Rascasse Audience Intelligence

Pinocchio (1940 film) Audience in Germany

A data profile of the people who buy, follow and care about Pinocchio (1940 film) in Germany — modelled from more than twelve digital signal sources. Pinocchio (1940 film) has an estimated audience of 864,199 people in Germany.

The average Pinocchio (1940 film) fan in Germany is 38.5 years old, more female, and lives primarily in Nordrhein-Westfalen.

The audience is concentrated in Nordrhein-Westfalen, Bayern, Baden-Württemberg.

Top brand affinities include Jude Law, The Nutcracker, Scooby-Doo, with strongest over-indexing on Jude Law (171.03× the country average).

Demographically, the Pinocchio (1940 film) audience skews more female with an average age of 38.5, and over-indexes on personality traits such as Mindfulness, Family Orientation.

Compared to the country baseline, this audience shows distinctive patterns across 20 brand affinities and 16 regions tracked by Rascasse.

The typical Pinocchio (1940 film) fan in Germany is more female, around 38.5 years old, with strong Mindfulness tendencies and a notable affinity for Jude Law.

Category: Movies & TV · Type: Movie / TV Show / Series

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-10.

Section 01

At a glance

The key figures that characterise the Pinocchio (1940 film) profile in Germany.

Audience size
864K
in Germany
Gender
69.6%
30.4% male
Age
38.5
average years
Country rank
#7395
Movie / TV Show / Series in Germany
Fig. 01

Search interest · 12-month trend

-4%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Pinocchio (1940 film) viewers

69.6% are female, 30.4% are male, average age 38.5.

Fig. 02

Gender split

69.6%
Female
30.4%
Male
Demographic split for Pinocchio (1940 film) audience in Germany
MetricValue
Female69.6%
Male30.4%
Average age38.5
Estimated audience size864,199
Fig. 03

Age distribution

Ø 38.5
average years
Age distribution of the Pinocchio (1940 film) audience in Germany
Age bracketShare%
16-1917%
20-2924%
30-3923%
40-4918%
50+18%
Fig. 04

Worldwide distribution

12.2%

of the worldwide Pinocchio (1940 film) audience comes from Germany.

Worldwide audience distribution share by country for Pinocchio (1940 film)
CountryShare
United States26.9%
Germany12.2%
Italy10.8%
Section 03
Affinity (×) = how much more likely a member of this audience is to live in a region than the Germany average. Example: 2.0× means twice as concentrated as the national baseline.

Geography

Where the Pinocchio (1940 film) audience in Germany is strongest.

Fig. 05

Top regions by affinity

Pinocchio (1940 film) fans by region: top regions in Germany
#RegionReachAffinity×
01Rheinland-Pfalz~60K1.50×
02Nordrhein-Westfalen~300K1.42×
03Niedersachsen~100K1.31×
04Hamburg~20K1.10×
05Bayern~100K1.09×
06Baden-Württemberg~100K1.06×
07Hessen~70K1.05×
08Schleswig-Holstein~30K1.04×
09Thüringen~20K0.89×
10Berlin~30K0.87×
11Sachsen-Anhalt~20K0.85×
12Saarland~9K0.85×
13Sachsen~40K0.83×
14Mecklenburg-Vorpommern~10K0.81×
15Bremen~6K0.80×
16Brandenburg~20K0.73×
Fig. 06

Affinity by region

Affinity by region — Pinocchio (1940 film), Germany
0.73×1.00×1.50×
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Pinocchio (1940 film) audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Pinocchio (1940 film) audience
#·InterestCategoryAffinity×
01Jude LawMovies & TV171.03×
02The NutcrackerMusic & Radio127.16×
03Austin Powers (film series)Movies & TV92.70×
04DumboMovies & TV71.98×
05Magnolia (film)Movies & TV65.20×
06Scooby-DooMovies & TV61.87×
07MegamindMovies & TV60.53×
08BambiMovies & TV57.93×
09Pocahontas (1995 film)Movies & TV55.15×
10Descendants (2015 film)Movies & TV51.07×
11Ghostbusters (franchise)Movies & TV43.56×
12BeetlejuiceMovies & TV43.32×
13GarfieldMovies & TV33.73×
14Mulan (1998 film)Movies & TV33.69×
15Night at the MuseumMovies & TV31.04×
16Hot FuzzMovies & TV30.36×
17Snow WhiteMovies & TV21.16×
18Catherine O'HaraMovies & TV20.00×
19Stitch!Movies & TV20.00×
20Kate WinsletMovies & TV14.59×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Pinocchio (1940 film) audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

What stands out
The strongest tendencies
Top personality traits over-indexed by Pinocchio (1940 film) audience · What stands out
TraitClusterDeviationScore
MindfulnessBALANCE1.44×
Family OrientationCONSERVATISM1.34×
IndividualismJOY1.25×
1.00× baseline
Rather not
The weakest tendencies
Top personality traits over-indexed by Pinocchio (1940 film) audience · Rather not
TraitClusterDeviationScore
Need for SecurityCONSERVATISM0.74×
Risk AppetiteTHRILL0.75×
Luxury OrientationPREMIUM0.77×
1.00× baseline
Section 06

Frequently asked questions

01

How many fans does Pinocchio (1940 film) have in Germany?

Pinocchio (1940 film) has an estimated audience of 864,199 people in Germany, concentrated in Nordrhein-Westfalen and Bayern.

02

What is the gender split and age of Pinocchio (1940 film) viewers?

69.6% of Pinocchio (1940 film) fans are female, 30.4% are male, with an average age of 38.5 years.

03

Which brands do Pinocchio (1940 film) fans like most?

Pinocchio (1940 film) fans show strongest brand affinity for Jude Law (171.03×), The Nutcracker (127.16×), and Scooby-Doo (61.87×) over the country average.

04

Where do Pinocchio (1940 film) fans live in Germany?

Pinocchio (1940 film) fans in Germany are most concentrated in Nordrhein-Westfalen (reach ~300K), Bayern (reach ~100K), and Baden-Württemberg (reach ~100K). These three regions account for the largest share of the active audience.

05

What other brands do Pinocchio (1940 film) fans also like?

Beyond Pinocchio (1940 film) itself, the audience over-indexes on The Nutcracker (127.16×), Scooby-Doo (61.87×), Beetlejuice (43.32×), and Austin Powers (film series) (92.7×) compared to the Germany average.

Appendix

Explore more audiences

Related profiles, rankings and the same audience in other markets.

How to read this data

Audience size is the estimated number of people in Germany who actively search for Pinocchio (1940 film). Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across Germany. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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