A data profile of the people who buy, follow and care about The Last Song (film) in United States — modelled from more than twelve digital signal sources. The Last Song (film) has an estimated audience of 795,824 people in United States.
The average The Last Song (film) fan in United States is 36.7 years old, more female, and lives primarily in California.
The audience is concentrated in California, Texas, New York.
Top brand affinities include Debby Ryan, Noah Baumbach, Feuilleton, with strongest over-indexing on Debby Ryan (126.56× the country average).
Demographically, the The Last Song (film) audience skews more female with an average age of 36.7, and over-indexes on personality traits such as Convenience Orientation, Patriotism.
Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 50 regions tracked by Rascasse.
The typical The Last Song (film) fan in United States is more female, around 36.7 years old, with strong Convenience Orientation tendencies and a notable affinity for Debby Ryan.
The key figures that characterise the The Last Song (film) profile in United States.
82.0% are female, 18.0% are male, average age 36.7.
| Metric | Value |
|---|---|
| Female | 82.0% |
| Male | 18.0% |
| Average age | 36.7 |
| Estimated audience size | 795,824 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 30% | |
| 20-29 | 21% | |
| 30-39 | 14% | |
| 40-49 | 13% | |
| 50+ | 22% |
of the worldwide The Last Song (film) audience comes from United States.
| Country | Share |
|---|---|
| United States | 40.9% |
| United Kingdom | 8.4% |
| Germany | 7.6% |
Where the The Last Song (film) audience in United States is strongest.
| # | Region | Reach | Affinity | × |
|---|---|---|---|---|
| 01 | Alabama | ~10K | 1.30× | |
| 02 | Idaho | ~4K | 1.29× | |
| 03 | Utah | ~6K | 1.28× | |
| 04 | Kentucky | ~9K | 1.25× | |
| 05 | Mississippi | ~6K | 1.24× | |
| 06 | Louisiana | ~9K | 1.21× | |
| 07 | Arkansas | ~6K | 1.21× | |
| 08 | Oklahoma | ~7K | 1.18× | |
| 09 | South Carolina | ~10K | 1.17× | |
| 10 | South Dakota | ~1K | 1.17× | |
| 11 | New York | ~40K | 1.15× | |
| 12 | Tennessee | ~10K | 1.14× | |
| 13 | West Virginia | ~3K | 1.14× | |
| 14 | Iowa | ~5K | 1.13× | |
| 15 | Montana | ~2K | 1.12× | |
| 16 | Georgia | ~20K | 1.10× | |
| 17 | Nebraska | ~3K | 1.09× | |
| 18 | North Dakota | ~1K | 1.09× | |
| 19 | Arizona | ~10K | 1.08× | |
| 20 | Kansas | ~5K | 1.07× | |
| 21 | Missouri | ~9K | 1.06× | |
| 22 | North Carolina | ~20K | 1.05× | |
| 23 | Indiana | ~10K | 1.05× | |
| 24 | Michigan | ~10K | 1.00× | |
| 25 | Wisconsin | ~8K | 1.00× | |
| 26 | New Mexico | ~3K | 0.99× | |
| 27 | Texas | ~50K | 0.98× | |
| 28 | Alaska | ~1K | 0.98× | |
| 29 | Ohio | ~20K | 0.96× | |
| 30 | Minnesota | ~8K | 0.96× | |
| 31 | New Hampshire | ~2K | 0.94× | |
| 32 | Pennsylvania | ~20K | 0.93× | |
| 33 | Maine | ~2K | 0.92× | |
| 34 | Hawaii | ~2K | 0.91× | |
| 35 | Oregon | ~6K | 0.90× | |
| 36 | Rhode Island | ~2K | 0.89× | |
| 37 | Illinois | ~20K | 0.88× | |
| 38 | Florida | ~30K | 0.87× | |
| 39 | Colorado | ~8K | 0.87× | |
| 40 | Connecticut | ~5K | 0.86× | |
| 41 | Vermont | <1K | 0.86× | |
| 42 | California | ~50K | 0.85× | |
| 43 | Virginia | ~10K | 0.84× | |
| 44 | Massachusetts | ~9K | 0.83× | |
| 45 | Delaware | ~1K | 0.83× | |
| 46 | Nevada | ~4K | 0.82× | |
| 47 | Washington | ~9K | 0.80× | |
| 48 | New Jersey | ~10K | 0.77× | |
| 49 | Maryland | ~7K | 0.73× | |
| 50 | Washington, District of Columbia | ~1K | 0.68× |
The strongest cross-interests of the The Last Song (film) audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Feuilleton | Literature | 737.33× | ||
| 02 | Noah Baumbach | Movies & TV | 133.10× | ||
| 03 | Debby Ryan | Movies & TV | 126.56× | ||
| 04 | Luca Guadagnino | Movies & TV | 104.00× | ||
| 05 | Kung Fu Hustle | Movies & TV | 97.65× | ||
| 06 | Syd Barrett | Music & Radio | 91.14× | ||
| 07 | Sean Kingston | Movies & TV | 85.27× | ||
| 08 | Victorious | Movies & TV | 55.93× | ||
| 09 | ICarly | Movies & TV | 43.55× | ||
| 10 | Josh Hutcherson | Movies & TV | 30.08× | ||
| 11 | Finding Nemo | Movies & TV | 26.46× | ||
| 12 | Monsters | Movies & TV | 25.23× | ||
| 13 | Genesis (band) | Music & Radio | 24.42× | ||
| 14 | Taylor Lautner | Movies & TV | 21.95× | ||
| 15 | Pitch Perfect | Movies & TV | 21.87× | ||
| 16 | Cameron Boyce | Movies & TV | 20.00× | ||
| 17 | Clueless (film) | Movies & TV | 19.97× | ||
| 18 | Shrek | Movies & TV | 15.64× | ||
| 19 | Subway | Food & Beverages | 6.00× | ||
| 20 | Pizza Hut | Food & Beverages | 5.12× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Convenience Orientation | PREMIUM | 2.69× | |
| Patriotism | CONSERVATISM | 2.00× | |
| Price Sensitivity | PREMIUM | 1.46× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| DIY Mentality | THRILL | 0.69× | |
| Design Affinity | PREMIUM | 0.71× | |
| Healthy Lifestyle | BALANCE | 0.81× |
The Last Song (film) has an estimated audience of 795,824 people in United States, concentrated in California and Texas.
82.0% of The Last Song (film) fans are female, 18.0% are male, with an average age of 36.7 years.
The Last Song (film) fans show strongest brand affinity for Debby Ryan (126.56×), Noah Baumbach (133.1×), and Feuilleton (737.33×) over the country average.
The Last Song (film) fans in United States are most concentrated in California (reach ~50K), Texas (reach ~50K), and New York (reach ~40K). These three regions account for the largest share of the active audience.
Beyond The Last Song (film) itself, the audience over-indexes on Noah Baumbach (133.1×), Feuilleton (737.33×), Kung Fu Hustle (97.65×), and Victorious (55.93×) compared to the United States average.
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in United States who actively search for The Last Song (film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across United States. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
From global mass-market brands to niche local segments — explore the full library and see which intelligence layers are included.