A data profile of the people who buy, follow and care about Indigenous Australian art in Germany — modelled from more than twelve digital signal sources. Indigenous Australian art has an estimated audience of 254,171 people in Germany.
The average Indigenous Australian art fan in Germany is 45.9 years old, more male, and lives primarily in Bayern.
The audience is concentrated in Bayern, Nordrhein-Westfalen, Baden-Württemberg.
Top brand affinities include Windsurfing, INXS, Xavier Rudd, with strongest over-indexing on Windsurfing (14.35× the country average).
Demographically, the Indigenous Australian art audience skews more male with an average age of 45.9, and over-indexes on personality traits such as Risk Appetite, Sustainability.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.
The typical Indigenous Australian art fan in Germany is more male, around 45.9 years old, with strong Risk Appetite tendencies and a notable affinity for Windsurfing.
The key figures that characterise the Indigenous Australian art profile in Germany.
41.6% are female, 58.4% are male, average age 45.9.
| Metric | Value |
|---|---|
| Female | 41.6% |
| Male | 58.4% |
| Average age | 45.9 |
| Estimated audience size | 254,171 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 5% | |
| 20-29 | 9% | |
| 30-39 | 25% | |
| 40-49 | 36% | |
| 50+ | 26% |
of the worldwide Indigenous Australian art audience comes from Germany.
| Country | Share |
|---|---|
| Australia | 57.0% |
| United States | 10.2% |
| Germany | 7.4% |
Where the Indigenous Australian art audience in Germany is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Bayern | ~50K | 1.18× | |
| 02 | Berlin | ~10K | 1.13× | |
| 03 | Thüringen | ~7K | 1.13× | |
| 04 | Mecklenburg-Vorpommern | ~5K | 1.13× | |
| 05 | Bremen | ~2K | 1.11× | |
| 06 | Baden-Württemberg | ~30K | 1.00× | |
| 07 | Saarland | ~3K | 1.00× | |
| 08 | Sachsen | ~10K | 0.99× | |
| 09 | Hamburg | ~6K | 0.99× | |
| 10 | Sachsen-Anhalt | ~6K | 0.97× | |
| 11 | Hessen | ~20K | 0.95× | |
| 12 | Brandenburg | ~7K | 0.94× | |
| 13 | Niedersachsen | ~20K | 0.91× | |
| 14 | Rheinland-Pfalz | ~10K | 0.89× | |
| 15 | Schleswig-Holstein | ~8K | 0.86× | |
| 16 | Nordrhein-Westfalen | ~50K | 0.85× |
The strongest cross-interests of the Indigenous Australian art audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | INXS | Music & Radio | 51.19× | ||
| 02 | Xavier Rudd | Music & Radio | 50.20× | ||
| 03 | Clorox | Home & Garden | 38.53× | ||
| 04 | St. Louis Cardinals | Sports | 20.00× | ||
| 05 | Skunk Anansie | Music & Radio | 20.00× | ||
| 06 | Windsurfing | Sports | 14.35× | ||
| 07 | Toyota Land Cruiser | Cars & Mobility | 8.57× | ||
| 08 | Scuba diving | Travel & Leisure | 7.40× | ||
| 09 | Wizz Air | Travel & Leisure | 6.55× | ||
| 10 | Diving | Sports | 5.65× | ||
| 11 | Skyscanner | Travel & Leisure | 5.03× | ||
| 12 | Day spa | Beauty & Wellness | 4.52× | ||
| 13 | First-time buyer | Shopping | 4.07× | ||
| 14 | Political science | Business & Career | 4.05× | ||
| 15 | EasyJet | Travel & Leisure | 3.92× | ||
| 16 | Etsy | Fashion & Accessoires | 3.58× | ||
| 17 | Ryanair | Travel & Leisure | 3.53× | ||
| 18 | Tour de France | Sports | 3.15× | ||
| 19 | Tagesschau | Movies & TV | 2.31× | ||
| 20 | Do it yourself (DIY) | Home & Garden | 1.76× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Risk Appetite | THRILL | 1.95× | |
| Sustainability | BALANCE | 1.81× | |
| Design Affinity | PREMIUM | 1.67× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Price Sensitivity | PREMIUM | 0.72× | |
| Convenience Orientation | PREMIUM | 0.87× | |
| Career Orientation | POWER | 0.97× |
Indigenous Australian art has an estimated audience of 254,171 people in Germany, concentrated in Bayern and Nordrhein-Westfalen.
41.6% of Indigenous Australian art fans are female, 58.4% are male, with an average age of 45.9 years.
Indigenous Australian art fans show strongest brand affinity for Windsurfing (14.35×), INXS (51.19×), and Xavier Rudd (50.2×) over the country average.
Indigenous Australian art fans in Germany are most concentrated in Bayern (reach ~50K), Nordrhein-Westfalen (reach ~50K), and Baden-Württemberg (reach ~30K). These three regions account for the largest share of the active audience.
Beyond Indigenous Australian art itself, the audience over-indexes on INXS (51.19×), Xavier Rudd (50.2×), Clorox (38.53×), and Ryanair (3.53×) compared to the Germany average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Germany who actively search for Indigenous Australian art. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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