A data profile of the people who buy, follow and care about Tomorrowland in United States — modelled from more than twelve digital signal sources. Tomorrowland has an estimated audience of 4,161,284 people in United States.
The average Tomorrowland fan in United States is 30.9 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Movies, Spotify, Harry Potter, with strongest over-indexing on Movies (1.51× the country average).
Demographically, the Tomorrowland audience skews balanced with an average age of 30.9, and over-indexes on personality traits such as Mindfulness, Luxury Orientation.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Tomorrowland fan in United States is balanced, around 30.9 years old, with strong Mindfulness tendencies and a notable affinity for Movies.
The key figures that characterise the Tomorrowland profile in United States.
47.2% are female, 52.8% are male, average age 30.9.
| Metric | Value |
|---|---|
| Female | 47.2% |
| Male | 52.8% |
| Average age | 30.9 |
| Estimated audience size | 4,161,284 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 38% | |
| 20-29 | 28% | |
| 30-39 | 17% | |
| 40-49 | 12% | |
| 50+ | 6% |
Where the Tomorrowland audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | California | ~700K | 1.63× | |
| 02 | Nevada | ~60K | 1.57× | |
| 03 | Florida | ~400K | 1.37× | |
| 04 | Colorado | ~90K | 1.36× | |
| 05 | Illinois | ~200K | 1.31× | |
| 06 | Washington | ~100K | 1.31× | |
| 07 | Arizona | ~100K | 1.30× | |
| 08 | Alaska | ~10K | 1.30× | |
| 09 | New York | ~300K | 1.21× | |
| 10 | Hawaii | ~20K | 1.21× | |
| 11 | Massachusetts | ~100K | 1.17× | |
| 12 | Washington, District of Columbia | ~10K | 1.16× | |
| 13 | Utah | ~40K | 1.13× | |
| 14 | Oregon | ~50K | 1.12× | |
| 15 | Texas | ~400K | 1.10× | |
| 16 | New Mexico | ~20K | 1.05× | |
| 17 | New Jersey | ~100K | 1.03× | |
| 18 | Montana | ~10K | 1.01× | |
| 19 | Idaho | ~20K | 0.99× | |
| 20 | Connecticut | ~40K | 0.98× | |
| 21 | New Hampshire | ~20K | 0.97× | |
| 22 | Rhode Island | ~10K | 0.97× | |
| 23 | Virginia | ~90K | 0.94× | |
| 24 | Wisconsin | ~60K | 0.94× | |
| 25 | Michigan | ~100K | 0.92× | |
| 26 | Missouri | ~60K | 0.92× | |
| 27 | Minnesota | ~60K | 0.92× | |
| 28 | Alabama | ~50K | 0.92× | |
| 29 | Georgia | ~100K | 0.91× | |
| 30 | Indiana | ~70K | 0.91× | |
| 31 | Kansas | ~30K | 0.91× | |
| 32 | Vermont | ~7K | 0.91× | |
| 33 | Oklahoma | ~40K | 0.89× | |
| 34 | Maine | ~10K | 0.88× | |
| 35 | North Carolina | ~100K | 0.87× | |
| 36 | North Dakota | ~7K | 0.87× | |
| 37 | Pennsylvania | ~100K | 0.86× | |
| 38 | Tennessee | ~70K | 0.85× | |
| 39 | Iowa | ~30K | 0.85× | |
| 40 | Nebraska | ~20K | 0.85× | |
| 41 | Ohio | ~100K | 0.84× | |
| 42 | Maryland | ~60K | 0.84× | |
| 43 | Louisiana | ~40K | 0.84× | |
| 44 | South Carolina | ~50K | 0.82× | |
| 45 | Arkansas | ~30K | 0.82× | |
| 46 | South Dakota | ~8K | 0.82× | |
| 47 | Kentucky | ~40K | 0.78× | |
| 48 | Delaware | ~9K | 0.75× | |
| 49 | Mississippi | ~20K | 0.72× | |
| 50 | West Virginia | ~10K | 0.72× |
The strongest cross-interests of the Tomorrowland audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Bath and Bodyworks | Shopping | 2.46× | ||
| 02 | Bad Bunny | Music & Radio | 2.37× | ||
| 03 | Anime convention | Literature | 2.36× | ||
| 04 | Anime and manga fandom | Literature | 2.30× | ||
| 05 | NBA playoffs | Sports | 2.22× | ||
| 06 | NBA Finals | Sports | 2.16× | ||
| 07 | Twitch | Games | 2.10× | ||
| 08 | Harry Potter | Movies & TV | 1.84× | ||
| 09 | Taylor Swift | Music & Radio | 1.81× | ||
| 10 | College football | Sports | 1.72× | ||
| 11 | Spotify | Internet & Social Media | 1.70× | ||
| 12 | Anime movies | Movies & TV | 1.69× | ||
| 13 | Heavy metal music | Music & Radio | 1.65× | ||
| 14 | Electronic music | Music & Radio | 1.61× | ||
| 15 | NBA | Sports | 1.54× | ||
| 16 | FIFA World Cup | Sports | 1.53× | ||
| 17 | Comics | Literature | 1.53× | ||
| 18 | Movies | Movies & TV | 1.51× | ||
| 19 | Nordstrom | Shopping | 1.51× | ||
| 20 | Jazz music | Music & Radio | 1.50× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Mindfulness | BALANCE | 1.27× | |
| Luxury Orientation | PREMIUM | 1.23× | |
| Pet Ownership | JOY | 1.19× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Creativity | OPEN | 0.55× | |
| Price Sensitivity | PREMIUM | 0.58× | |
| Convenience Orientation | PREMIUM | 0.60× |
Tomorrowland has an estimated audience of 4,161,284 people in United States, concentrated in California and Texas.
47.2% of Tomorrowland fans are female, 52.8% are male, with an average age of 30.9 years.
Tomorrowland fans show strongest brand affinity for Movies (1.51×), Spotify (1.7×), and Harry Potter (1.84×) over the country average.
Tomorrowland fans in United States are most concentrated in California (reach ~700K), Texas (reach ~400K), and Florida (reach ~400K). These three regions account for the largest share of the active audience.
Beyond Tomorrowland itself, the audience over-indexes on Spotify (1.7×), Harry Potter (1.84×), NBA (1.54×), and Electronic music (1.61×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Tomorrowland. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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