A data profile of the people who buy, follow and care about Digimon in United States — modelled from more than twelve digital signal sources. Digimon has an estimated audience of 1,602,660 people in United States.
The average Digimon fan in United States is 25.9 years old, more male, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include Hetalia, Gurren Lagann, Akame ga Kill!, with strongest over-indexing on Hetalia (90.82× the country average).
Demographically, the Digimon audience skews more male with an average age of 25.9, and over-indexes on personality traits such as Pet Ownership, Early Adopter Mentality.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Digimon fan in United States is more male, around 25.9 years old, with strong Pet Ownership tendencies and a notable affinity for Hetalia.
The key figures that characterise the Digimon profile in United States.
40.8% are female, 59.2% are male, average age 25.9.
| Metric | Value |
|---|---|
| Female | 40.8% |
| Male | 59.2% |
| Average age | 25.9 |
| Estimated audience size | 1,602,660 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 59% | |
| 20-29 | 23% | |
| 30-39 | 10% | |
| 40-49 | 5% | |
| 50+ | 3% |
Where the Digimon audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Michigan | ~70K | 1.63× | |
| 02 | California | ~200K | 1.21× | |
| 03 | Washington | ~40K | 1.21× | |
| 04 | Indiana | ~40K | 1.20× | |
| 05 | Oregon | ~20K | 1.20× | |
| 06 | Idaho | ~10K | 1.20× | |
| 07 | Texas | ~200K | 1.19× | |
| 08 | Oklahoma | ~20K | 1.18× | |
| 09 | Ohio | ~60K | 1.17× | |
| 10 | Kentucky | ~20K | 1.17× | |
| 11 | Utah | ~20K | 1.17× | |
| 12 | Arkansas | ~20K | 1.13× | |
| 13 | Nevada | ~20K | 1.12× | |
| 14 | Hawaii | ~8K | 1.12× | |
| 15 | Alaska | ~4K | 1.12× | |
| 16 | New Mexico | ~9K | 1.07× | |
| 17 | West Virginia | ~8K | 1.02× | |
| 18 | Arizona | ~30K | 1.01× | |
| 19 | Illinois | ~50K | 1.00× | |
| 20 | Florida | ~100K | 0.99× | |
| 21 | Kansas | ~10K | 0.99× | |
| 22 | Georgia | ~50K | 0.98× | |
| 23 | Virginia | ~40K | 0.98× | |
| 24 | Missouri | ~30K | 0.98× | |
| 25 | North Carolina | ~50K | 0.97× | |
| 26 | Iowa | ~10K | 0.97× | |
| 27 | New York | ~90K | 0.96× | |
| 28 | Maryland | ~30K | 0.96× | |
| 29 | Louisiana | ~20K | 0.96× | |
| 30 | North Dakota | ~3K | 0.96× | |
| 31 | Tennessee | ~30K | 0.95× | |
| 32 | Minnesota | ~20K | 0.95× | |
| 33 | Rhode Island | ~5K | 0.95× | |
| 34 | Mississippi | ~10K | 0.94× | |
| 35 | New Hampshire | ~6K | 0.94× | |
| 36 | Wisconsin | ~20K | 0.92× | |
| 37 | Maine | ~5K | 0.92× | |
| 38 | South Carolina | ~20K | 0.91× | |
| 39 | Pennsylvania | ~50K | 0.90× | |
| 40 | Massachusetts | ~30K | 0.89× | |
| 41 | Nebraska | ~7K | 0.89× | |
| 42 | Alabama | ~20K | 0.88× | |
| 43 | South Dakota | ~3K | 0.88× | |
| 44 | New Jersey | ~40K | 0.87× | |
| 45 | Colorado | ~20K | 0.87× | |
| 46 | Connecticut | ~10K | 0.87× | |
| 47 | Delaware | ~4K | 0.85× | |
| 48 | Montana | ~4K | 0.84× | |
| 49 | Vermont | ~2K | 0.78× | |
| 50 | Washington, District of Columbia | ~4K | 0.74× |
The strongest cross-interests of the Digimon audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Hetalia | Movies & TV | 90.82× | ||
| 02 | Tenchi Muyo! | Literature | 90.72× | ||
| 03 | Inu x Boku SS | Literature | 90.01× | ||
| 04 | Kingdom Rush | Games | 71.65× | ||
| 05 | Digimon Tamers | Movies & TV | 70.54× | ||
| 06 | Monogatari (series) | Literature | 49.83× | ||
| 07 | Noragami | Literature | 48.87× | ||
| 08 | Gurren Lagann | Movies & TV | 46.84× | ||
| 09 | dragon city | Games | 42.94× | ||
| 10 | Akame ga Kill! | Literature | 40.45× | ||
| 11 | Fate/Zero | Movies & TV | 32.60× | ||
| 12 | AnimeLab | Internet & Social Media | 30.31× | ||
| 13 | Kiki's Delivery Service | Movies & TV | 27.52× | ||
| 14 | Seinen manga | Literature | 22.61× | ||
| 15 | Spirited Away | Movies & TV | 17.11× | ||
| 16 | Akira (film) | Movies & TV | 16.66× | ||
| 17 | Shōjo manga | Literature | 12.65× | ||
| 18 | Funimation | Movies & TV | 9.83× | ||
| 19 | Crunchyroll | Games | 8.47× | ||
| 20 | Godzilla | Movies & TV | 5.68× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Pet Ownership | JOY | 1.06× | |
| Early Adopter Mentality | POWER | 1.05× | |
| Individualism | JOY | 1.02× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Career Orientation | POWER | 0.56× | |
| Quality Awareness | PREMIUM | 0.57× | |
| Creativity | OPEN | 0.64× |
Digimon's target market in United States covers an estimated 1,602,660 people, concentrated in California and Texas.
40.8% of the Digimon audience are female, 59.2% are male, with an average age of 25.9 years.
Digimon fans show strongest brand affinity for Hetalia (90.82×), Gurren Lagann (46.84×), and Akame ga Kill! (40.45×) over the country average.
Digimon fans in United States are most concentrated in California (reach ~200K), Texas (reach ~200K), and Florida (reach ~100K). These three regions account for the largest share of the active audience.
Beyond Digimon itself, the audience over-indexes on Gurren Lagann (46.84×), Akame ga Kill! (40.45×), Seinen manga (22.61×), and Tenchi Muyo! (90.72×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Digimon. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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