A data profile of the people who buy, follow and care about Stand-up comedy in Norway — modelled from more than twelve digital signal sources. Stand-up comedy has an estimated audience of 598,778 people in Norway.
Stand-up comedy has an estimated audience of 598,778 people in Norway. 46.4% are female, 53.6% are male, average age 43.0. Top brand affinities: NAV, TikTok, Comedy movies, Podcast, Humour.
Top brand affinities include NAV, TikTok, Comedy movies, with strongest over-indexing on NAV (1.83× the country average).
Demographically, the Stand-up comedy audience skews balanced with an average age of 43.0, and over-indexes on personality traits such as Social Media Usage, Patriotism.
The typical Stand-up comedy fan in Norway is balanced, around 43.0 years old, with strong Social Media Usage tendencies and a notable affinity for NAV.
The key figures that characterise the Stand-up comedy profile in Norway.
46.4% are female, 53.6% are male, average age 43.0.
| Metric | Value |
|---|---|
| Female | 46.4% |
| Male | 53.6% |
| Average age | 43.0 |
| Estimated audience size | 598,778 |
| Age bracket | Share | % |
|---|---|---|
| 16-19 | 12% | |
| 20-29 | 18% | |
| 30-39 | 19% | |
| 40-49 | 23% | |
| 50+ | 29% |
of the worldwide Stand-up comedy audience comes from Norway.
| Country | Share |
|---|---|
| United States | 31.0% |
| United Kingdom | 6.4% |
| India | 5.9% |
The strongest cross-interests of the Stand-up comedy audience — brands, topics and people combined.
| # | · | Interest | Category | Affinity | × |
|---|---|---|---|---|---|
| 01 | Humour | Literature | 2.05× | ||
| 02 | Podcast | Music & Radio | 2.00× | ||
| 03 | Snapchat | Internet & Social Media | 1.92× | ||
| 04 | Breakbeat | Music & Radio | 1.91× | ||
| 05 | TikTok | Internet & Social Media | 1.88× | ||
| 06 | Instant messaging | Internet & Social Media | 1.87× | ||
| 07 | NAV | Music & Radio | 1.83× | ||
| 08 | Comedy movies | Movies & TV | 1.78× | ||
| 09 | Australia | Travel & Leisure | 1.77× | ||
| 10 | X | Internet & Social Media | 1.76× | ||
| 11 | Netflix | Movies & TV | 1.66× | ||
| 12 | TV reality shows | Movies & TV | 1.64× | ||
| 13 | Sydney Sweeney | Movies & TV | 1.63× | ||
| 14 | Online newspaper | News | 1.58× | ||
| 15 | Rhythm and blues music | Music & Radio | 1.57× | ||
| 16 | Electronic music | Music & Radio | 1.54× | ||
| 17 | Drum and bass | Music & Radio | 1.54× | ||
| 18 | Hip hop music | Music & Radio | 1.53× | ||
| 19 | Documentary movies | Movies & TV | 1.52× | ||
| 20 | Society | Politics & Society | 1.50× |
Values above 1.00× are above the country average, values below 1.00× below it.
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Social Media Usage | JOY | 1.40× | |
| Patriotism | CONSERVATISM | 1.05× | |
| Travelling | THRILL | 0.79× |
| Trait | Cluster | Deviation | Score |
|---|---|---|---|
| Early Adopter Mentality | POWER | 0.64× | |
| Travelling | THRILL | 0.79× | |
| Patriotism | CONSERVATISM | 1.05× |
Related profiles, rankings and the same audience in other markets.
Audience size is the estimated number of people in Norway who actively search for Stand-up comedy. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.
This audience profile is generated by Rascasse from anonymized search-behavior signals across Norway. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.
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