Rascasse Audience Intelligence

Atmosphere (music group) Audience in United States

A data profile of the people who buy, follow and care about Atmosphere (music group) in United States — modelled from more than twelve digital signal sources. Atmosphere (music group) has an estimated audience of 2,263,545 people in United States.

#76among Hip hop in United States#2253among Person in United States#1399in Music & Radio

Atmosphere (music group) fans in United States are concentrated in California, with strong brand affinity for Pitchfork.

The audience is concentrated in California, Texas, Florida.

Top brand affinities include Pitchfork, Lyric poetry, Sublime (band), with strongest over-indexing on Pitchfork (251.99× the country average).

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.

The typical Atmosphere (music group) fan in United States shows strong Tradition tendencies and a notable affinity for Pitchfork.

Category: Music & Radio · Type: Person · Subtype: Hip hop

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Atmosphere (music group) profile in United States.

Audience size
2.3M
in United States
Country rank
#12890
Person in United States
Fig. 01

Search interest · 12-month trend

+24%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Atmosphere (music group) fans

Fig. 02

Gender split

Demographic split for Atmosphere (music group) audience in United States
MetricValue
Estimated audience size2,263,545
Fig. 04

Worldwide distribution

32.2%

of the worldwide Atmosphere (music group) audience comes from United States.

Worldwide audience distribution share by country for Atmosphere (music group)
CountryShare
United States32.2%
India27.4%
Canada5.4%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the United States average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Atmosphere (music group) audience in United States is strongest.

Fig. 05

Top regions by affinity

Atmosphere (music group) fans by region: top regions in United States
#RegionReachAffinity×
01Oregon~70K2.74×
02Arizona~70K1.69×
03Washington~70K1.68×
04California~300K1.46×
05Arkansas~30K1.42×
06Minnesota~40K1.40×
07Alaska~6K1.38×
08Montana~8K1.35×
09Idaho~10K1.29×
10Tennessee~50K1.26×
11Nebraska~10K1.20×
12Texas~200K1.13×
13Nevada~20K1.13×
14New Mexico~10K1.13×
15Illinois~80K1.12×
16Wyoming~4K1.12×
17North Carolina~70K1.11×
18South Carolina~30K1.05×
19Colorado~40K1.03×
20Florida~100K1.02×
21Georgia~70K0.99×
22Hawaii~9K0.97×
23Utah~20K0.95×
24Louisiana~30K0.94×
25South Dakota~5K0.94×
26Virginia~50K0.93×
27Wisconsin~30K0.93×
28Oklahoma~20K0.92×
29Delaware~5K0.91×
30Alabama~30K0.89×
31Kentucky~20K0.89×
32Kansas~20K0.89×
33North Dakota~4K0.89×
34Maryland~30K0.87×
35Missouri~30K0.87×
36West Virginia~9K0.87×
37Indiana~30K0.84×
38Iowa~20K0.84×
39Maine~6K0.82×
40Pennsylvania~60K0.81×
41Ohio~50K0.80×
42Michigan~50K0.80×
43New York~90K0.79×
44Mississippi~10K0.78×
45New Jersey~40K0.77×
46Connecticut~20K0.76×
47New Hampshire~6K0.73×
48Rhode Island~5K0.73×
49Massachusetts~30K0.72×
50Washington, District of Columbia~5K0.71×
Fig. 06

Affinity by region

Affinity by region — Atmosphere (music group), United States
0.71×1.00×2.74×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Atmosphere (music group) audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Atmosphere (music group) audience
#·InterestCategoryAffinity×
01PitchforkMusic & Radio251.99×
02OPPOTechnology & Electronics81.71×
03Lyric poetryLiterature54.88×
04MF DoomMusic & Radio43.05×
05Lil DickyMusic & Radio41.11×
06Sublime (band)Music & Radio37.25×
07MadlibMusic & Radio29.88×
08International educationBusiness & Career20.00×
09Funny animalInternet & Social Media16.85×
10Tyler PerryMovies & TV14.63×
11Teyana TaylorMovies & TV13.89×
12IbizaTravel & Leisure9.55×
13Disneyland ParisTravel & Leisure7.30×
14Rick and MortyMovies & TV6.62×
15Broadway theatreTravel & Leisure6.40×
16Web serverTechnology & Electronics6.06×
17Watercolor paintingArts & Culture4.98×
18Hair ExtensionsBeauty & Wellness4.18×
19Music festivalsMusic & Radio3.59×
20Music videosMusic & Radio2.79×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Atmosphere (music group) audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

↑ What stands out
The strongest tendencies
Top personality traits over-indexed by Atmosphere (music group) audience · What stands out
TraitClusterDeviationScore
TraditionCONSERVATISM1.70×
Community OrientationOPEN1.60×
Early Adopter MentalityPOWER1.46×
0×1.00× baseline2×
↓ Rather not
The weakest tendencies
Top personality traits over-indexed by Atmosphere (music group) audience · Rather not
TraitClusterDeviationScore
DIY MentalityTHRILL0.72×
Pet OwnershipJOY0.73×
Design AffinityPREMIUM0.76×
0×1.00× baseline2×
Appendix

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How to read this data

Audience size is the estimated number of people in United States who actively search for Atmosphere (music group). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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