Rascasse Audience Intelligence

Film editing Audience in Germany

A data profile of the people who buy, follow and care about Film editing in Germany — modelled from more than twelve digital signal sources. Film editing has an estimated audience of 882,242 people in Germany.

The average Film editing fan in Germany is 34.6 years old, more male, and lives primarily in Nordrhein-Westfalen.

The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.

Top brand affinities include Video editing, IGN, Google Drive, with strongest over-indexing on Video editing (14.88× the country average).

Demographically, the Film editing audience skews more male with an average age of 34.6, and over-indexes on personality traits such as Quality Awareness, Early Adopter Mentality.

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.

The typical Film editing fan in Germany is more male, around 34.6 years old, with strong Quality Awareness tendencies and a notable affinity for Video editing.

Category: Movies & TV · Type: Topic · Subtype: Field of study

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Film editing profile in Germany.

Audience size
882K
in Germany
Gender
42.9%
57.1% male
Age
34.6
average years
Country rank
#7251
Topic in Germany
Fig. 01

Search interest · 12-month trend

-0%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Film editing fans

42.9% are female, 57.1% are male, average age 34.6.

Fig. 02

Gender split

42.9%
Female
57.1%
Male
Demographic split for Film editing audience in Germany
MetricValue
Female42.9%
Male57.1%
Average age34.6
Estimated audience size882,242
Fig. 03

Age distribution

Ø 34.6
average years
Age distribution of the Film editing audience in Germany
Age bracketShare%
16-1931%
20-2920%
30-3919%
40-4920%
50+9%
Fig. 04

Worldwide distribution

2.7%

of the worldwide Film editing audience comes from Germany.

Worldwide audience distribution share by country for Film editing
CountryShare
China15.5%
United States11.9%
Japan11.5%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the Germany average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Film editing audience in Germany is strongest.

Fig. 05

Top regions by affinity

Film editing fans by region: top regions in Germany
#RegionReachAffinity×
01Thüringen~70K3.19×
02Bremen~8K1.09×
03Saarland~10K1.06×
04Berlin~40K1.03×
05Mecklenburg-Vorpommern~20K0.97×
06Sachsen-Anhalt~20K0.95×
07Brandenburg~30K0.93×
08Hamburg~20K0.91×
09Schleswig-Holstein~30K0.90×
10Hessen~60K0.89×
11Rheinland-Pfalz~40K0.88×
12Sachsen~40K0.86×
13Niedersachsen~70K0.82×
14Bayern~100K0.81×
15Baden-Württemberg~90K0.73×
16Nordrhein-Westfalen~100K0.67×
Fig. 06

Affinity by region

Affinity by region — Film editing, Germany
0.67×1.00×3.19×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Film editing audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Film editing audience
#·InterestCategoryAffinity×
01IGNMovies & TV24.53×
02Video editingTechnology & Electronics14.88×
03Yvonne StrahovskiMovies & TV14.88×
04NikonTechnology & Electronics9.07×
05CanonTechnology & Electronics8.56×
06Kate BeckinsaleMovies & TV8.35×
07Travel BloggerTravel & Leisure6.07×
08FlickrInternet & Social Media5.83×
09Robert RedfordMovies & TV5.81×
10Google DriveTechnology & Electronics5.80×
11CapCutTechnology & Electronics5.63×
12Cultural heritagePolitics & Society5.26×
13Office 365Technology & Electronics5.14×
14Crime fictionLiterature4.54×
15CrunchyrollGames4.12×
16HugendubelShopping3.46×
17LivemusicMusic & Radio3.01×
18Instant messagingInternet & Social Media2.32×
19RyanairTravel & Leisure2.22×
20NatureHome & Garden1.57×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Film editing audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

What stands out
The strongest tendencies
Top personality traits over-indexed by Film editing audience · What stands out
TraitClusterDeviationScore
Quality AwarenessPREMIUM1.89×
Early Adopter MentalityPOWER1.79×
Risk AppetiteTHRILL1.73×
1.00× baseline
Rather not
The weakest tendencies
Top personality traits over-indexed by Film editing audience · Rather not
TraitClusterDeviationScore
Family OrientationCONSERVATISM0.84×
DIY MentalityTHRILL0.86×
Need for SecurityCONSERVATISM0.89×
1.00× baseline
Section 06

Frequently asked questions

01

How many fans does Film editing have in Germany?

Film editing has an estimated audience of 882,242 people in Germany, concentrated in Nordrhein-Westfalen and Bayern.

02

What is the gender split and age of Film editing fans?

42.9% of Film editing fans are female, 57.1% are male, with an average age of 34.6 years.

03

Which brands do Film editing fans like most?

Film editing fans show strongest brand affinity for Video editing (14.88×), IGN (24.53×), and Google Drive (5.8×) over the country average.

04

Where do Film editing fans live in Germany?

Film editing fans in Germany are most concentrated in Nordrhein-Westfalen (reach ~100K), Bayern (reach ~100K), and Baden-Württemberg (reach ~90K). These three regions account for the largest share of the active audience.

05

What other brands do Film editing fans also like?

Beyond Film editing itself, the audience over-indexes on IGN (24.53×), Google Drive (5.8×), Robert Redford (5.81×), and Yvonne Strahovski (14.88×) compared to the Germany average.

Appendix

Explore more audiences

Related profiles, rankings and the same audience in other markets.

How to read this data

Audience size is the estimated number of people in Germany who actively search for Film editing. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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