A data profile of the people who buy, follow and care about Stand-up comedy in Poland — modelled from more than twelve digital signal sources. Stand-up comedy has an estimated audience of 2,586,559 people in Poland.
Stand-up comedy has an estimated audience of 2,586,559 people in Poland. 52.3% are female, 47.7% are male, average age 38.5. Top brand affinities: TikTok, Humour, Comedy movies, X, Lech Poznań.
Top brand affinities include TikTok, Humour, Comedy movies, with strongest over-indexing on TikTok (1.57× the country average).
Demographically, the Stand-up comedy audience skews balanced with an average age of 38.5, and over-indexes on personality traits such as Social Media Usage, Need for Security.
The typical Stand-up comedy fan in Poland is balanced, around 38.5 years old, with strong Social Media Usage tendencies and a notable affinity for TikTok.
The key figures that characterise the Stand-up comedy profile in Poland.
52.3% are female, 47.7% are male, average age 38.5.
| Metric | Value |
|---|---|
| Female | 52.3% |
| Male | 47.7% |
| Average age | 38.5 |
| Estimated audience size | 2,586,559 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 18% | |
| 20-29 | 24% | |
| 30-39 | 22% | |
| 40-49 | 19% | |
| 50+ | 18% |
of the worldwide Stand-up comedy audience comes from Poland.
| Country | Share |
|---|---|
| United States | 31.0% |
| United Kingdom | 6.4% |
| India | 5.9% |
The strongest cross-interests of the Stand-up comedy audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Black comedy | Movies & TV | 3.29× | ||
| 02 | Sketch comedy | Movies & TV | 2.54× | ||
| 03 | The Office (U.S. TV series) | Movies & TV | 2.53× | ||
| 04 | MSN | News | 2.33× | ||
| 05 | Satire | Literature | 2.32× | ||
| 06 | Humour | Literature | 2.21× | ||
| 07 | Meme | Internet & Social Media | 2.03× | ||
| 08 | Podcast | Music & Radio | 1.94× | ||
| 09 | Comedy movies | Movies & TV | 1.86× | ||
| 10 | X | Internet & Social Media | 1.74× | ||
| 11 | Cabaret | Arts & Culture | 1.66× | ||
| 12 | Audience | Business & Career | 1.59× | ||
| 13 | TikTok | Internet & Social Media | 1.57× | ||
| 14 | Lech Poznań | Sports | 1.54× | ||
| 15 | Laughter | Movies & TV | 1.54× | ||
| 16 | Music download | Technology & Electronics | 1.53× | ||
| 17 | Twitch | Games | 1.52× | ||
| 18 | Horror movies | Movies & TV | 1.52× | ||
| 19 | Radio broadcasting | Music & Radio | 1.51× | ||
| 20 | Ekstraklasa | Sports | 1.50× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Social Media Usage | JOY | 1.38× | |
| Need for Security | CONSERVATISM | 1.07× | |
| Design Affinity | PREMIUM | 1.01× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| DIY Mentality | THRILL | 0.70× | |
| Individualism | JOY | 0.74× | |
| Early Adopter Mentality | POWER | 0.77× |
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Poland who actively search for Stand-up comedy. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Poland. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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