A data profile of the people who buy, follow and care about Horror comedy in United States — modelled from more than twelve digital signal sources. Horror comedy has an estimated audience of 817,533 people in United States.
The average Horror comedy fan in United States is 37.3 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Beetlejuice, Caitriona Balfe, Michael Gambon, with strongest over-indexing on Beetlejuice (25.18× the country average).
Demographically, the Horror comedy audience skews balanced with an average age of 37.3, and over-indexes on personality traits such as Urban Lifestyle, Tradition.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Horror comedy fan in United States is balanced, around 37.3 years old, with strong Urban Lifestyle tendencies and a notable affinity for Beetlejuice.
The key figures that characterise the Horror comedy profile in United States.
46.6% are female, 53.4% are male, average age 37.3.
| Metric | Value |
|---|---|
| Female | 46.6% |
| Male | 53.4% |
| Average age | 37.3 |
| Estimated audience size | 817,533 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 23% | |
| 20-29 | 21% | |
| 30-39 | 22% | |
| 40-49 | 19% | |
| 50+ | 15% |
of the worldwide Horror comedy audience comes from United States.
| Country | Share |
|---|---|
| United States | 24.0% |
| Indonesia | 18.3% |
| Malaysia | 10.9% |
Where the Horror comedy audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Oregon | ~10K | 1.21× | |
| 02 | Oklahoma | ~10K | 1.12× | |
| 03 | Kentucky | ~10K | 1.11× | |
| 04 | Washington | ~20K | 1.10× | |
| 05 | California | ~100K | 1.08× | |
| 06 | Missouri | ~10K | 1.08× | |
| 07 | Pennsylvania | ~30K | 1.07× | |
| 08 | Illinois | ~30K | 1.05× | |
| 09 | Utah | ~8K | 1.05× | |
| 10 | Louisiana | ~10K | 1.04× | |
| 11 | Connecticut | ~8K | 1.04× | |
| 12 | Ohio | ~30K | 1.03× | |
| 13 | North Carolina | ~30K | 1.03× | |
| 14 | Colorado | ~10K | 1.03× | |
| 15 | Arkansas | ~7K | 1.03× | |
| 16 | Alaska | ~2K | 1.03× | |
| 17 | Tennessee | ~20K | 1.02× | |
| 18 | Indiana | ~20K | 1.02× | |
| 19 | Maryland | ~10K | 1.02× | |
| 20 | West Virginia | ~4K | 1.02× | |
| 21 | New Mexico | ~4K | 1.01× | |
| 22 | Rhode Island | ~3K | 1.01× | |
| 23 | Vermont | ~1K | 1.01× | |
| 24 | Massachusetts | ~20K | 1.00× | |
| 25 | Kansas | ~6K | 1.00× | |
| 26 | New York | ~50K | 0.99× | |
| 27 | Virginia | ~20K | 0.99× | |
| 28 | Arizona | ~20K | 0.99× | |
| 29 | South Carolina | ~10K | 0.99× | |
| 30 | Nevada | ~8K | 0.99× | |
| 31 | Idaho | ~4K | 0.99× | |
| 32 | New Hampshire | ~3K | 0.99× | |
| 33 | Maine | ~3K | 0.99× | |
| 34 | Montana | ~2K | 0.99× | |
| 35 | North Dakota | ~2K | 0.99× | |
| 36 | Texas | ~70K | 0.98× | |
| 37 | Georgia | ~20K | 0.98× | |
| 38 | Wisconsin | ~10K | 0.98× | |
| 39 | South Dakota | ~2K | 0.98× | |
| 40 | Minnesota | ~10K | 0.97× | |
| 41 | Nebraska | ~4K | 0.97× | |
| 42 | Wyoming | ~1K | 0.97× | |
| 43 | Iowa | ~6K | 0.96× | |
| 44 | Delaware | ~2K | 0.96× | |
| 45 | Alabama | ~10K | 0.95× | |
| 46 | Mississippi | ~6K | 0.95× | |
| 47 | Hawaii | ~3K | 0.93× | |
| 48 | Washington, District of Columbia | ~2K | 0.93× | |
| 49 | New Jersey | ~20K | 0.91× | |
| 50 | Florida | ~40K | 0.81× |
The strongest cross-interests of the Horror comedy audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Bonnie Wright | Movies & TV | 52.53× | ||
| 02 | Michael Gambon | Movies & TV | 52.35× | ||
| 03 | 10 Cloverfield Lane | Movies & TV | 43.50× | ||
| 04 | Caitriona Balfe | Fashion & Accessoires | 31.67× | ||
| 05 | Freddy vs. Jason | Movies & TV | 27.85× | ||
| 06 | InboxDollars | Business & Career | 27.21× | ||
| 07 | Beetlejuice | Movies & TV | 25.18× | ||
| 08 | Jason Isaacs | Movies & TV | 23.16× | ||
| 09 | Robbie Coltrane | Movies & TV | 22.93× | ||
| 10 | 24 (TV series) | Movies & TV | 19.60× | ||
| 11 | Jonathan Groff | Movies & TV | 19.27× | ||
| 12 | Natasha Lyonne | Movies & TV | 15.08× | ||
| 13 | Creepypasta | Literature | 15.06× | ||
| 14 | Paul Rudd | Movies & TV | 14.03× | ||
| 15 | Ralph Fiennes | Movies & TV | 12.90× | ||
| 16 | Psychological horror | Health | 11.82× | ||
| 17 | Graphic novel | Literature | 8.21× | ||
| 18 | True Detective | Movies & TV | 8.16× | ||
| 19 | Henry Cavill | Movies & TV | 7.41× | ||
| 20 | Arrow | Movies & TV | 6.83× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Urban Lifestyle | OPEN | 1.59× | |
| Tradition | CONSERVATISM | 1.59× | |
| Community Orientation | OPEN | 1.57× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| DIY Mentality | THRILL | 0.70× | |
| Creativity | OPEN | 0.77× | |
| Family Orientation | CONSERVATISM | 0.78× |
Horror comedy has an estimated audience of 817,533 people in United States, concentrated in California and Texas.
46.6% of Horror comedy fans are female, 53.4% are male, with an average age of 37.3 years.
Horror comedy fans show strongest brand affinity for Beetlejuice (25.18×), Caitriona Balfe (31.67×), and Michael Gambon (52.35×) over the country average.
Horror comedy fans in United States are most concentrated in California (reach ~100K), Texas (reach ~70K), and New York (reach ~50K). These three regions account for the largest share of the active audience.
Beyond Horror comedy itself, the audience over-indexes on Caitriona Balfe (31.67×), Michael Gambon (52.35×), Bonnie Wright (52.53×), and 10 Cloverfield Lane (43.5×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Horror comedy. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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