A data profile of the people who buy, follow and care about The Jackal (1997 film) in United States — modelled from more than twelve digital signal sources. The Jackal (1997 film) has an estimated audience of 648,616 people in United States.
The Jackal (1997 film) has an estimated audience of 648,616 people in United States. Top brand affinities: Snapped, Oliver Stone, Mead, Sigourney Weaver, Enemy at the Gates.
Top brand affinities include Snapped, Oliver Stone, Mead, with strongest over-indexing on Snapped (105.89× the country average).
The typical The Jackal (1997 film) fan in United States shows strong Patriotism tendencies and a notable affinity for Snapped.
The key figures that characterise the The Jackal (1997 film) profile in United States.
| Metric | Value |
|---|---|
| Estimated audience size | 648,616 |
of the worldwide The Jackal (1997 film) audience comes from United States.
| Country | Share |
|---|---|
| Italy | 32.8% |
| United States | 25.3% |
| United Kingdom | 7.8% |
The strongest cross-interests of the The Jackal (1997 film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Oliver Stone | Movies & TV | 209.59× | ||
| 02 | Snapped | Movies & TV | 105.89× | ||
| 03 | Enemy at the Gates | Movies & TV | 105.49× | ||
| 04 | Mead | Food & Beverages | 98.19× | ||
| 05 | David Fincher | Movies & TV | 45.70× | ||
| 06 | Sigourney Weaver | Movies & TV | 41.05× | ||
| 07 | Ridley Scott | Movies & TV | 36.71× | ||
| 08 | Janie and Jack | Shopping | 33.58× | ||
| 09 | London Has Fallen | Movies & TV | 32.38× | ||
| 10 | John Grisham | Literature | 22.98× | ||
| 11 | Michael Fassbender | Movies & TV | 18.03× | ||
| 12 | Rambo (film series) | Movies & TV | 16.75× | ||
| 13 | Obsessed (2009 film) | Movies & TV | 16.46× | ||
| 14 | Schindler's List | Movies & TV | 15.64× | ||
| 15 | Inception | Movies & TV | 15.15× | ||
| 16 | Guy Ritchie | Movies & TV | 14.70× | ||
| 17 | Sourdough | Food & Beverages | 9.94× | ||
| 18 | Titanic (1997 film) | Movies & TV | 8.92× | ||
| 19 | Vanessa Kirby | Movies & TV | 8.32× | ||
| 20 | Heath Ledger | Movies & TV | 7.69× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 2.01× | |
| Indulgence | JOY | 1.66× | |
| Pet Ownership | JOY | 1.56× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 0.84× | |
| Mindfulness | BALANCE | 0.87× | |
| Urban Lifestyle | OPEN | 0.89× |
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for The Jackal (1997 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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