ~20K | 1.01× | |
| 23 | Wisconsin | ~20K | 1.00× | |
| 24 | New Mexico | ~5K | 1.00× | |
| 25 | Alaska | ~2K | 1.00× | |
| 26 | Illinois | ~30K | 0.99× | |
| 27 | Utah | ~9K | 0.99× | |
| 28 | New Jersey | ~20K | 0.96× | |
| 29 | Nebraska | ~5K | 0.92× | |
| 30 | Iowa | ~8K | 0.91× | |
| 31 | North Dakota | ~2K | 0.91× | |
| 32 | Ohio | ~30K | 0.90× | |
| 33 | North Carolina | ~30K | 0.89× | |
| 34 | Delaware | ~2K | 0.89× | |
| 35 | Indiana | ~20K | 0.86× | |
| 36 | Kentucky | ~10K | 0.86× | |
| 37 | Hawaii | ~4K | 0.85× | |
| 38 | Tennessee | ~20K | 0.84× | |
| 39 | South Dakota | ~2K | 0.84× | |
| 40 | Arizona | ~20K | 0.83× | |
| 41 | West Virginia | ~4K | 0.81× | |
| 42 | Oklahoma | ~9K | 0.78× | |
| 43 | Georgia | ~20K | 0.76× | |
| 44 | Florida | ~50K | 0.75× | |
| 45 | South Carolina | ~10K | 0.75× | |
| 46 | Louisiana | ~9K | 0.73× | |
| 47 | Texas | ~60K | 0.71× | |
| 48 | Alabama | ~10K | 0.71× | |
| 49 | Nevada | ~7K | 0.69× | |
| 50 | Mississippi | ~5K | 0.64× |
The strongest cross-interests of the Margaret Atwood audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Teala Dunn | Movies & TV | 61.93× | ||
| 02 | Cynthia Erivo | Movies & TV | 45.94× | ||
| 03 | Cormac McCarthy | Literature | 45.71× | ||
| 04 | Daisy Ridley | Movies & TV | 45.20× | ||
| 05 | Ender's Game | Literature | 44.74× | ||
| 06 | Philip K. Dick | Literature | 37.50× | ||
| 07 | Kristin Chenoweth | Music & Radio | 35.24× | ||
| 08 | Absolutely | Music & Radio | 30.41× | ||
| 09 | George Orwell | Literature | 29.58× | ||
| 10 | Olivia Dean | Music & Radio | 26.55× | ||
| 11 | Home Movies (TV series) | Movies & TV | 21.28× | ||
| 12 | Apocalyptic and post-apocalyptic fiction | Literature | 21.14× | ||
| 13 | Mads Mikkelsen | Movies & TV | 19.66× | ||
| 14 | Hercules (2014 film) | Movies & TV | 16.26× | ||
| 15 | Medical drama | Movies & TV | 13.46× | ||
| 16 | Tom Holland | Movies & TV | 11.91× | ||
| 17 | Madison Beer | Music & Radio | 10.12× | ||
| 18 | Hailee Steinfeld | Movies & TV | 9.30× | ||
| 19 | Georgie & Mandy's First Marriage | Movies & TV | 7.70× | ||
| 20 | GameStop | Games | 7.06× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Tradition | CONSERVATISM | 1.73× | |
| Community Orientation | OPEN | 1.69× | |
| Creativity | OPEN | 1.60× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 0.91× | |
| Urban Lifestyle | OPEN | 1.06× | |
| Healthy Lifestyle | BALANCE | 1.08× |
Margaret Atwood has an estimated audience of 1,000,139 people in United States, concentrated in California and New York.
74.7% of Margaret Atwood fans are female, 25.3% are male, with an average age of 45.0 years.
Margaret Atwood fans show strongest brand affinity for Cynthia Erivo (45.94×), Olivia Dean (26.55×), and Daisy Ridley (45.2×) over the country average.
Margaret Atwood fans in United States are most concentrated in California (reach ~100K), New York (reach ~70K), and Texas (reach ~60K). These three regions account for the largest share of the active audience.
Beyond Margaret Atwood itself, the audience over-indexes on Olivia Dean (26.55×), Daisy Ridley (45.2×), Kristin Chenoweth (35.24×), and Apocalyptic and post-apocalyptic fiction (21.14×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Margaret Atwood. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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