A data profile of the people who buy, follow and care about Ticketmaster in United Kingdom — modelled from more than twelve digital signal sources. Ticketmaster has an estimated audience of 10,717,689 people in United Kingdom.
The average Ticketmaster fan in United Kingdom is 46.5 years old, more female, and lives primarily in England.
The audience is concentrated in England, North West, South East.
Top brand affinities include Dune, Halford, Boy George, with strongest over-indexing on Dune (4.98× the country average).
Demographically, the Ticketmaster audience skews more female with an average age of 46.5, and over-indexes on personality traits such as Extroversion, Price Sensitivity.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 13 regions tracked by Rascasse.
The typical Ticketmaster fan in United Kingdom is more female, around 46.5 years old, with strong Extroversion tendencies and a notable affinity for Dune.
The key figures that characterise the Ticketmaster profile in United Kingdom.
60.1% are female, 39.9% are male, average age 46.5.
| Metric | Value |
|---|---|
| Female | 60.1% |
| Male | 39.9% |
| Average age | 46.5 |
| Estimated audience size | 10,717,689 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 6% | |
| 20-29 | 13% | |
| 30-39 | 18% | |
| 40-49 | 27% | |
| 50+ | 36% |
of the worldwide Ticketmaster audience comes from United Kingdom.
| Country | Share |
|---|---|
| United States | 32.2% |
| United Kingdom | 9.9% |
| France | 8.5% |
Where the Ticketmaster audience in United Kingdom is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | North West | ~2M | 1.70× | |
| 02 | Northern Ireland | ~500K | 1.43× | |
| 03 | East Midlands | ~900K | 1.17× | |
| 04 | Scotland | ~1M | 1.02× | |
| 05 | South West | ~900K | 0.99× | |
| 06 | East of England | ~900K | 0.94× | |
| 07 | North East | ~400K | 0.94× | |
| 08 | Yorkshire and the Humber | ~800K | 0.90× | |
| 09 | South East | ~1M | 0.81× | |
| 10 | Wales | ~500K | 0.81× | |
| 11 | Greater London | ~1M | 0.80× | |
| 12 | West Midlands | ~300K | 0.75× | |
| 13 | England | ~7.5M | 0.74× |
The strongest cross-interests of the Ticketmaster audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | StubHub | Travel & Leisure | 7.74× | ||
| 02 | Adam Levine | Music & Radio | 7.54× | ||
| 03 | Roundhouse (venue) | Music & Radio | 6.30× | ||
| 04 | Dune | Movies & TV | 4.98× | ||
| 05 | Boy George | Music & Radio | 3.34× | ||
| 06 | Interstellar (film) | Movies & TV | 3.34× | ||
| 07 | Eventbrite | Travel & Leisure | 2.83× | ||
| 08 | U.K. | Music & Radio | 2.65× | ||
| 09 | London Eye | Travel & Leisure | 2.51× | ||
| 10 | Caravan | Music & Radio | 2.39× | ||
| 11 | Ozzy Osbourne | Music & Radio | 2.36× | ||
| 12 | Ticket (admission) | Travel & Leisure | 2.33× | ||
| 13 | Voucher | Shopping | 1.95× | ||
| 14 | Ricky Hatton | Sports | 1.88× | ||
| 15 | Wednesday | Home & Garden | 1.83× | ||
| 16 | New wave music | Music & Radio | 1.63× | ||
| 17 | Halford | Music & Radio | 1.61× | ||
| 18 | Sky Bet | Games | 1.56× | ||
| 19 | A Knight of the Seven Kingdoms | Movies & TV | 1.55× | ||
| 20 | Google Drive | Technology & Electronics | 1.53× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Extroversion | THRILL | 1.30× | |
| Price Sensitivity | PREMIUM | 1.17× | |
| Tradition | CONSERVATISM | 1.14× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Mindfulness | BALANCE | 0.92× | |
| Pet Ownership | JOY | 0.94× | |
| Individualism | JOY | 0.97× |
Ticketmaster's target market in United Kingdom covers an estimated 10,717,689 people, concentrated in England and North West.
60.1% of the Ticketmaster audience are female, 39.9% are male, with an average age of 46.5 years.
Ticketmaster fans show strongest brand affinity for Dune (4.98×), Halford (1.61×), and Boy George (3.34×) over the country average.
Ticketmaster fans in United Kingdom are most concentrated in England (reach ~7.5M), North West (reach ~2M), and South East (reach ~1M). These three regions account for the largest share of the active audience.
Beyond Ticketmaster itself, the audience over-indexes on Halford (1.61×), Boy George (3.34×), U.K. (2.65×), and StubHub (7.74×) compared to the United Kingdom average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United Kingdom who actively search for Ticketmaster. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United Kingdom. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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