A data profile of the people who buy, follow and care about Jack London in United States — modelled from more than twelve digital signal sources. Jack London has an estimated audience of 387,337 people in United States.
The average Jack London fan in United States is 42.2 years old, balanced, and lives primarily in California.
The audience is concentrated in California, Texas, Florida.
Top brand affinities include T. S. Eliot, Friedrich Nietzsche, Franz Kafka, with strongest over-indexing on T. S. Eliot (285.38× the country average).
Demographically, the Jack London audience skews balanced with an average age of 42.2, and over-indexes on personality traits such as Patriotism, Indulgence.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical Jack London fan in United States is balanced, around 42.2 years old, with strong Patriotism tendencies and a notable affinity for T. S. Eliot.
The key figures that characterise the Jack London profile in United States.
52.1% are female, 47.9% are male, average age 42.2.
| Metric | Value |
|---|---|
| Female | 52.1% |
| Male | 47.9% |
| Average age | 42.2 |
| Estimated audience size | 387,337 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 20% | |
| 20-29 | 12% | |
| 30-39 | 15% | |
| 40-49 | 21% | |
| 50+ | 32% |
Where the Jack London audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Alaska | ~2K | 2.78× | |
| 02 | California | ~90K | 2.22× | |
| 03 | Oregon | ~8K | 1.84× | |
| 04 | Montana | ~1K | 1.36× | |
| 05 | Washington | ~10K | 1.27× | |
| 06 | Idaho | ~2K | 1.23× | |
| 07 | Maine | ~2K | 1.19× | |
| 08 | Vermont | <1K | 1.16× | |
| 09 | New Hampshire | ~2K | 1.08× | |
| 10 | South Dakota | <1K | 1.08× | |
| 11 | Colorado | ~6K | 1.05× | |
| 12 | Louisiana | ~5K | 1.05× | |
| 13 | Utah | ~4K | 1.02× | |
| 14 | Washington, District of Columbia | ~1K | 1.01× | |
| 15 | Minnesota | ~6K | 1.00× | |
| 16 | North Dakota | <1K | 1.00× | |
| 17 | Massachusetts | ~8K | 0.99× | |
| 18 | Hawaii | ~2K | 0.99× | |
| 19 | Kansas | ~3K | 0.97× | |
| 20 | Connecticut | ~4K | 0.93× | |
| 21 | West Virginia | ~2K | 0.93× | |
| 22 | Missouri | ~6K | 0.92× | |
| 23 | New Mexico | ~2K | 0.92× | |
| 24 | Oklahoma | ~4K | 0.91× | |
| 25 | Indiana | ~6K | 0.90× | |
| 26 | Rhode Island | ~1K | 0.89× | |
| 27 | Arkansas | ~3K | 0.88× | |
| 28 | Nebraska | ~2K | 0.88× | |
| 29 | Virginia | ~8K | 0.87× | |
| 30 | Wisconsin | ~5K | 0.87× | |
| 31 | Arizona | ~7K | 0.86× | |
| 32 | Iowa | ~3K | 0.86× | |
| 33 | Pennsylvania | ~10K | 0.84× | |
| 34 | Tennessee | ~7K | 0.84× | |
| 35 | Nevada | ~3K | 0.83× | |
| 36 | New York | ~20K | 0.82× | |
| 37 | Illinois | ~10K | 0.82× | |
| 38 | Michigan | ~8K | 0.82× | |
| 39 | Kentucky | ~4K | 0.82× | |
| 40 | South Carolina | ~5K | 0.81× | |
| 41 | Mississippi | ~3K | 0.81× | |
| 42 | North Carolina | ~9K | 0.80× | |
| 43 | Delaware | <1K | 0.78× | |
| 44 | Maryland | ~5K | 0.77× | |
| 45 | Alabama | ~4K | 0.77× | |
| 46 | Ohio | ~9K | 0.76× | |
| 47 | Georgia | ~9K | 0.73× | |
| 48 | New Jersey | ~7K | 0.73× | |
| 49 | Florida | ~20K | 0.72× | |
| 50 | Texas | ~20K | 0.66× |
The strongest cross-interests of the Jack London audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | T. S. Eliot | Literature | 285.38× | ||
| 02 | Friedrich Nietzsche | Literature | 50.85× | ||
| 03 | Franz Kafka | Literature | 43.74× | ||
| 04 | Patrick Rothfuss | Literature | 31.66× | ||
| 05 | Mary Shelley | Literature | 27.56× | ||
| 06 | Neil Gaiman | Literature | 17.53× | ||
| 07 | Model building | Kids & Family | 15.47× | ||
| 08 | Alien (franchise) | Movies & TV | 14.80× | ||
| 09 | Brandon Sanderson | Literature | 13.32× | ||
| 10 | Romeo and Juliet | Arts & Culture | 11.29× | ||
| 11 | Eyes Wide Shut | Movies & TV | 8.74× | ||
| 12 | Natalie Portman | Movies & TV | 6.41× | ||
| 13 | Web server | Technology & Electronics | 5.34× | ||
| 14 | Public transport | Cars & Mobility | 3.70× | ||
| 15 | Renewable energy | Business & Career | 3.32× | ||
| 16 | Nonprofit organization | Politics & Society | 2.19× | ||
| 17 | Wine | Food & Beverages | 2.00× | ||
| 18 | Internet & Social Media | 1.86× | |||
| 19 | CNN | Movies & TV | 1.84× | ||
| 20 | Alcoholic beverages | Food & Beverages | 1.65× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Patriotism | CONSERVATISM | 2.44× | |
| Indulgence | JOY | 2.03× | |
| Urban Lifestyle | OPEN | 1.88× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Luxury Orientation | PREMIUM | 0.63× | |
| Pet Ownership | JOY | 0.76× | |
| Extroversion | THRILL | 0.82× |
Jack London has an estimated audience of 387,337 people in United States, concentrated in California and Texas.
52.1% of Jack London fans are female, 47.9% are male, with an average age of 42.2 years.
Jack London fans show strongest brand affinity for T. S. Eliot (285.38×), Friedrich Nietzsche (50.85×), and Franz Kafka (43.74×) over the country average.
Jack London fans in United States are most concentrated in California (reach ~90K), Texas (reach ~20K), and Florida (reach ~20K). These three regions account for the largest share of the active audience.
Beyond Jack London itself, the audience over-indexes on Friedrich Nietzsche (50.85×), Franz Kafka (43.74×), Mary Shelley (27.56×), and Model building (15.47×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for Jack London. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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