Rascasse Audience Intelligence

Hip hop music Audience in Sweden

A data profile of the people who buy, follow and care about Hip hop music in Sweden — modelled from more than twelve digital signal sources. Hip hop music has an estimated audience of 1,795,376 people in Sweden.

Hip hop music has an estimated audience of 1,795,376 people in Sweden. 48.1% are female, 51.9% are male, average age 39.2. Top brand affinities: Lil Durk, Daily Jokes, Teddy Riley, Pete Rock, Kid Cudi.

Top brand affinities include Lil Durk, Daily Jokes, Teddy Riley, with strongest over-indexing on Lil Durk (1.55× the country average).

Demographically, the Hip hop music audience skews balanced with an average age of 39.2, and over-indexes on personality traits such as Patriotism, Healthy Lifestyle.

The typical Hip hop music fan in Sweden is balanced, around 39.2 years old, with strong Patriotism tendencies and a notable affinity for Lil Durk.

Category: Music & Radio · Type: Topic · Subtype: Musical genre

The data on this page comes from the Rascasse audience panel and is refreshed monthly from search, social and browsing signals. As of 2026-08-17.

Section 01

At a glance

The key figures that characterise the Hip hop music profile in Sweden.

Audience size
1.8M
in Sweden
Gender
48.1%
51.9% male
Age
39.2
average years
Country rank
#312
Topic in Sweden
Fig. 01

Search interest · 12-month trend

-28%
vs. last year
JanMarMayJulSepNov
Monthly searches · Source: Rascasse Audience Intelligence
Section 02

Demographics of Hip hop music fans

48.1% are female, 51.9% are male, average age 39.2.

Fig. 02

Gender split

48.1%
Female
51.9%
Male
Demographic split for Hip hop music audience in Sweden
MetricValue
Female48.1%
Male51.9%
Average age39.2
Estimated audience size1,795,376
Fig. 03

Age distribution

Ø 39.2
average years
Age distribution of the Hip hop music audience in Sweden
Age bracketShare%
16-1920%
20-2922%
30-3918%
40-4919%
50+22%
Fig. 04

Worldwide distribution

0.4%

of the worldwide Hip hop music audience comes from Sweden.

Worldwide audience distribution share by country for Hip hop music
CountryShare
United States23.3%
China4.1%
United Kingdom4.1%
Section 04
Brands and entities this audience over-indexes on, vs. the country average.

Audience interests & affinities

The strongest cross-interests of the Hip hop music audience — brands, topics and people combined.

Fig. 07

Top cross-interests, ranked by affinity

Top brand affinities (over-index vs. country average) for Hip hop music audience
#·InterestCategoryAffinity×
01Daily JokesInternet & Social Media1.58×
02Kid CudiMusic & Radio1.58×
03Teddy RileyMusic & Radio1.57×
04Lil DurkMusic & Radio1.55×
05Pete RockMusic & Radio1.54×
Section 05
Top six personality traits over-indexed by this audience (1.0 = country average).

Personality of the Hip hop music audience

Values above 1.00× are above the country average, values below 1.00× below it.

Fig. 08

Deviation from the national baseline

What stands out
The strongest tendencies
Top personality traits over-indexed by Hip hop music audience · What stands out
TraitClusterDeviationScore
PatriotismCONSERVATISM1.24×
Healthy LifestyleBALANCE0.91×
TravellingTHRILL0.87×
1.00× baseline
Rather not
The weakest tendencies
Top personality traits over-indexed by Hip hop music audience · Rather not
TraitClusterDeviationScore
Urban LifestyleOPEN0.77×
Social Media UsageJOY0.80×
Early Adopter MentalityPOWER0.81×
1.00× baseline
Appendix

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How to read this data

Audience size is the estimated number of people in Sweden who actively search for Hip hop music. Affinity is an over-index ratio: 2.0× means the audience is twice as likely to engage with that brand or trait as the country average. Reach is the estimated number of audience members in a region. Regional and brand-affinity tables are sorted from strongest signal to weakest.

About this audience profile

This audience profile is generated by Rascasse from anonymized search-behavior signals across Sweden. For methodology see methodology. Affinity values are over-index ratios vs. the country average (1.0 = baseline). Audience sizes are estimated, not measured.

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